THE PEERLESS FOUR is a fictional account of four young
ladies who participated as representatives from Canada in
the 1928 Olympics in Amsterdam. It was only a trial basis
for women to be participants in track and field events.
Prior to the 1928 Olympics, women were only allowed to
participate in "lady-like" events. Florence Smith loved
basketball, but could not play at school because she was a
girl. She was just as good as her brothers, and could run
like the wind. Bonnie Brody just loved to run, and she loved
her coach, sometimes a little too much. Ginger Hadley was
the "Dream Girl" on the team. Her beauty rivaled her running
talents, and the media loved her. She cared only about
running and none of the glitz and glamour. Muriel Ziegler,
whom they nicknamed Farmer, was the field event superstar,
mastering the javelin and shot put with little effort. Being
the oldest at twenty-two, she was their captain.
Jack Grapes is the promoter who put this team together,
along with his secretary, and the girls' chaperone, Mel
(Marybelle Eloise Lee) Ross. Mel and her husband were
somewhat estranged at the time, and she longed to have some
purpose in her life. The group travels eight days by steam
ship across the Atlantic to reach Amsterdam. They travel
with other Olympians and the ship is outfitted for them to
practice and work out during their journey. The story takes
us through the events of the Olympics, back to Canada and
the aftermath of having participated. Will the girls be
successful at the Olympics? Will there courage and
determination change the course of history? Did their glory
end in Amsterdam?
THE PEERLESS FOUR is not just a story about four girls who
went to the 1928 Olympics. It's a story about winning and
losing, not just in sports, but in life as well. A sport has
rules and regulations and is very ordered and easy to
understand. Life is not so easily understood. There is no
right or wrong answer to our questions sometimes; we just
make choices. Most of these girls escape life through their
running. They discover that it's more about the struggle
than the triumph. In life, we lose sometimes, but we have to
go on living. This story deals with social attitudes and
change. All the characters are strong and realistic. Each
character has their personal story told, including Jack and
Mel, who narrates the story in first person. Victoria
Patterson masterfully incorporates a lot of philosophizing
about life into the narration. It's a very different type of
story, but one that I thoroughly enjoyed. I highly recommend
it!
Running so hard you think you’ll choke on your next breath.
Peripheral vision blurred by the same adrenaline that drowns
out the cheers coming from the full stadium. And of course,
the reporters. The men scribbling furiously on their
notepads so they can publish every stumble, sprain, and
sniffle in these historic games.
This was the world of the female athletes in the 1928
Amsterdam Olympics, the first games in which women were
allowed to compete in track and field (and on a trial basis,
at that). Nicknamed “the Peerless Four,” the Canadian track
team included some of the strongest and most diversely
talented women on the scene. Narrated by the team’s
chaperone—a former runner herself—the women embark on their
journey with the same golden goals as every other Olympian,
male or female. But as the Olympic tension begins to rise
with unexpected injuries, heartbreaking disqualifications,
and the pressure of supreme athletic performance, each woman
discovers new fears and new priorities, all while the weight
of women’s future in the Olympics rests on their performance
poise.
Excerpt
The Peerless Four and Hugh Williams
Before the 1928 OlympicsFlorence Smith
Basketball brought me to life, and once I was awake and
alive, there was no turning back. I'm not good at school,
never have been. There's a clarity and straightforwardness
to basketball, to sports, that I understand. There are
rules. You follow the rules and try to win. Life isn't like
that. Too bad, because in life you have to work to make
anything make sense. Life is deceptive. In basketball, I'm
asked to be smart: to get the ball, pass the ball, fake a
pass, dribble, and to shoot the ball through the hoop. When
I run, I'm asked to run as fast as I can, beat the others.
Cross the finish line first. I have a job to do, and I
either get it done or don't. There's nothing vague about it.
It's very clear. Life is tough and disappointing and I can't
control anything, so to me the best answer is sports.
There's no right or wrong answer like with arithmetic. I'm
not asked to come up with something like you have to in
English. I don't have to decipher a story or a poem. I'm
connected to others, and we're connected through time, when
it was clear and straightforward then, like it is now.
There's no trick answer, nothing that you have to interpret
or guess. I don't understand Shakespeare or algebra or why a
poem makes people cry, but give me the ball, and I'll
dribble and pass, and I'll take the elbow to the face, the
lumps and the bruises, gladly, to know that I'm doing
something truly fine, something that's as good as
Shakespeare, if you ask me, as good as any poem, even
better, if you ask me. It's action. It has the kind of power
and force of the known, and I gave myself over as soon as I
discovered basketball. I knew that I'd found an answer to my
life. I was alive.
At first, my dad wouldn't let me play basketball. I was ten
and we would go to my brother's games at the high school.
I'm the only girl of five children, and being from a family
of boys, I did everything that they did, which confused my
dad, since it wasn't ladylike. That's how I got into
running, because of my three older brothers. I ran to keep
away from them.
"I want to do that," I told my dad at the basketball game,
and he shook his head and said, "That's not for girls." It's
very simple, really. Boys play sports and girls watch the
boys play sports. My dad believes that girls should stay
home and work and bring the money home until they get
married. Girls shouldn't go to college—fine by me!
Only the boys should. But I wanted to be on the basketball
court, and I didn't care what my dad said.
I'd watch my brother with his squeaking shoes crossing the
court, dribbling and passing, making his shots, and he gave
meaning to my life, gave me a purpose. I cheered for him
with such yearning and enthusiasm that my dad would put his
hands on my shoulders, beg me to sit back down. But he
couldn't keep me sitting. It was bigger than him, bigger
than me. I became so involved in the games, in my desire to
break free from life's confusions, to have a purpose within
me. It was like I became my brother, and I was in the
competitive world of men, and I was important.
Before the games, I couldn't eat because of nerves. I'd pace
the house, going over game plans in my head. "Sit down!" my
dad would say. "You're making everyone nervous." During the
games, I'd pace the stands, clenching my fists, waving my
fists, shouting. I couldn't stay still. Cheering is what you
call it, but it was more than that. I strutted up and down
the aisles, dribbling my imaginary ball with my brother. I
faked defenders, turned and made my shots. I took low,
sweeping passes. I trotted and swerved and blocked players,
careful not to foul. All this I did with a very loud
commentary, letting my dad and the spectators and the refs
know that I knew everything, that I was in the game, and
that I was part of this world whether my dad let me play for
real or not. Truly, I believed that my brother depended on
me, that in some magical way, I was him, and that his
success and his team's depended on my vigilance. When he
made a shot, when he passed the ball with beauty, and the
crowd clapped and roared, I believed that they were roaring
for me, as much as for him. It felt like an assurance that
life could be understandable.
I couldn't stop moving and talking and my dad became
concerned. People stared, moved away from us. A few stayed,
fascinated by my antics.
"You're like a crazy person," my dad said.
Then my dad decided that I couldn't come to the basketball
games anymore. My cheering was too much. The games were my
delight, my reason for living, and I locked myself in a
closet and cried for two days. I refused to eat. My family
couldn't get me to come out. Even my brother, whom I love
with all my heart, because he believes in me and plays
sports with me, and he taught me what he knows about
basketball—he couldn't get me to come out. My mom made
blueberry pie, my favorite, put it right outside the closet
so that I smelled it. But I didn't care.
"Let her play," I heard my mom tell my dad. "Girls play
basketball all the time now," said my brother, and my dad
said, "Not my daughter." But he gave in, because I wouldn't
come out of the closet or eat, and I'm his daughter, and he
loves me.
He never watches me compete, but he might take pride. I
don't know. Whenever I bring home a ribbon, he says, "Don't
get a swelled head," and that's it.
So when it came to letting me go to the Olympics, it was
difficult. I wasn't going to be able to have children, he
said. Everyone knows that's not true, I said. My grandmother
wants to put a chastity belt on me, and she practically
disowned my dad when he relented. They're Lutherans and
serious. Sturdy, good workers, farmers, and grim about life.
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