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The inconvenient Indian: A Curious Account of Native People in North America

The inconvenient Indian: A Curious Account of Native People in North America, September 2013
by Thomas King

University of Minnesota Press
ISBN: 0816689768
EAN: 9780816689767
Hardcover
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"Native people as seen by history and Hollywood"

Fresh Fiction Review

The inconvenient Indian: A Curious Account of Native People in North America
Thomas King

Reviewed by Clare O'Beara
Posted August 4, 2013

Non-Fiction

This chatty book of facts, opinions and talking points is a modern look at the native peoples of North America and how they have been, and are, treated by the Americans and Canadians. THE INCONVENIENT INDIAN stopped invading settlers and exploiters of mineral wealth from taking all they wanted, and became a magnified foe, to the extent that a plaque still stands in Almo, Idaho, to mark a most horrible Indian massacre which never occurred. The battle at Little Big Horn did occur, but by and large the native people received far worse treatment than they gave.

Thomas King, a Cherokee, takes a look at history without calling this a history book; no footnotes, he tells us. King points out that Canada largely fought with the Metis, who were part Indian and part English or French. He goes on to look at portrayals in literature and art, including stamps and currency; at Wild West shows where at least the Indian performers were paid and fed, and got to travel rather than sit on a reservation.

Then of course, there came Hollywood with its many westerns. Will Rogers, a Cherokee, is one of only two Natives to get stars on the Walk of Fame. There are more cartoon characters and dogs honoured on that Walk. Rogers never played an Indian role, but the other man so honoured was Jay Silverheels, whose most famous role was Tonto. Taylor Lautner, recent star in the Twilight series, was initially a white actor playing a Quilute but then discovered that he had forbears who were Ottowa and Potawatomi. King is wry about the previous portrayal as bloodthirsty savages having changed to vampire-killing werewolves. Black actors have had many starring roles in the past few decades, and a few Oscars, but aside from Graham Greene in Dances with Wolves and Chief Dan George in Little Big Man (I know him better from The Outlaw Josey Wales, not mentioned by King), Natives have not received Academy nominations and largely pay minor typecast roles. Northern Exposure is seen as the best television series for portraying and casting Natives.

King then goes into a lengthy look at the history of commerce and killing between the races, the difficulty of gaining votes for Natives (when even Blacks and women could vote). The reader has to excuse his dwelling on negative situations; it's his family, after all. Today's Natives live modern lives informed by traditional values, he says, and he would be fascinated to know what will happen to them over the next five hundred years. This is a very informative book, with a slight but not unpleasant bias, and anyone interested in the background would enjoy it as dip-into reading, with a thorough read ideal for research on a project.

Learn more about The inconvenient Indian: A Curious Account of Native People in North America

SUMMARY

In The Inconvenient Indian, Thomas King offers a deeply knowing, darkly funny, unabashedly opinionated, and utterly unconventional account of Indian-White relations in North America since initial contact. Ranging freely across the centuries and the Canada-U.S. border, King debunks fabricated stories of Indian savagery and White heroism, takes an oblique look at Indians (and cowboys) in film and popular culture, wrestles with the history of Native American resistance and his own experiences as a Native rights activist, and articulates a profound, revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands.

Suffused with wit, anger, perception, and wisdom, The Inconvenient Indian is at once an engaging chronicle and a devastating subversion of history, insightfully distilling what it means to be “Indian” in North America. It is a critical and personal meditation that sees Native American history not as a straight line but rather as a circle in which the same absurd, tragic dynamics are played out over and over again. At the heart of the dysfunctional relationship between Indians and Whites, King writes, is land: “The issue has always been land.” With that insight, the history inflicted on the indigenous peoples of North America—broken treaties, forced removals, genocidal violence, and racist stereotypes—sharpens into focus. Both timeless and timely, The Inconvenient Indian ultimately rejects the pessimism and cynicism with which Natives and Whites regard one another to chart a new and just way forward for Indians and non-Indians alike


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