"A heartfelt, emotional historical romance with danger and intrigue around every corner."
Reviewed by Mandy Burns
Posted June 16, 2010
Romance Historical
Lord Roland "Mac" McKenzie's reputation as a free-spirit
artist is something he takes pride in and uses, until his
heart is broken by his wife. Over six years ago on a dare,
Mac entered Isabella's debutante ball to steal a kiss. He
was so enamored of her, he whisked her away and married her
the next day. During their marriage, Isabella handled his
drunkenness and his disappearing acts with gusto, forgiving
him every time, until a tragedy occurred during one of his
vanishing acts, forcing Isabella to finally give up on him
and gain a legal separation. She now avoids him at every
turn, so Mac is thrown off-center when Isabella comes to
his home one morning asking about someone copying his
paintings with his name attached, which in turn puts
Isabella in danger.
Six years ago, Isabella's marriage to Lord Roland McKenzie
was the scandal of the year when she married him the night
after her debutante ball. Isabella did everything she could
to make the marriage work, but ignoring his drunken
escapades took a toll. After a personal tragedy tore her
world apart, it left her no choice but to gain legal
separation from Mac, no matter how it broke her heart.
Isabella has recently discovered that her husband's
painting are being forged and sold to their friends, so to
protect the man she will always love, Isabella holds her
head high and walks into his home.
This second book in the McKenzie series is fun and
heartfelt with dangerous intrigue around every corner. A
great read!
SUMMARY
Notorious artist Mac Mackenzie and his estranged bride, Lady
Isabella Scranton shocked society by meeting and eloping the
night of Isabella's debut ball in London. Three tumultuous
years later they shocked London once again by separating.
But after three years without Isabella, Mac is desperate to
regain her trust and have her back in his life. This wild
Mackenzie is ready to do whatever necessary to get his wife
back where she belongs: his home and his bed.
ExcerptChapter One
All
of London was amazed to learn of the sudden marriage of
Lady I— S—
and Lord M— M—, brother of the Duke of K— last evening. The
lady
in question had her Come-Out and her Wedding the same
night, leading
debutantes to plead with fathers to make their coming-out
balls just
as eventful.
—From
a London society newspaper, February 1875
September,
1881
Isabella’s
footman rang the bell at the house of Lord Mac Mackenzie on
Mount Street,
while Isabella waited in the landau, wondering for the
dozenth time
since she’d set off whether this were wise.
Perhaps
Mac would be out. Maybe the unpredictable man had gone off
to Paris,
or to Italy, where summer would linger for a time. She
could investigate
the matter she’d discovered by herself. Yes, that would be
best.
As
she opened her mouth to call back her footman, the large
black door
swung open, and Mac’s valet, a former pugilist, peered out.
Isabella’s
heart sank. Bellamy being here meant Mac was here, because
Bellamy never
strayed far from Mac’s side.
Bellamy
peered into the landau, and a look of undisguised
astonishment crossed
his scarred face. Isabella hadn’t approached this house
since the
day she’d left it three and a half years ago. "M’lady?"
Isabella
took Bellamy’s beefy hand to steady herself as she
descended. The
best way to do this, she decided, was simply to do it.
"How
is your knee, Bellamy?" she asked. "Are you still using the
liniment?
Is it too much to hope that my husband is at home?"
As
she talked, she breezed into the house, pretending not to
notice the
parlor maid and a footman popping out to stare.
"The
knee’s much better, m’lady. Thank you. His lordship
is . . ." Bellamy
hesitated. "He’s painting, m’lady."
"So
early? There’s a wonder." Isabella started up the stairs at
a quick
pace, not letting herself think about what she was doing.
If she thought
about it, she’d run far and fast, perhaps lock herself into
her house
and not come out. "Is he in his studio? No need to announce
me. I’ll
go up myself."
"But
m’lady." Bellamy followed her, but his damaged knee
wouldn’t let
him move quickly, and Isabella reached the landing, three
floors up,
before Bellamy had mounted the second flight.
"M’lady,
he said not to be disturbed," Bellamy called upward.
"I
won’t be long. I need only ask him a question."
"But,
m’lady, he’s . . ."
Isabella
paused, hand on the white doorknob of the right-hand attic
room. "I
shall take full blame for invading his lordship’s privacy,
Bellamy."
She
lifted her skirts as she swung open the door and walked
into the room.
Mac was there, all right, standing in front of a long
easel, painting
with fervor.
Isabella’s
skirts slid from her nerveless fingers, the beauty of her
estranged
husband striking her like a blow. Mac wore a kilt,
threadbare and paint-flecked,
and he was naked from the waist up. Though it was cool in
the studio,
Mac’s torso gleamed with sweat, his skin tanned from
spending the
summer on the warmer continent. He wore a red kerchief on
his head,
gypsy style, to keep paint out of his hair. He’d always
done that,
she remembered with a pang. It made his cheekbones more
prominent, emphasized
the handsomeness of his face. Even the rough boots, much
worn and paint-splotched,
were familiar and dear.
Mac
laid paint on his canvas with energy, obviously not hearing
Isabella
open the door. He held the palette in his left hand, arm
muscles tight,
while his right moved the brush in swift, jerking strokes.
Mac was a
stunning man, made still more attractive when absorbed in
doing something
he loved.
Isabella
had used to sit in this very studio on an old sofa strewn
with cushions,
simply watching him paint. Mac might not say one word to
her while he
worked, but she had adored watching the play of muscles on
his back,
the way he’d smear paint on his cheek when he’d absently
rub it.
After a particularly good session, he’d turn to her with a
wide smile
and pull her into his arms, never minding that paint now
smeared all
over her skin.
So
absorbed was she in Mac that Isabella didn’t notice what he
painted
with such intensity until she forced herself to look away
from him and
across the room. She barely stifled her dismay.
A
young woman lay on a raised platform draped with yellow and
red coverings.
She was nude, which came as no surprise—Mac generally
painted women
who wore nothing or very little. But Isabella had never
seen him paint
anything so blatantly erotic. The model lay on her back
with her knees
bent, her legs wide apart. Her hand rested on her private
place, and
she was spreading herself open without shame. Mac scowled
at the offering
and painted with rapid brushstrokes.
Behind
Isabella, Bellamy reached the top landing, puffing from
exertion and
distress. Mac heard him and growled but didn’t look ’round.
"Damn
it, Bellamy, I told you I didn’t want to be disturbed this
morning."
"I’m
sorry, sir. I couldn’t stop her."
The
model raised her head, spied Isabella, and grinned. "Oh,
hello, yer
ladyship."
Mac
glanced behind him once, twice, then his copper gaze
riveted to Isabella.
Paint dripped, unheeded, from his brush to the floor.
Isabella
strove to keep her voice from shaking. "Hello, Molly. How
is your
little boy? It’s all right, Bellamy, you can leave us. This
won’t
take long, Mac. I only came to ask you a question."
Damnation.
What
the hell was Bellamy playing at, letting her up here?
Isabella
hadn’t set foot in the Mount Street house in three and a
half years,
not since the day she’d left him with nothing but a short
letter for
explanation. Now she stood in the doorway, in hat and
gloves donned
for calling. Today of all days, while Mac painted Molly
Bates in her
spread glory. This wasn’t part of his plan, the one that
had made
him leap onto a train to London after his brother’s wedding
and follow
her down here from Scotland. He’d call this a grievous
miscalculation.
Isabella’s
dark blue jacket hugged her torso and cupped her full
bosom, and a gray
skirt of complicated ruffles spread over a small bustle.
Her hat was
a concoction of flowers and ribbons, her gloves a dark gray
that wouldn’t
show London grime. The gloves outlined slender fingers he
wanted to
kiss, hands he longed to have slide up his back as they lay
together
in bed.
Isabella
had always known how to dress, how to present herself in
colors dear
to his artist’s eye. Mac had loved to help her dress in the
mornings,
lacing her gowns against her soft, sweet-smelling skin.
He’d dismiss
her maid and perform the tasks himself, though those
mornings it took
them a long time to descend for breakfast.
Now
Mac drank in every inch of her, and damn it, grew
hard. Would
she see, and would she laugh?
Isabella
crossed to the dressing gown Molly had left in a heap on
the floor.
"You’d better wrap up in this, dear," she said to the
model. "It’s
chilly up here. You know Mac never believes in feeding the
fire. Why
don’t you warm up downstairs with a nice cup of tea while I
have a
chat with my husband?"
Molly
leapt to her feet, her grin wide. Molly was a beautiful
female in the
way many men liked—large-bosomed, round-hipped, doe-eyed.
She had
a mass of black hair and a perfect face, an artist’s dream.
But next
to the glory of Isabella, Molly faded to nothing.
"Don’t
mind if I do," Molly said. "It’s stiff work posing for
naughty
pictures. My fingers are that cramped."
"Some
teacakes ought to loosen you again," Isabella said as Molly
slid on
the dressing gown. "Mac’s cook always used to keep currant
ones
in large supply, in case of emergencies. Ask her if she
still does."
Molly’s
dimples showed. "I’ve missed you, no lie, your
ladyship. ’Is lordship
forgets we ’ave to eat."
"It’s
his lordship’s way," Isabella said. Molly strolled from the
studio
without worry, and Mac watched as though from far away as
Bellamy followed
Molly out and closed the door.
Isabella
turned her lush green eyes to him. "You’re dripping."
"What?"
Mac stared at her then heard a glob of paint hit his board
floor. He
let out a growl, slammed the palette onto the table, and
thrust the
brush into a jar of oil of turpentine.
"You’ve
begun early today," Isabella said.
Why
did she keep on in that friendly, neutral voice, as though
they were
acquaintances at a tea party?
"The
light was good." His own voice sounded stiff, harsh.
"Yes,
it’s a sunny morning for a change. Don’t worry, I’ll let
you get
back to it soon. I only want your opinion."
Blast
her, had she come here to throw him off guard on purpose?
When had she
gotten so good at the game?
"My
opinion on what?" he asked. "Your new hat?"
"Not
my hat, although thank you for noticing. No, I want your
opinion on
this."
Mac
found the hat in question right under his nose. Gray and
blue ribbons
trailed into glossy curls that beckoned to be lifted,
smoothed.
The
hat tilted back until he was looking into Isabella’s eyes,
eyes that
had snared him across a ballroom so long ago. She hadn’t
been aware
of her power then, the sweet debutante, and she didn’t know
it now.
Her simple look of inquiry, of interest, could pin a man
and give him
the most erotic dreams imaginable.
"On
this, Mac," she said impatiently.
She
was lifting a handkerchief toward him. In the middle of its
snowy whiteness
lay a piece of yellow-covered canvas about an inch long and
a quarter
inch wide.
"What
color would you say this was?" she asked.
"Yellow."
Mac quirked a brow. "You drove all the way here from North
Audley
Street to ask me whether something is yellow?"
"Of
course I know it’s yellow. What kind of yellow,
specifically?"
Mac
peered at it. The color was vibrant, almost
pulsing. "Cadmium yellow."
"More
specific than that?" She wiggled the handkerchief as though
the motion
would reveal the mystery. "Don’t you understand? It’s
Mackenzie
yellow. That astonishing yellow you mix for your paintings,
the secret
formula known only to you."
"Yes,
so it is." With Isabella standing so close to him, her
heady scent
in his nostrils, he didn’t give a damn if the paint was
Mackenzie
yellow or graveyard black. "Have you been amusing yourself
slicing
up my pictures?"
"Don’t
be silly. I took this from a painting hanging in Mrs. Leigh-
Waters’s
drawing room in Richmond."
Curiosity
trickled through Mac’s impatience. "I’ve never given a
painting
to Mrs. Leigh-Waters of Richmond."
"I
didn’t think you had. When I asked her about it, she told
me she bought
the picture from an art dealer in the Strand. Mr.
Crane."
"The
devil she did. I don’t sell my paintings, especially not
through Crane."
"Exactly."
Isabella smiled in triumph, the red curve of her lips doing
nothing
to ease his arousal. "The painting is signed Mac
Mackenzie,
but you didn’t paint it."
Mac
looked again at the strip of brilliant yellow on the
handkerchief. "How
do you know I didn’t paint it? Maybe some ungrateful
blackguard I
gave a picture to sold it to raise money to pay a debt."
"It’s
a scene from a hill, overlooking Rome."
"I’ve
done many scenes overlooking Rome."
"I
know that, but this wasn’t one of yours. It’s your style,
your brushwork,
your colors, but you didn’t paint it."
Mac
pushed the handkerchief back at her. "How do you know? Are
you intimately
acquainted with all my works? I’ve painted quite a few Rome
pictures
since you . . ." He couldn’t bring himself to say "since
you left
me." He’d gone to Rome to soothe his broken heart, painting
the
bloody vista day after day. He’d done too damn many
pictures of Rome,
until he’d grown sick of the place. Then he’d moved to
Venice and
painted it until he never wanted to see another gondola as
long as he
lived.
That
was when he’d still been a debauched, drunken sot. Once
he’d sobered
up, replacing his obsession for single-malt with one of
tea, he’d
retreated to Scotland and stayed put. The Mackenzies didn’t
view whiskey
as strong drink—they viewed it as essential to life—but
Mac’s
drink of choice had changed to oolong, which Bellamy had
learned to
brew like a master.
At
his words, Isabella flushed, and Mac felt a flash of sudden
glee. "Ah,
so you are intimately acquainted with everything
I’ve painted.
Kind of you to take an interest."
Her
blush deepened. "I see notices in art journals, is all, and
people
tell me."
"And
you’ve become so familiar with each of my pictures that you
know when
I didn’t paint one?" Mac gave her a slow smile. "This from
a woman
who changed her hotel when she knew I was staying in
it?"
Mac
hadn’t thought Isabella could grow any more red. He felt
the dynamics
in the room change, from Isabella in a bold frontal attack
to Isabella
in hasty retreat.
"Don’t
flatter yourself. I happen to notice things, is all."
And
yet she’d known straightaway that he hadn’t painted what
she’d
seen in Mrs. Leigh-Waters’s drawing room. He grinned,
liking her confusion.
"What
I’m trying to tell you is that someone out there is forging
Mac Mackenzies,"
Isabella said impatiently.
"Why
would anybody be fool enough to forge something by me?"
"For
the money, of course. You are very popular."
"I’m
popular because I’m scandalous," Mac countered. "When I
die, the
paintings will be worthless, except as souvenirs." He set
the slice
of paint and handkerchief on the table. "May I keep this?
Or do you
plan to restore it to Mrs. Leigh-Waters?"
"Don’t
be silly. I didn’t tell her I was taking it."
"You
left the painting on her wall with a bit sliced out, did
you? Won’t
she notice that?"
"The
picture is high up, and I did it carefully so it doesn’t
show."
Isabella’s gaze moved to the painting on his easel. "That
is quite
repulsive, you know. She looks like a spider."
Mac
didn’t give a damn about the painting, but when he glanced
at it he
wanted to groan. Isabella was right: It was terrible. All
of his paintings
were terrible these days. He hadn’t been able to paint a
decent stroke
since he’d gone sober, and he had no idea why he’d thought
this
one would be any better.
He
let out a frustrated roar, picked up a paint-soaked rag,
and hurled
it at the canvas. The rag landed with a splat on Molly’s
painted abdomen,
and brown-black rivulets ran down the rosy skin.
Mac
turned from the picture in time to see Isabella swiftly
exiting the
room. He sprinted after her and caught up to her halfway
down the first
flight of stairs. Mac stepped around her, slamming one hand
to the banister,
the other to the wall. Paint smeared on the wallpaper
Isabella had picked
out when she’d redecorated his house six years ago.
Isabella
gave him a cold look. "Do move, Mac. I have half a dozen
errands to
attend before luncheon, and I’m already late starting."
Mac
took long breaths, trying to still his rage. "Wait.
Please."
He made himself say the word. "Let us go down to the
drawing room.
I’ll have Bellamy bring tea. We can talk about the
paintings you think
are forged." Anything to keep her here. He knew in his
heart that
if she walked away from this house again, she’d never
return.
"There
is nothing more to say about the forged paintings. I only
thought you’d
want to know."
Mac
was aware that his entire household lurked below,
listening. They wouldn’t
do anything so gauche as peer up the staircase, but they’d
be in doorways
and in the shadows, waiting to see what happened. They
adored Isabella
and had mourned the day she’d left them.
"Isabella,"
he said, pitching his voice low. "Stay."
The
tightness around her eyes softened the slightest bit. Mac
had hurt her,
he knew it. He’d hurt her over and over again. The first
step in winning
her back was to stop the hurting.
Her
lips parted, red and lush. Because he was two steps below
her, Isabella’s
face was on level with his. He could close the few inches
between them
and kiss her if he chose, feel her mouth on his, taste her
warm moisture
on his tongue.
"Please,"
he whispered. I need you so much.
Molly
chose that moment to climb toward them up the stairs. "Are
you ready
for me again, yer lordship? You still want me sticking me
fingers in
me Mary Jane?"
Isabella
closed her eyes, her lips thinning into a long, immobile
line. Mac’s
temper splintered.
"Bellamy!"
he shouted over the banisters. "What the devil is she doing
out of
the kitchen?"
Molly
came closer, her smile good-natured. "Oh, her ladyship
don’t mind
me. Do you, yer ladyship?" Molly sidled around first Mac,
then Isabella,
her dressing gown rustling as she headed back up to the
studio.
"No,
Molly," Isabella said in a cool voice. "I don’t mind
you."
Isabella
lifted her skirt in her gloved hand and prepared to start
around Mac.
Mac reached for her.
Isabella
shrank away. Not in loathing, he realized after the first
frozen heartbeat,
but because the hand he stretched toward her was covered in
brown and
black paint.
Mac
slammed himself back against the stair railing. He wouldn’t
trap her.
At least not now, with all his servants watching and
listening, and
Isabella looking at him in that way.
Isabella
moved down the stairs around him, very carefully not
touching him.
Mac
strode after her. "I’ll send Molly home. Stay and have
luncheon.
My staff can run your errands for you."
"I
very much doubt that. Some of my errands are quite
personal." Isabella
reached the ground floor and took up the parasol she’d left
on the
hall tree.
Bellamy,
don’t you dare open that door.
Bellamy
swung the door wide, letting in a wash of London’s fetid
air. Isabella’s
landau stood outside, her footman ready with the door
open.
"Thank
you, Bellamy," she said in a serene voice. "Good
morning."
She
walked out.
Mac
wanted to rush after her, grab her around the waist, drag
her back into
the house. He could have Bellamy lock and bolt the doors so
she couldn’t
leave again. She’d hate him at first, but she’d gradually
understand
that she still belonged with him. Here.
Mac
made himself let Bellamy close the door. Tactics that
worked for his
barbaric Highland ancestors would be useless on Isabella.
She’d give
him that cool look from her beautiful eyes and have him on
his knees.
He had prostrated himself for her often enough in the past.
The feeling
of carpet on his knees had been worth her sudden laughter,
the cool
tinge leaving her voice as she said, "Oh, Mac, don’t be so
absurd."
He’d pull her down to the carpet with him, and the
forgiveness would
take an interesting turn.
Mac
sat down heavily on the bottom stair and put his head in
his paint-stained
hands. Today had been a misstep. Isabella had caught him
off guard,
and he’d ruined the beautiful opportunity she’d handed
him.
"Oh,
the painting’s all spoiled." Molly hurried from the floors
above
in a flurry of silk. "Mind you, I think I look a bit funny
in it."
"Go
on home, Molly," Mac said, his voice hollow. "I’ll pay you
for
the full day."
He
expected Molly to squeal in pleasure and hurry off, but
instead she
sank down next to him. "Oh, poor lamb. Want me to make you
feel better?"
Mac’s
arousal had died, and he didn’t want it to rise again for
anyone but
Isabella. "No," he said. "Thank you."
"Suit
yourself." Molly stroked slender fingers through his
hair. "It’s
the absolute worst when they don’t love you back, ain’t it,
me lord?"
"Yes."
Mac closed his eyes, his rage and need swirling around him
until he
was sick with it. "You’re right, it is the absolute
worst."
Lord
and Lady Abercrombie’s hunt ball in Surrey the following
night was
stuffed to the rafters with fashionable people. Isabella
entered the
ballroom in some trepidation, expecting at any moment to
see her husband,
who, her maid Evans had informed her, had also received an
invitation.
Evans had obtained the information directly from her old
crony, Bellamy.
Seeing
Mac in his studio like a half-naked god yesterday had sent
Isabella
straight home to fling herself on her bed in tears. Her
errands had
never got done, because she’d spent the rest of the
afternoon curled
into a ball feeling sorry for herself.
Isabella
had risen the next morning and made herself face facts. She
had two
choices—she could completely avoid Mac as she had in the
past, or
resign herself to encountering him about London as they
lived their
lives. They could be civil. They could be friends. What she
ought to
do was become so used to seeing him that his
presence no longer
plagued her. Grow inured to him so that her heart no longer
leapt into
her throat at one glimpse of his strong face or the flash
of his wicked
smile.
The
second choice was the more unnerving, but Isabella berated
herself until
she stepped up to the task. She would not hide at home like
a frightened
rabbit. Hence, her acceptance of Lord Abercrombie’s
invitation, even
though she knew the odds were high that Mac would attend.
Isabella
bade Evans dress her in a new ball gown of blue satin moiré
with
yellow silk roses across her bodice and train. Maude Evans,
who could
boast having been a dresser to famous actresses, several
opera singers,
a duchess, and a courtesan, had been dressing Isabella
since the morning
after Isabella’s scandalous elopement with Mac. Evans had
arrived
at Mac’s house on Mount Street, where Isabella, Mac’s ring
heavy
on her finger, had stood in her ball gown from the previous
night, having
no other clothes at hand. Evans had taken one look at
Isabella’s innocent
face and become her fierce protector.
I
look quite acceptable for a matron of nearly five and
twenty.
Isabella surveyed herself in the mirror as Evans draped
diamonds across
Isabella’s bosom. I have nothing to be ashamed
of.
Even
so, her heart froze when she entered Lord Abercrombie’s
ballroom and
spied a tall Mackenzie male in the supper room beyond.
Broad shoulders
stretched a formal black coat as he rested an elbow on the
fireplace
mantel, his kilt Mackenzie plaid.
Isabella
realized in the next heartbeat that the man was not Mac,
but his older
brother Cameron. Touched by relief and delight, she broke
from the friends
she’d arrived with, caught up her satin skirts and sped
through the
crowd to him.
"Cam,
what on earth are you doing here? I thought you’d be up
north, frantically
preparing for the St. Leger."
Cameron
tossed the cigar he’d been smoking into the fire, took
Isabella’s
hands, and leaned to kiss her cheek. He smelled of smoke
and malt-whiskey;
he always did, though those were sometimes accompanied by
the scent
of horses. Cameron kept a stable full of the best
racehorses in England.
The
second-oldest brother, Cameron was a little larger than
Mac, a little
broader of shoulder and taller of stature, and a deep scar
cut across
his left cheekbone. Cam’s unruly red-brown hair was the
darkest of
the four brothers’, his eyes more deeply golden. He was
known as the
black sheep, a daunting task in a family whose exploits
filled the scandal
sheets. It was common knowledge that Cameron, a widower
with a fifteen-year-old
son, took a new mistress every six-month, having his pick
of famous
actresses, courtesans, and highborn widows. Isabella had
stopped trying
to keep track of them long ago.
Cameron
shrugged in answer to her question. "Not much more to do.
The trainers
have my instructions, and I’ll meet them there before the
first race."
"You’re
a bad liar, Cameron Mackenzie. Hart sent you, didn’t
he?"
Cameron
didn’t bother to look embarrassed. "Hart was worried when
Mac raced
after you after Ian’s wedding. Is he making a nuisance of
himself?"
"No,"
Isabella said quickly. She loved Mac’s brothers, but they
did tend
to stick their noses into each other’s business. Not that
she wasn’t
grateful to them—they could have shut her out when she’d
decided
to leave Mac three and a half years ago, but instead they’d
rallied
to her side. Hart, Cameron, and Ian had made it known that
they still
considered Isabella part of the family. And as she was part
of the family,
they tended to watch over her like protective older
brothers.
"So
Hart sent you down to play nanny?" she asked.
"He
did," Cameron drawled, straight-faced. "You should see me
in my
cap and pinafore."
Isabella
laughed, and Cam joined her. He had a gravelly laugh,
sounding as though
something had scratched away at his voice.
"Is
Beth well?" she asked. "She and Ian are all right?"
"Fine
when I left them. Ian is extremely pleased at the prospect
of becoming
a father. He mentions it only about once every five
minutes."
Isabella
smiled in true delight. Ian and Beth, his new wife, were so
happy, and
Isabella looked forward to holding their little one in her
arms. The
thought gave her a pang as well, which she quickly
suppressed.
"And
Daniel?" Isabella went on, keeping the conversation
light. "Did
he come with you?"
Cameron
shook his head. "Daniel is lodging with an old don of mine
who is
to stuff his head with knowledge before Michaelmas term. I
want to give
Danny’s tutors less cause to beat his lessons into him."
"Lessons
instead of horses? I’m certain that rankles our Danny."
"Aye,
but if he keeps getting poor marks, he’ll never get into
university."
He
sounded so like a concerned father, this tall man with the
dark reputation,
that Isabella laughed again. "He tries to emulate you,
Cam."
"Aye,
he does. That’s wh’t worries me."
Behind
Isabella, the strains of a waltz began, and couples in the
ballroom
glided into place. Cameron held out his broad arm. "Dance,
Isabella?"
"I’d
be most happy to—"
Isabella’s
polite acceptance cut off when strong fingers closed over
her elbow.
She smelled Mac’s soap and masculine scent overlaid with
the faint
odor of turpentine.
"This
waltz is mine," Mac said in her ear. "And don’t bother to
tell
me your card is full, my wife, because you know I’ll make
short work
of that."
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