FALLING OUT OF FASHION starts with the worst and goes backward. When we meet future media darling Jill White, its right as she's beginning to lose creative control of the eponymous magazine that started out as her baby. The story then travels backward to show how the foundation by which Jill eventually became the sassy editorial genius who we'll eventually meet. Yampolsky goes back to Jill's upbringing on a Georgia commune with hippie parents and a love of fishing, to her prep school days in New England where she sticks out like a sore thumb, to a decision to move to New York and work in publishing that eventually leads to the social and industry connections that make Jill a household name. Sensing a gap in the women's publishing market, Jill decides to form a magazine that will focus on the other side of women's issues: instead of how to lose weight, the magazine will focus on rich desserts and enjoying food; rather than telling how to keep your man happy, Jill will tell you how to lose a loser.
By the time the story catches up to the near present, Jill White is definitely living the glamorous life. Jill Magazine is doing well, Jill herself is married to a great guy, and her position as a media wunderkind and fashionista is solidified by her industry connections, killer wardrobe, and reputation as a savvy media expert. But when her magazine's parent company is swallowed by a media giant, Nestrom, things start to come apart at the seams. Nestrom's new publisher and CEO have an entirely different vision than the one Jill originally imagined for Jill magazine, and as their ambition slowly begins to take over, Jill begins to wonder if she's being pushed out of the niche publication that she helped to found. At the same time, Jill's home life begins to suffer as she dedicates more and more time to the magazine, and has less time to focus on her marriage and efforts to have a child using in vitro fertilization.
The professional tell-all novel seems to be all the rage these days, and FALLING OUT OF FASHION is at the top of its game in an otherwise oversaturated market. As the former assistant to Jane editor-in-chief Jane Pratt, Karen Yampolsky tells a story that, while obviously semibiographical, is entertaining, fun to read, and interesting to boot. Along with that, there's also plenty of good celebrity dish for those who read these books simply to catch the celebrity references. For those in the know, several thinly veiled characters from Pratt's life at the top of the celebrity food chain are included, such as Drew Barrymore, JFK Jr, Pamela Anderson, Kate Moss, and Lindsay Lohan... all of whom are easily recognizable if you take the time to read between the lines. However, unlike The Devil Wears Prada or Because She Can, I actually found this book to be relatable and down to earth. Yampolsky portrayed the character of Jill White as a flawed heroine who struggled with personal battles as well as professional ones, but persevered on both sides to become a woman who girls and women alike could emulate and admire. While tell-all novels are a dime a dozen these days, FALLING OUT OF FASHION is at the top of its class.
Flash forward several years and a couple of giant leaps up
the career ladder, and Jill has it all. Jill magazine is a
huge hit, and her fabulous life comes complete with free
designer clothes, an abundance of celeb friends, a
shamelessly huge salary, and a framed Time magazine cover
in her office featuring her beaming face over the
legend, βJill White, Media Wunderkind.β Now that mega-
successful Nestrom Media has taken over Jillβs parent
company, its future should be assured. Jill shares the
fifteenth floor of the Nestrom building with illustrious
Fashionista magazine, and the Nestrom suits are panting
with admiration for both Jill and Jill.
But the ashes from the postcoital cigarette have barely hit
the floor before Jillβs new bosses start barking about
getting ad revenue up and toning down articles like βHis
penis is not a toyβ¦or is it?β in favor of fluff pieces with
the reality star du jour. What smelled like team spirit
devolves into a bitter game of manipulation and
backstabbing. With Ellen Cutter, the blond, bland,
Bergdorfed CEO of Nestrom Media, and Liz Alexander, Jillβs
publisher (and Ellenβs conniving sidekick) suddenly aligned
against Jill, plus a paranoid new managing editor with an
addiction to spying, the situation is as grim as the
magazineβs decidedly unfabulous new offices. Reluctant to
jump ship, and equally reluctant to watch as her baby
morphs into yet another cheesy rag, Jill fights back, even
as Ellen and Liz plot her next move for her. With her name,
her creation, and her future all on the line, Jill realizes
mean girls donβt get left behind in high schoolβthey grow
up and work in publishingβ¦
No excerpt available.