May 1866
A young woman clothed in widow's weeds rode in the back of
a crude farm wagon and watched the landscape roll by
through a cascading ebony veil draped over the wide brim
of her black hat. The misty veil not only cast the world
in an ominous dark pall, but hid her auburn hair, finely
drawn features, clear blue eyes, and the swelling bruise
that marred her left cheek. Her arms were wrapped around
her daughter, a toddler with golden cherub curls who was
bundled in a thick black shawl to protect her from a brisk
afternoon breeze. Sound asleep with her head on her
mother's shoulder, the little girl was as oblivious to the
chill on the late spring air as she was to the utter
desperation in her mother's heart.
Sara Collier Talbot had traveled for days. She had walked
south from Ohio along roads shredded by war, circumvented
byways stalled by downed bridges and trails clogged with
foot traffic, carts full of soldiers going home and
liberated Negroes heading north. Carrying her child, Sara
had begged rides in carts, on the backs of crowded wagons,
atop piles of straw, wedged herself between barrels of dry
goods. She had sold her other clothing to help pay for the
mourning ensemble.
She had no place to call home, no money, no pride, nothing
but an old weathered satchel that held a fresh petticoat,
two gowns for the child, a dozen saltine crackers, and the
heel end of a stale loaf of bread. Her love child,
Elizabeth, a child born of shame, was the only treasure
she could claim.
She shifted her precious daughter higher on her shoulder,
stunned that fate had brought her home to Magnolia Creek.
An unexpected breeze skimmed across the open farmland,
teasing theedge of her veil as the sun raked the tops of
the trees bordering the road. Behind the protective
anonymity of the black veil, Sara contemplated the only
other passenger besides herself and Lissybeth riding in
the farmer's wagon.
An ex-soldier still dressed in tattered gray wool, the
remnants of a uniform of the once proud Confederate States
of America, lay curled up in the far corner of the wagon
bed. Sad-eyed, defeated, he was so thin that he resembled
a skeleton far more than a man. With no more than a nod to
Sara when she first climbed aboard, he had promptly fallen
asleep. Thankfully there would be no small talk to suffer.
A pair of scarred crutches padded with rags lay on the
wagon bed beside him. He was missing his right foot. His
cheeks were covered with sparse salt-and-pepper stubble,
his sunken eyes surrounded by violet smudges.
Sara sighed. In one way or another, the war had made
invalids of them all.
Looking away from the soldier, she stared out across the
surrounding landscape: gentle rolling hills, yellow
poplar, sycamore, oak, chestnut, walnut trees all gathered
into woods between open fields now lying fallow. Here and
there, trails of chimney smoke snaked up from the
treetops, signs of cabins hidden in the wood.
The Kentucky countryside had changed very little since she
saw it last, but not so the look of the travelers along
its byways. Before the war, back roads pilgrims were
mostly farmers, a few tinkers and merchants, or families
on their way across the state. The majority were war
refugees--many of them Confederate soldiers hailing from
Kentucky, men banished and marked as traitors after the
state legislature voted to side with the Union. Now, a
long year after surrender, those men were still making
their way back home.
There were far more Negroes on the roads now. Former
slaves who had feasted on the first heady rush of freedom,
but now wearing the same disoriented look as the white
casualties of war. They wandered the rural countryside
searching for a way to survive the unaccustomed liberty
that had left so many displaced and starving in a world
turned upside down.
Sara had spent nearly all she had to buy the black
ensemble to wear while she was on the road. The South was
full of widows; the North, too, if the papers were to be
believed. The sight of a woman alone in drab black garb
was not all that unusual and she blended in, one more
casualty of the war between the states.
On the outskirts of town the wagon rattled past the old
painted sign that read, Welcome to Magnolia Creek, Home of
Talbot Mills, Population three hundred and eighty-one.
Obviously no one had bothered to change the sign. Sara
knew, painfully well, that there was at least one who
would not be coming home.
For the most part, the town of Magnolia Creek looked the
same, the streets evenly crisscrossed like a fancy piece
of plaid that was a bit worn and frayed around the edges.
The brick buildings along Main Street showed signs of
weather and shelling, as battered as their occupants must
surely feel.
Melancholy rode the air. She could feel it as she viewed
wood-framed homes with peeling whitewashed siding that
lined every even street.
A few of the shops and stores around Courthouse Square
were still boarded up, their broken windows evidence not
only of Yankee cannon fire, but the shortage of
replacement glass. The courthouse still remained proud and
unbattered. The Union stars and stripes flew triumphantly
over the grassy park surrounding the impressive two-story
building. She remembered walking Main Street for hours the
day she had first moved into town, recalled staring into
storefront windows at all the bright new things. Now she
barely gave those same windows a second glance as the
wagon rumbled by.
The farmer finally reached his destination, pulled the
team up before the dry goods store and set the brake. Sara
gingerly lifted Lissybeth off the floor beside her. The
exhausted soldier didn't even stir as she stepped from the
back of the wagon onto the wooden porch that ran the
length of the storefront. She thanked the man for the ride
and when her stomach rumbled, Sara stared longingly into
the store's dim interior before she turned away and
started walking toward Ash Street two blocks away.
"Not far now, baby," she whispered to Lissybeth. "Not
far." She prayed that she was doing the right thing, that
once she reached the Talbots fine, familiar house, a hot
meal and safe haven would be waiting, even if only for a
night. Number 47 Ash Street came into view the moment she
turned the corner. Set off behind a white picket fence
with a wide lawn, it was still the grandest house in town.
Sometimes late at night she would lie awake and wonder if
the magical time she had spent living in the Talbots' home
had been real or merely a figment of her imagination. Her
life before the war seemed like a dream; at fifteen she
had moved in to care for Louzanna Talbot; at seventeen,
after two glorious, golden weeks of a whirlwind courtship
she had married Dr. Dru Talbot and thought to live happily
ever after.
Five years later, it was hard to believe she had ever
truly been the innocent, starry-eyed girl that he had
taken for his bride.
Now she was not only Dru Talbot's widow, but a fallen
woman in the eyes of the world. She was no better than a
camp follower. She was a woman who had lost the man she so
dearly loved to war, a woman who then put her faith and
trust in the wrong man and now had nothing save the child
of that union.
Sara lingered across the street from the Talbots', staring
at the wide, columned porch that ran across the entire
front and side of the house and tried to make out some
sign of movement behind the lace curtains at the drawing
room windows. Then, mustering all the confidence she
could, she shifted Lissybeth to the opposite shoulder and
quickly crossed the street.
The gate in the picket fence hung lopsided on its hinges.
The flower beds bordering the front of the house
overflowed with tangled weeds. The same, deep abiding
sadness she had felt earlier lingered around the place,
one that thrived beneath the eaves and lurked in the
shadowed corners of the porch behind the old rockers lined
up to face the street. The lace draperies at the windows,
once so frothy white, hung limp and yellowed behind
weather-smeared, spotted panes of glass.
A sigh of relief escaped her when she spotted a familiar
quilting frame standing inside the long parlor window. An
intricate bow-tie pattern made up of hundreds of small,
evenly cut squares of print and checkered pieces was
framed and ready to finish quilting. Louzanna Talbot's
world had been reduced to fabric patches and thread that
bound cotton batting between patchwork tops and backing.
Sara stared at the front door while trying to shush
Lissybeth's whining. She lifted the brass knocker and
stared at the black, fingerless gloves that hid the fact
that she wore no wedding ring. She pounded three times,
then tightened her arms beneath her little girl's bottom
and waited patiently. When there was no answer, she lifted
the knocker again and let it fall, wondered why Louzanna
Talbot's Negro manservant, Jamie, was taking so long to
answer.
A flicker of movement caught her eye. Someone was inside
the house, standing near enough to brush the edges of the
curtain against the window in the center of the door. Sara
pressed her nose to the pane but could not make out a
shape through the layers of her veil and the sheer curtain
panel at the oval window.
"Hello? Is anyone home? Jamie, are you there?" She pounded
on the doorframe. "Louzanna? Can you hear me?" A recluse
afraid of her own shadow, Louzanna suffered from severe
bouts of hysteria. Sara resolved to stand there all
evening if she had to as she pressed her forehead against
the windowpane and tried to see through the curtain.
"Louzanna? Lou, open the door, please." She lowered her
voice. "It's Sara."
Finally, a latch clicked, then another. The door creaked
and slowly swung inward no more than six inches. All Sara
saw of Louzanna was a set of pale, slender fingers
grasping the edge of the door and thick braids of wren-
brown hair pinned atop her crown.
"Louzanna, it's me. It's Sara. May I come in?" Sara knew
what it cost her former sister-in-law to open the front
door at all.
Dru's older sister was thirty-eight now, but her
translucent skin, hardly ever touched by sunlight, was
barely creased at all. Her hair was streaked with a few
wisps of gray, but for the most part, it retained its
fullness and soft brown hue. Silence lengthened. The
knuckles on Lou's hand whitened. Finally, in a weak, low
voice, the woman on the other side whispered, "Is it
really you, Sara? Is it really, truly you?"
Tears stung Sara's eyes. She frantically tried to blink
them away. "It's really me, Louzanna. Please, let me come
in." Another pause, another dozen heartbeats of despair.
Louzanna's voice wavered. More of her braids showed, then
her forehead, then pale, hazel eyes peered around the edge
of the door. Those eyes went wide when they lit on the
child in Sara's arms.
From the Hardcover edition.