After a chance encounter on the subway, Miss Augusta
Weidenmaier, a retired schoolteacher living in New York
City, is determined to help the police in the search for
missing 9-year-old child actor Kevin Corcoran.
I must have been staring at the child. They were
such an unlikely pair: the boy clean and neatly dressed,
the man unkempt. For a moment our eyes met; his were
frightened, seeking help. Or was it my old lady’s
imagination gone wild? No, I understood children. All those
years of teaching elementary school, I knew this child was
afraid. The man seated next to the boy nudged him and the
child lowered his eyes.
As usual, the Broadway/Seventh Avenue local at Sheridan
Square was crowded; I stood to one side to allow passengers
to exit but the man pushed his way on, dragging the child
behind him. A new rush of passengers hid them from my sight
when the subway stopped at 14th Street.
Such a darling boy; why did he seem familiar? Of course!
The child was the spitting image of that little tyke in the
Cowboy Bob’s Big, Bad Burger commercial. The commercial
where the boy, dressed in chaps and a ten-gallon hat,
twirls a rope and dances a hoedown with animated French-
fried potatoes. Big blue eyes and a warm smile people
returned. But this adorable child wasn’t smiling.
The train stopped at several more stations. Where were
we? I couldn’t see a thing with that portly gentleman
standing directly in front of me. I craned my neck to see
around him but garish sprays of graffiti obscured the sign
indicating the station; I could barely decipher the
lettering. This stop was Columbus Circle; the next would be
Lincoln Center. Folding my unread magazine, I clutched my
purse and umbrella and murmured, “Excuse me. Pardon me,”
over and over again as I tried to make my way through the
throng. I managed to reach the door just as the train
announced its arrival at the 66th Street station with a
nerve-jangling screech.
Two extremely rude teenagers blocked the door. One was
lost in the cacophony of sound that leaked from his
oversized earphones. The other was engrossed in paring his
fingernails. A gentle thrust with the tip of my umbrella
and I was able to make my exit.
The child and his companion were about fifteen feet
ahead of me. When the boy looked back, I thought I could
see his lower lip tremble. Impossible, he was too far away
and my vision, though I hate to admit it, is not what it
used to be. The man placed his hand on the child’s
shoulder; they picked up their pace, reached the stairway
and melted into the crowd.
Was it the young actor who performed in the commercial
or was it someone who looked very much like him? And why
wasn’t he attending class this morning? Today was Tuesday,
a school day. A very special Tuesday for a retired
gentlewoman like me; at 9:45, Alan Gilbert was scheduled to
conduct the New York Philharmonic in an open rehearsal of
Strauss “tunes” at Lincoln Center. The public was invited
to attend. I eagerly awaited a morning spent with Mr.
Gilbert and was pleased to have obtained a $10 ticket. It
wasn’t often I could afford such a treat. My concern for
the boy abated as I thought about the music, Maestro
Gilbert and what was reputed to be the maestro’s “blazing
heat and power.”
The traffic light turned yellow, then green. Car horns
blasted the air with impatience. I checked to see if the
vehicles flowing past would obey the signal, since at my
age the body slows a bit, and was about to step off the
curb, when the little boy tugged at the sleeve of my jacket.
“Ma’am.” The child gasped, then took a deep
breath. “Help me.”
“What is wrong, child?”
I never heard his answer. There was a sharp poke in the
small of my back and the next thing I knew I lay sprawled
flat in the gutter.