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Excerpt of Keys to the Castle by Donna Ball

Purchase


Berkley
January 2011
On Sale: January 4, 2011
Featuring: Sara Graves
336 pages
ISBN: 0425239306
EAN: 9780425239308
Kindle: B0049H9AS8
Trade Size / e-Book
Add to Wish List

Romance Chick-Lit, Women's Fiction Contemporary

Also by Donna Ball:

Flash, May 2015
Trade Size / e-Book
Keys to the Castle, January 2011
Trade Size / e-Book
Love Letters From Ladybug Farm, October 2010
Trade Size
At Home On Ladybug Farm, October 2009
Trade Size
A Year On Ladybug Farm, March 2009
Trade Size
Gun Shy, August 2007
Paperback
Rapid Fire, December 2006
Paperback
Smoky Mountain Tracks, March 2006
Paperback
Mossy Creek, May 2001
Paperback
Sweet Tea And Jesus Shoes, May 2000
Paperback

Excerpt of Keys to the Castle by Donna Ball

When you're too old to believe in fairy tales, sometimes
love takes you by surprise

Sara had met Daniel at one of those ultra-exclusive
Manhattan parties for which you had to have, not only an
invitation, but three references
and a body guard to get in. Sting was there, and someone
said Oprah was supposed to show, but she never did. Sara
was there as a guest of a
prospective client who wanted to impress her with his
connectionsโ€“ or, more likely, didnโ€™t want to miss the party
and, since Sara was only in
town for one night, saw no choice but to bring her along.
There must have been two hundred people in attendance.
The party spilled out of the penthouse apartment and onto
the roof top terrace,
which was decorated with thousands of tiny white lights and
exotic orchids that would never survive the cool, windy
spring night. Sara preferred
to remain indoors where the party was slightly less raucous,
and she was glancing at her watch for perhaps the fifth time
in the past half hour
and wondering whether she had been here long enough to
politely take her leave, or whether anyone would notice at
all if she simply slipped out
the door, when a voice spoke behind her. It was male,
faintly but exotically accented,, and gently chiding. โ€œNo,
no itโ€™s far too early for you to
leave. If you do, youโ€™ll never be invited to an A-list
party again.โ€
She forced a polite-professional-party smile to her lips
before she turned to greet the intruder. โ€œI canโ€™t tell you
how unhappy that would make
me.โ€
She remembered thinking that he wasnโ€™t particularly
handsome. His nose was too sharp, his forehead too high,
his lips a trifle too full. He
wore his dark hair unfashionably long and loose about his
shoulders. He was tall and thin, and wore a white silk
shirt, light enough to see
through, untucked over faded jeans. She thought the
embroidery at the cuff was pretentious. But there was
warmth in his cocoa eyes, and
something that she could only describe as an intense and
brilliant interest, as though everything about the world
fascinated him; as though he
couldnโ€™t get enough of learning about it.
She, on the other hand, was carefully cool and precise
and disinterested. She wore Vera Wang. Her dark hair was
upswept to display her
long neckโ€“ which she knew was her best featureโ€“ and teardrop
diamond earrings. Her makeup was impeccable. She was
elegant, in control,
and unapproachable, a look that she had mastered, along with
so many other lies, over the years. Yet somehow the look
had not worked with
him.
And although she generally would have, at that point,
politely excused herself and moved away, she was intrigued
enough to add, โ€œHow do you
know how long Iโ€™ve been here, anyway?โ€
โ€œBecause Iโ€™ve watched you since you entered,โ€ he replied,
โ€œforty two minutes ago. Iโ€™ve watched you check the time on
five different occasions
and Iโ€™ve watched you finish that silly orange drink a little
too fast. So Iโ€™ve brought you another. What is it, anyway?โ€
She lifted an eyebrow, hesitating a moment before setting
aside her empty glass and accepting the full one he offered.
โ€œItโ€™s a mango martini,โ€
she said.
โ€œSounds dreadful.โ€
โ€œIt is.โ€
He laughed. โ€œThen you shall simply stand here and hold
it and pretend to enjoy the hospitality and inventiveness
of our hosts, eh bien?โ€
โ€œYouโ€™re French,โ€ she observed, placing the accent.
โ€œI used to be,โ€ he admitted. โ€œIโ€™ve lived in North
America now for so many years that I have to practice my
accent for ten minutes in the morning
before I can go about in public.โ€
That made her laugh a little, and the small lines at the
corners of his eyes deepened little as he observed, gently,
โ€œThere now. Thatโ€™s so much
better. You have the saddest smile Iโ€™ve ever seen.โ€
And before she could even react to that, he thrust out
his hand and announced, โ€œI am Daniel Orsay. I am a poet,
and currently the darling of the
avante-guard literary set, or so Iโ€™ve been told. Please
donโ€™t apologize that youโ€™ve never heard of me. Iโ€™m a very
bad poet.โ€
She accepted his hand, and he held her fingers, in the
way of Europeans, as she tilted her head at him in skeptical
amusement. โ€œBut
charming.โ€
โ€œWhich is precisely how one gets invited to parties such as
this without being either rich or famous.โ€
He held her hand a little too long, which threatened to
make her flustered. She withdrew her fingers and dropped
her eyes, taking a sip of the
too-sweet martini. โ€œIโ€™m Sara,โ€ she said, looking up at him
again. โ€œSara Graves. And Iโ€™m not rich or famous either,
Iโ€™m afraid.โ€
โ€œImpossible.โ€ He seemed to use French pronunciation
solely to amuse her, his accent exaggerated. โ€œDo you think
we might have stumbled
into the wrong party by mistake? Surely, it is so!โ€ Then,
smoothly lapsing back into easy cocktail chatter, โ€œ What do
you do, Sara?โ€
โ€œI sell things.โ€ The stupid martini was giving her a
headache, possibly because she was sipping it too fast again.
โ€œWhat kinds of things?โ€
โ€œThings that people donโ€™t need and donโ€™t want.โ€
โ€œYou must be very good, then.โ€
Her lips tightened in acknowledgment. โ€œI am.โ€
โ€œBut not very happy, I think.โ€
She was annoyed, and wanted to argue, but she didnโ€™t know
what to say. So she took another gulp of her drink and drew
a breath to take her
leave but he forestalled her in the very instant she was
about to speak. Head inclined toward her curiously, eyes
filled with that deep and genuine
interest, he inquired, โ€œWhere is it that you sell these
unwanted things to people who donโ€™t need them?โ€
โ€œChicago,โ€ she told him, finishing off her drink. โ€œI
work for Martin and Indlebright Marketing in Chicago.โ€ She
flipped a business card from her
tiny vintage evening purse and gave it to him. โ€œCall us
sometime. Weโ€™ll make people believe youโ€™re a good poet.โ€
He said, โ€œChicago?โ€ He seemed genuinely surprised.
โ€œHow can you be happy there? You have the sea in your eyes.โ€
That took her aback, but she recovered quickly,
plastering another determinedly distant smile on her face.
โ€œIt was nice to meet you, Daniel.
Good luck with your poetry. โ€
He fingered her business card thoughtfully as she turned
to move through the crowd. โ€œGoodbye, Sara Graves of the sad
smile and the sea-
watching eyes,โ€ he said softly. โ€œI will call you.โ€
But it wasnโ€™t that casual promise, which she did not
expect to be kept, that caused Daniel Orsay, poet, to linger
in her memory long after she
left the party, after she left Manhattan, after she returned
to Chicago and tried, with grim determination, to step back
into the routine. It was that
he knew. Even before she did, he knew that the life she had
always believed she was meant for was over. And by the time
he tried to call her, it
was too late.

Excerpt from Keys to the Castle by Donna Ball
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