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"A KNOCKOUT STORY!"
From New York Times
Bestselling Cleo Coyle


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To keep his legacy, he must keep his wife. But she's about to change the game.


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A haunting past. A heartbreaking secret. A love that still echoes across time.


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A city slicker. A country cowboy. A love they didn�t plan for.


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The mission is clear. The attraction? Completely out of control.


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A string of fires. A growing attraction. And a danger neither of them saw coming.


Excerpt of Keys to the Castle by Donna Ball

Purchase


Berkley
January 2011
On Sale: January 4, 2011
Featuring: Sara Graves
336 pages
ISBN: 0425239306
EAN: 9780425239308
Kindle: B0049H9AS8
Trade Size / e-Book
Add to Wish List

Romance Chick-Lit, Women's Fiction Contemporary

Also by Donna Ball:

Flash, May 2015
Trade Size / e-Book
Keys to the Castle, January 2011
Trade Size / e-Book
Love Letters From Ladybug Farm, October 2010
Trade Size
At Home On Ladybug Farm, October 2009
Trade Size
A Year On Ladybug Farm, March 2009
Trade Size
Gun Shy, August 2007
Paperback
Rapid Fire, December 2006
Paperback
Smoky Mountain Tracks, March 2006
Paperback
Mossy Creek, May 2001
Paperback
Sweet Tea And Jesus Shoes, May 2000
Paperback

Excerpt of Keys to the Castle by Donna Ball

When you're too old to believe in fairy tales, sometimes love takes you by surprise

Sara had met Daniel at one of those ultra-exclusive Manhattan parties for which you had to have, not only an invitation, but three references and a body guard to get in. Sting was there, and someone said Oprah was supposed to show, but she never did. Sara was there as a guest of a prospective client who wanted to impress her with his connections– or, more likely, didn’t want to miss the party and, since Sara was only in town for one night, saw no choice but to bring her along. There must have been two hundred people in attendance. The party spilled out of the penthouse apartment and onto the roof top terrace, which was decorated with thousands of tiny white lights and exotic orchids that would never survive the cool, windy spring night. Sara preferred to remain indoors where the party was slightly less raucous, and she was glancing at her watch for perhaps the fifth time in the past half hour and wondering whether she had been here long enough to politely take her leave, or whether anyone would notice at all if she simply slipped out the door, when a voice spoke behind her. It was male, faintly but exotically accented,, and gently chiding. “No, no it’s far too early for you to leave. If you do, you’ll never be invited to an A-list party again.” She forced a polite-professional-party smile to her lips before she turned to greet the intruder. “I can’t tell you how unhappy that would make me.” She remembered thinking that he wasn’t particularly handsome. His nose was too sharp, his forehead too high, his lips a trifle too full. He wore his dark hair unfashionably long and loose about his shoulders. He was tall and thin, and wore a white silk shirt, light enough to see through, untucked over faded jeans. She thought the embroidery at the cuff was pretentious. But there was warmth in his cocoa eyes, and something that she could only describe as an intense and brilliant interest, as though everything about the world fascinated him; as though he couldn’t get enough of learning about it. She, on the other hand, was carefully cool and precise and disinterested. She wore Vera Wang. Her dark hair was upswept to display her long neck– which she knew was her best feature– and teardrop diamond earrings. Her makeup was impeccable. She was elegant, in control, and unapproachable, a look that she had mastered, along with so many other lies, over the years. Yet somehow the look had not worked with him. And although she generally would have, at that point, politely excused herself and moved away, she was intrigued enough to add, “How do you know how long I’ve been here, anyway?” “Because I’ve watched you since you entered,” he replied, “forty two minutes ago. I’ve watched you check the time on five different occasions and I’ve watched you finish that silly orange drink a little too fast. So I’ve brought you another. What is it, anyway?” She lifted an eyebrow, hesitating a moment before setting aside her empty glass and accepting the full one he offered. “It’s a mango martini,” she said. “Sounds dreadful.” “It is.” He laughed. “Then you shall simply stand here and hold it and pretend to enjoy the hospitality and inventiveness of our hosts, eh bien?” “You’re French,” she observed, placing the accent. “I used to be,” he admitted. “I’ve lived in North America now for so many years that I have to practice my accent for ten minutes in the morning before I can go about in public.” That made her laugh a little, and the small lines at the corners of his eyes deepened little as he observed, gently, “There now. That’s so much better. You have the saddest smile I’ve ever seen.” And before she could even react to that, he thrust out his hand and announced, “I am Daniel Orsay. I am a poet, and currently the darling of the avante-guard literary set, or so I’ve been told. Please don’t apologize that you’ve never heard of me. I’m a very bad poet.” She accepted his hand, and he held her fingers, in the way of Europeans, as she tilted her head at him in skeptical amusement. “But charming.” “Which is precisely how one gets invited to parties such as this without being either rich or famous.” He held her hand a little too long, which threatened to make her flustered. She withdrew her fingers and dropped her eyes, taking a sip of the too-sweet martini. “I’m Sara,” she said, looking up at him again. “Sara Graves. And I’m not rich or famous either, I’m afraid.” “Impossible.” He seemed to use French pronunciation solely to amuse her, his accent exaggerated. “Do you think we might have stumbled into the wrong party by mistake? Surely, it is so!” Then, smoothly lapsing back into easy cocktail chatter, “ What do you do, Sara?” “I sell things.” The stupid martini was giving her a headache, possibly because she was sipping it too fast again. “What kinds of things?” “Things that people don’t need and don’t want.” “You must be very good, then.” Her lips tightened in acknowledgment. “I am.” “But not very happy, I think.” She was annoyed, and wanted to argue, but she didn’t know what to say. So she took another gulp of her drink and drew a breath to take her leave but he forestalled her in the very instant she was about to speak. Head inclined toward her curiously, eyes filled with that deep and genuine interest, he inquired, “Where is it that you sell these unwanted things to people who don’t need them?” “Chicago,” she told him, finishing off her drink. “I work for Martin and Indlebright Marketing in Chicago.” She flipped a business card from her tiny vintage evening purse and gave it to him. “Call us sometime. We’ll make people believe you’re a good poet.” He said, “Chicago?” He seemed genuinely surprised. “How can you be happy there? You have the sea in your eyes.” That took her aback, but she recovered quickly, plastering another determinedly distant smile on her face. “It was nice to meet you, Daniel. Good luck with your poetry. ” He fingered her business card thoughtfully as she turned to move through the crowd. “Goodbye, Sara Graves of the sad smile and the sea- watching eyes,” he said softly. “I will call you.” But it wasn’t that casual promise, which she did not expect to be kept, that caused Daniel Orsay, poet, to linger in her memory long after she left the party, after she left Manhattan, after she returned to Chicago and tried, with grim determination, to step back into the routine. It was that he knew. Even before she did, he knew that the life she had always believed she was meant for was over. And by the time he tried to call her, it was too late.

Excerpt from Keys to the Castle by Donna Ball
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