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Available 4.15.24


Duke of Sin

Duke of Sin, June 2016
Maiden Lane #10
by Elizabeth Hoyt

Grand Central Publishing
Featuring: Valentine Napier; Bridget Crumb
368 pages
ISBN: 1455539090
EAN: 9781455539093
Kindle: B015NRKJRI
Paperback / e-Book
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"A story about a seriously sexy scoundrel!"

Fresh Fiction Review

Duke of Sin
Elizabeth Hoyt

Reviewed by Miranda Owen
Posted October 16, 2016

Romance Historical

DUKE OF SIN is book ten in Elizabeth Hoyt's Maiden Lane series. Valentine Napier, the Duke of Montgomery is a devilishly handsome rogue and aristocratic blackmailer. Hugh Fitzroy, the Duke of Kyle -- one of the supporting characters in DUKE OF SIN -- is much more fitting in the role of hero. However unlikely Val is a hero, he is a witty and vastly entertaining master of all he surveys. Housekeeper Bridget Crumb is the perfect foil for Val. Elizabeth Hoyt crafts a hero and heroine very different from each other but they fit surprising well together. As Val's plans and schemes take him into ever darker waters, Bridget is a courageous protector -- for him, as well as protecting others from him.

Right from the start, in DUKE OF SIN, Bridget and Val play an erotically charged game of cat and mouse. Bridget has infiltrated the duke's household to retrieve items Val is using for leverage against good people that Bridget cares about. Although a shark in everyday life, Val is intrigued by Bridget. When Val calls Bridget his "Seraphine" in a throaty whisper, it is difficult for her to not fall under his spell. Despite her level-headed practicality, Bridget is captivated by the luxuriousness and sensuality of Val and his world.

Any time an author creates a bad boy rake hero it's sometimes difficult to maintain the delicate balance between keeping the hero just bad enough to have his appeal without going totally dark, and to show how finding love changes him without destroying the very thing readers loved most about him. Elizabeth Hoyt nails it. The more I know about Val, the more I like him for more than just his golden good looks or witticisms. Elizabeth Hoyt provides the reader with enough glimpses into Val's background to get a better understanding of why he is the way he is. Bridget is no simpering virgin and can go toe-to-toe with Val when he's trying to play the part of intimidating autocrat. The chemistry between Bridget and Val is really convincing and a big part of why I like DUKE OF SIN so much.

DUKE OF SIN is a story about a seriously sexy scoundrel and the woman who mystifies and inflames him. Young Mehmed and the delightfully scrappy Pip make great supporting characters and inject a lighter mood into the story now and then. Hippolyta Royle makes a convincing damsel in distress, and her predicament coupled with Val's somewhat creepy ancestral home and the fiendish Lords of Chaos waiting in the wings all add a wonderfully Gothic touch. I look forward to the next Maiden Lane story by Elizabeth Hoyt.

Learn more about Duke of Sin

SUMMARY

A MAN OF SIN

Devastatingly handsome. Vain. Unscrupulous. Valentine Napier, the Duke of Montgomery, is the man London whispers about in boudoirs and back alleys. A notorious rake and blackmailer, Montgomery has returned from exile, intent on seeking revenge on those who have wronged him. But what he finds in his own bedroom may lay waste to all his plans.

A WOMAN OF HONOR

Born a bastard, housekeeper Bridget Crumb is clever, bold, and fiercely loyal. When her aristocratic mother becomes the target of extortion, Bridget joins the Duke of Montgomery's household to search for the incriminating evidence-and uncovers something far more dangerous.

A SECRET THAT THREATENS TO DESTROY THEM BOTH

Astonished by the deceptively prim-and surprisingly witty-domestic spy in his chambers, Montgomery is intrigued. And try as she might, Bridget can't resist the slyly charming duke. Now as the two begin their treacherous game of cat and mouse, they soon realize that they both have secrets-and neither may be as nefarious-or as innocent-as they appear . . .

Excerpt

Val threw down his knife and fork with a clatter. “Explain it to me, this thing, love. Why would a perfectly intelligent girl want to marry a man so beneath her? She could take him as a lover if she wanted—I certainly wouldn’t care. Why marry the fellow?”

Mrs. Crumb carefully placed her fork and knife upon her plate and folded her hands in her lap. She turned to face him. “Love is the best of all human emotion. It separates us from the beasts and brings us closer to God and to heaven. There is no greater gift than love between a man and a woman.”

He looked at her a moment, studying her earnest expression, and then grinned. “You’ve never loved a man, have you?”

She pursed her lips, looking not a little irritated. “No.”

He took up his knife and fork again, feeling more cheerful. “A woman?”

“Pardon, Your Grace?”

He waved his knife, a bit of the beef skewered on the end. “Have you ever loved a woman?”

She pursed her lips and for a moment he thought they’d have another round of tedious prevarication. Then she sighed—audibly this time. “I was fond of my mother but I doubt that is what you mean. I’ve never loved another woman romantically.”

He smiled and ate the bite of beef. She came from the country. Yet she was rather more sophisticated than he’d first thought her.

“Then…” She stared at him very seriously, almost shyly. “You’ve never loved another?”

“Good God, no.”

“Not even your intended fiancée?”

He threw back his head and laughed at the very thought. “No. Oh, no. I think that one must have some essential part to love.”

She knit her black brows again, quite severely, and the resemblance to some stern saint was very strong. “What part?”

He shrugged, twirling his fork in the air as he thought. “I don’t know? A belief in goodness and God? Or maybe godliness? Perhaps innocence?” He smiled and looked at her. “In any case, whatever that essential thing is, I don’t have it in me. I never had it.”

Her brows were level. Her dark eyes intent on him. He might be the only man in the world to her right now. Oh, heady, erotic thought. “Never? Not even when you were a child?”

He shook his head slowly, aware of the soul-deep blackness that had seeped into his skin, been driven through his muscles, and embedded in his very bones. “Not even in the womb.”

He rarely told the truth—why bother? It was so dull—but when he did, most mistook it for jest.

She did not.

She looked at him soberly, and despite her martyr’s eyes, she seemed to make no judgment of him, which, if nothing else, was refreshing.

He leaned a little forward and took her chin, her skin soft and warm under his fingers. Alive. Human. Womanly.

Her dark eyes widened.

“Now, you, Mrs. Crumb, you aren’t like me at all. You have that part, whatever it is. You can love, which raises the question: Why haven’t you?”

She made a movement, like a mare trying to shake a bridle, but he held her, squeezing her face tightly. Perhaps he even left bruises.

He enjoyed that thought, imprinting his fingertips on her face for all to see.

“Why, my gentle housekeeper?”

Her nostrils flared and she stilled, glaring at him. “I like my job. I like doing as I please. Falling in love with a man would inconvenience me, Your Grace.”

He caught his breath in admiration. “How very practical of you, Mrs. Crumb.”

He drew her forward, making her half rise, his gaze fixed on that wet, reddened mouth and her angry dark eyes, his cock beating, bold and insistent, against the placket of his breeches. Perhaps he’d mark her further. Perhaps he’d see to what depths a saint could fall.


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