Reed Larkin, posing as a computer nerd, is in reality an
agent of the Division of Special Projects (DSP) assigned to
woo the petite Gabriel "Gabby" Pearson, who's investigating
the financial matters of Greg Benson and his father. Reed's
supervisor, Charlotte, has made it clear that the
assignment includes whatever it takes, even having sex with
Gabby, to stay close to her. Gabby, unbeknownst to Reed, is
an agent in forensic financial research with Financial
Solutions and conducts investigations for the FBI and Drug
Enforcement using the cover of a real accounting firm in
Washington, D.C.
As Reed becomes emotionally involved with Gabby, he decides
to break if off with her to protect her from any danger in
Benson's investigation. After Charlotte orders Reed to make
up with Gabby, he grovels back to Gabby fearing flying
objects. Strong physical attraction between the two of them
results in very hot sex that neither can get enough of.
When Reed finds out he's been lied to regarding his
assignment, which is to guard Gabby, everything blows up.
Gabby and Reed become aware that they are both actually
working for the same agencies and have been deceiving each
other. By now, they are completely in love with each other.
How much of Reed's sexual involvement was his assignment?
And what lengths will Reed go to in order to rectify the
lies and convince Gabby of his sincerity?
Gabby is a petite, fiery young woman who has food and sex
at the top of her list; not necessarily in that order.
Gabby and Reed make a perfect couple to create a humorous
and fast-paced story. Between the deception and lies, they
manage to indulge in some very explicit sex. I really
enjoyed HelenKay Dimon's style of writing. She kept
the story fresh, fast and alive all the way through. I
definitely recommend RIGHT HERE, RIGHT NOW as a good read.
IT’S NOT YOU, IT’S ME…
For Gabby Pearson, being dumped in public before the
dessert course has to be the lowest of the low—especially
when it’s the old, “It’s not you, it’s me” speech.
Honestly, how about something original: “I have five
minutes to live” (very possible); “It’s not you, it’s the
voices in my head” (thanks for the warning); or “I am such
a powerful sexual being I could put you into a coma with
one kiss” (wishful thinking). Not that Gabby would ever
know since Reed Larkin never bothered to take her to bed.
Why does a girl bother (to shave)? The only thing left to
do is offer the guy a goodbye-forever drink…on his head.
IT’S ME WANTING YOU COMPLETELY…
Damn. Reed did his job—he walked away from Gabby rather
than drag her into his unstable life and danger. Now he’s
wearing her full glass of wine instead of throwing her onto
his sheets. It doesn’t help that the woman is smart as hell
and could stop a man’s breath with that wide smile and
those shapely curves. Gabby has it all, and Reed wants
every inch of her. And now the joke’s on him, because new
intel says Gabby has just become his assignment: He has one
day to win her back, get information from her she may not
know she has, and somehow protect her at the same time.
RIGHT HERE, RIGHT NOW. PROBLEM?
The stakes are high. The odds are impossible. And the
mutual attraction is as hot and strong as Gabby’s anger.
And Reed can only hope his next speech—“It’s you, baby,
it’s definitely you…”—will be the start of something wild,
something crazy, something dangerous, something wonderful…
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