It’s a truth universally acknowledged that American readers have long been
fascinated with stories featuring their British cousins. We gathered together
six inspirational authors who set their novels across the pond in all different
historical eras to get the inside scoop on their latest releases.
What drew you to choose the setting of this novel? What about it interests
you?
Roseanna M. White: I’d
gotten to know the Edwardian era while writing my previous series and fell in
love with the time period—the world was really in a unique place, where the old
traditions were still lingering, but new technology was quickly gaining a place.
We have both automobiles and horse-drawn carriages, electricity in some places
but by no means all, and still a startling gap in England between the upper
class and the average person. I love exploring this meeting of old and new, in
those years when the world was on the cusp of a revolution of ideas as well.
Sensibilities were changing, and the world was beginning to be what we’d term
“modern,” but there was still that charming something of an era gone by.
Julie Klassen: I chose
to set the first book in the series in a Regency coaching inn typical of the
period. In the early nineteenth century, before the advent of trains, the
lifeblood of many small villages were their coaching inns. In this era, stage
and mail coaches were the primary means of travel, and they stopped at coaching
inns along the way to change horses, let passengers take a meal, or stay the
night. Coaching inns were restaurant, hotel, “train” station, travel agency,
livery, and repair shop, all rolled into one. I think it’s a wonderful setting
for a series, providing a backdrop for a cast of regulars who work at or
frequent the inn, as well as for new people who are traveling through.
Julianna Deering: I've
always loved the classic mysteries written in the 1920s and '30s, Agatha
Christie, Margery Allingham and Dorothy L. Sayers especially. And, being a
writer, I couldn't help trying my hand at something in this genre. My main
character for the series, Drew Farthering, is the hero-sleuth I just wanted to
read about. He's handsome and wealthy, stylish and very British. He's got just a
touch of angst about his past, but not enough to keep him from being great fun.
Jennifer Delamere: I
love the Victorians! People often think of them as stodgy and repressed, but the
more I’ve read about them, I think a better description of them is energetic,
inquiring, and multitalented. Their industry and inventiveness was incredible.
They gave us much of the world we know today. While writing THE CAPTAIN’S DAUGHTER, I
enjoyed pondering the events that would have taken place during the timeline of
my characters’ lives. When they were born (in the 1850s), the railways,
telegraph, and photography were still new. By 1879, when the book takes place,
telephones and electric lights were just becoming established. In the
not-too-distant future would come the use of bicycles as common transportation
and the invention of the motorcar. Even the London Underground, which we think
of as a modern invention, was already running and had several lines. Career
choices for women were opening up too, which I will explore in this series. I
hope to take people beyond the stereotypical view of the Victorians and show how
they were like us in so many ways.
Kate
Breslin: When planning HIGH AS THE HEAVENS, I
wanted to write about WWI, but not focusing on the trenches, so I chose instead
for my setting a large, cultural city like Brussels—which happened to be
occupied by the German army. The Great War often conjures images of soldiers
fighting in the trenches or Red Cross nurses tirelessly tending wounded behind
the front lines. Their loss and suffering are by no means insignificant, but I
hope readers will gain insight into the lives of others who aided in the war
effort—civilians forced to live under German occupation, who often starved and
endured hardship and abuse yet fought the enemy by whatever means they could.
Kristi Ann Hunter: The
Regency era is a time of great transition in England. The hierarchy of society
was being challenged by a rising middle class while the industrial revolution
challenged everything else about life’s status quo. A spiritual shift was rising
as well, making way for the Great Awakening of the mid-1800s. All of this change
makes anything possible, which makes it a great time to set a story.
What’s an interesting fact you came across and included in the novel?
Roseanna M. White:
Quite a few interesting facts actually inspired the novel! The first was that
King George V changed his name during World War I from the German Saxe-Coburg to
the English-sounding Windsor. It made me wonder if other people of German
heritage may have done the same. That combined in my head with what I’d learned
about how England employed artists and writers and musicians during the war to
include propaganda messages in their artwork, and suddenly I had my hero, a
novelist of German descent writing under a pen name.
Julie Klassen: My
favorite kind of research is travel to England, of course, but second to that
would be attending events like the national conference of the Jane Austen Society of North
America. Because I write novels set in the Regency time period when Austen’s
novels were published, I see the conference as a chance to conduct research and
spend time with fellow Austen enthusiasts. Workshops on topics like English
country dance, village life, crime, carriage travel, the military, marriage law,
tea, and fashion all help me learn more about the era and sometimes spark story
ideas. Other highlights of the conference included dancing at a ball in my
Regency gown, and attending a 19th century church service—a chance to not only
study the period, but to “live” it!
Julianna Deering: As a
tip of the cap to possibly the most famous moor story there is, I couldn’t
resist throwing in a little bit of Sir Arthur Conan Doyle’s The Hound of the
Baskervilles. In my research, I found that according to legend, the barghest
was a huge black hound that haunted crossroads where gibbets used to stand, a
portent of death for anyone who saw him. And if he was seen lying across a
threshold, it meant someone in that house was soon to die. Though it most often
took the form of a large black dog with fiery eyes, sometimes it was headless or
invisible and walked the night with the sound of rattling chains. Legends vary
about the appearance and meaning of this specter, some even claiming a sighting
was a sign of good fortune to come. I enjoyed adding aspects of this very
British superstition to my story.
Jennifer Delamere: My
primary inspiration for this series came from reading a biography of George
Müller, who opened an orphanage in Bristol, England, in the 1840s. He never
solicited donations or money; he was a man of fervent prayer and believed God
would always provide. In time his work grew, along with the buildings, until by
the end of the century the orphanage was caring for over 2,000 children!
Supported only by faith and prayer, they provided a tangible example of God’s
faithfulness to answer prayer and care for His people. That’s when the idea for
this series was born. It follows three sisters who were raised in Müller’s
orphanage. They each come to London to begin a new life, and each will find
their trust in God tested and strengthened by the obstacles they must overcome.
Kate Breslin: I enjoy
weaving intrigue into my stories, and so the spy craft of the Great War was my
inspiration for writing HIGH
AS THE HEAVENS. During my research on the real WWI Belgian underground
network, La Dame Blanche, I was tantalized by the notion that secret agents like
007 worked in Belgium and France over one hundred years ago! I was amazed at
their daring and sacrifice, and the courage of so many other French and Belgians
who risked their lives collaborating with the British Secret Service to aid the
Allies during the war.
Kristi Ann Hunter: For
AN INCONVENIENT BEAUTY I
learned a lot about the British Parliament and how it worked as well as how the
end of the war impacted society. While bit and pieces of the fascinating
law-making process were slipped in here and there, the most distinct moment in
history that I borrowed was the way the Prince Regent was notified of Napoleon’s
surrender. A soldier arrived at a ball the prince was attending, dirt and blood
still adorning his uniform, with two golden eagles captured from Napoleon’s
troops. That scene, with a good bit of creative license since my characters
weren’t actually there, is included in the book.
If you’re a fan of British fiction as well, be sure to enter the giveaway of all of these authors’ latest books.
Then settle down with a nice cup of tea and a good book—happy reading!
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