I love a good row between characters.
In real life, I avoid confrontation like the plague. I don’t like hostility. I
don’t want to get into a verbal dust-up with anyone, and I certainly don’t want
to be dragged into someone else’s spat.
Physical altercations are, obviously, off the table. I’m pretty sure I couldn’t
fight my way out of a paper bag even if you gave me two sharp scissors and a
map.
But on the page, I love a good fight. Whether it’s hand-to-hand combat between
the protagonist and the villain, or a battle of wits between the two romantic
leads, I can’t get enough of it.
You can learn so much about characters by the way they fight. Do they play
dirty or fair? Does their anger run hot or cold? Are they the sort who
carefully crafts the perfect insult then delivers it with the laser-like
accuracy of a surgeon, or do they prefer to launch themselves into battle
berserker style?
How do they behave when they’re not behaving?
In A TALENT
FOR TRICKERY, my heroine, Lottie, has been nursing a grudge against Owen
Renderwell for eight years. Sexual tension is the fuel that fires many an
antagonistic relationship, and eight years is a long time to live with
unrequited desire—more than enough time for Lottie to build up a cache of
ammunition. When Owen shows up at her door, she’s ready for him.
But everyone runs out of energy and ammo eventually. Even Lottie. At some
point, all fights must come to an end. And when that happens, when the last
volley has landed and the dust begins to settle, that’s when things get really
interesting.
Sparring might be a hero and heroine’s chance to display their finest armaments
and deadliest aim, but reconciliation is when they truly show their mettle.
After all, what takes more courage than setting down your weapons, stripping
yourself of armor, and saying you’re sorry?
It’s hard to admit when you’re wrong. It’s painful to recognize and own up to
the fact that you hurt someone you love. It’s humbling to be offered
forgiveness, and return it in kind.
There are so many ways to fight. So many things for characters to fight about.
There are countless ways for them to blaze a path to victory, or react to
unexpected defeat. But nothing’s quite as moving, quite as illuminating as
what comes after the battle. Nothing says more about characters than whether or
not they’re willing to stand exposed, heart in hand, and ask for forgiveness.
Alissa Johnson is a RITA-nominated author of historical romance. She
grew up on Air Force bases and attended St. Olaf College in Minnesota. She
currently resides in the Arkansan Ozarks where she spends her free time keeping
her Aussie dog busy, visiting with family, and dabbling in archery.
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The Lady is a Thief
Years ago, Owen Renderwell earned acclaim-and a title-for the dashing rescue of
a kidnapped duchess. But only a select few knew that Scotland Yard's most
famous detective was working alongside London's most infamous thief...and his
criminally brilliant daughter, Charlotte Walker.
Lottie was like no other woman in Victorian England. She challenged him. She
dazzled him. She questioned everything he believed and everything he was, and
he has never wanted anyone more. And then he lost her.
Now a private detective on the trail of a murderer, Owen has stormed back into
Lottie's life. She knows that no matter what they may pretend, he will always
be a man of the law and she a criminal. Yet whenever he's near, Owen has a way
of making things complicated...and long for a future that can never be theirs.
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