Frank
Delaney, author of the faithful sequel to the Robert Louis Stevenson 1893
classic, TREASURE ISLAND, outlines some do’s and don’ts for
landlubbers.
1. Get your Ship Together. Make sure that you know the
difference between a barque, a barquentine and a brigantine; a sloop, a schooner
and a ship of the line. The world has few areas where your lack of knowledge
will be as ferociously challenged. Nautical experts, and they truly are experts,
lurk by every wharf and canvas locker waiting to hoot derision – and perhaps
even brandish a cutlass -‐ at the uninformed, under-‐researched
pirate writer.
2. It’s Never Plain Sailing. Get to know the canvas -‐
length,
depth, breadth. What’s the difference between “square-‐rigged” and
“jerry-‐rigged”? How do you distinguish between topsail and staysail? And
then
there’s square topsail. And foresail. And never, never, never describe how a
pirate ship is rigged until you can name the type of vessel and draw a sketch of
how she’s rigged.
3. Not Knotted? When your Standing Part has a Friction Hitch
and you look to a Stopper or a Bend, a Double Overhand would complicate things
too much, and a Butterfly may bring tears to your eyes. But a Kleimheist! Now
there’s a means of getting yourself up in the world, whereas a Highwayman’s
Hitch may take you too close to the Bitter End. Knots are knotty – that’s the
plain truth, and you must be able to describe a hitch without a hitch.
4. Hire The Crew. How many men do you need for a mutiny? Here’s
a broad rule of thumb: the more masts the more men – but if half of them swabs
mutiny, will they be able to rig and run the ship without the other half? Here’s
another rule of thumb: when writing about pirates make your own rules of thumb –
others are frequently mistaken.
5. Watch Your Language. Do you know when to Avast? What do you
do to, with, or for a Mizzen Yard? And what is a Drabbler? If you can’t tell the
difference between Leeward and Windward you may well get your Halyard stuck in
your Hawsehole and find yourself having to Belay your Lateen and Luff while
Hands are Bracing and then Furling. Piracy has a lexicon all its own, and the
words will make lovely shapes on your page.
6. You Talkin’ To Me? Not all dialogue is language – and not
all language is dialogue. If a buccaneer with an eye-‐patch shakes your hand
and leaves something in your palm, hope it’s not a piece of paper with a black
mark on it. It may mean you’ll be keelhauled or, worse, have to walk the plank,
and that will definitely send you to Davy Jones’s Locker. So, before your
villain (or hero) tips somebody the Black Spot make sure that you know its
origins -‐ and go down to a dockside and ask who Davy Jones was.
7. Off The Charts. Now here’s another area of great and deep
expertise. If a map says “Offe Carraccas” (and it did) know that even if it
hadn’t come from the steady and copperplate hand of a medieval and probably
older cartographer it was still accurate. Maps were the GPS their day, without
the annoying voice, and even a lowly pirate knew how to read a map. Be warned –
when you begin to research the navigation charts of the Long John Silver era you
will lose hours to their magic.
8. Follow The Money. And it will lead you to Spain, who
dominated world currency in the time of Blackbeard. The doubloon was the
mega-‐coin, valued at 32 reals (or royals: the coins had monarch’s faces) and
the piece-‐of-‐eight (cackled you will recall by Capn’ Flint, Long
John
Silver’s parrot), which preceded the U.S. dollar in world power had the value of
8 reals. Luckily for all pirate writers the world is full of experts on coinage
who are ready willing and eager to share their knowledge. As are ship experts,
sail experts, linguists, cartographers, etc.. With in-‐depth research in
place
all it needs is an original story – and that’s where the writer’s an expert.
***
Frank Delaney has earned top prizes and best-seller status in a wide variety of
formats - prolific author, television and radio broadcaster, journalist,
columnist, screenwriter, lecturer, playwright and scholar. His podcast series,
Re:Joyce, deconstructing, examining and illuminating James Joyce’s Ulysses
line-by-line, in accessible and entertaining five-minute broadcasts, and posted
each week on his website and iTunes, has just passed its first million
downloads. A lifelong admirer of Robert Louis Stevenson, and originally
publishing under the pseudonym, Francis Bryan, Delaney wrote JIM HAWKINS
& THE CURSE OF TREASURE ISLAND as a work of affection and homage to the
original Treasure Island.
Visit Frank online: Website, Facebook, Twitter, and Goodreads
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