As a French major in college, I spent numerous hours trying to master the
nuances of the language; however, my fondest memories bring me back to my French
history classes. Often I daydreamed about what it would have been like to have
lived in a certain time period such as the Renaissance. I would conjure up
stories using real life events and add my creative “what if?” spin. Perhaps I
should have realized then that writing would become a part of my future!
This month’s Jen’s Jewels
New York Times bestselling author William Dietrich has
recreated some of his own favorite moments in history in his latest release BLOOD OF THE REICH. It is a
dual story combining modern day with the Hitler Germany era into a suspenseful
journey to the fabled East. With unforgettable characters based on real
historical events, Dietrich has proven once again his prowess as one of the best
suspense writers in the business.
As part of this interview, Harper Collins has generously donated five
copies for you, my favorite readers, to try to win. So, don’t forget to look for
the trivia question at the end. And, thanks for making Jen’s Jewels a part of your
4th of July holiday celebration!
Jen: A Pulitzer Prize-winning journalist, your stellar career has been a
fascinating journey in itself. So that my readers may catch a glimpse into the
life of the man behind the words, please share with us a brief overview of your
educational and professional background.
William: I’m a working class kid who attended a state university and
decided a writing career would be cleaner than being a painting contractor, like
my father and grandfather. A degree in journalism got me my first jobs (25 cents
a column inch!) and my newspaper career eventually led to a yearlong fellowship
at Harvard and briefer stints at scientific institutions like Woods Hole. My
writing has been a long, slow development by a guy with modest expectations who
earned exciting opportunities. I’m an example of the effectiveness of plugging
away. Over time, it works.
Jen: Please describe for us the “Aha” moment when you consciously decided
to pursue a career in publishing.
William: I was always an avid reader and dreamed of writing books, but
that was something other, very exotic people did. So first came the college
journalism revelation that you might be paid to go to interesting places, if you
wrote about it. Unbelievable! What a scam! Second was an offer from Simon &
Schuster to propose a non-fiction book on a subject I was covering for the
Seattle Times, the battle over timber and the spotted owl in the Pacific
Northwest. So vague book dream became concrete book assignment. That first book
is like a first child, astonishing to hold! And third was a mid-life crisis (I
found myself at the South Pole two months after treatment for cancer, a weird
juxtaposition of experiences) that reminded me that life is short. It prompted
an eventual stab at fiction with a World War II thriller called Ice
Reich. When the novel unexpectedly sold, there was an instantaneous, “This
is what I want to do next.”
Jen: Your penchant for history has been the launching pad for your
success as a New York Times bestselling author. In your latest release BLOOD OF THE REICH, you
once again dare to explore a volatile time in history. How did you arrive at the
premise?
William: I’m always looking for new ideas. I read about a 1938 Nazi
expedition to Tibet, reminiscent of a Nazi expedition to Antarctica that
inspired my first novel. I was also fascinated by the wacky theories and
mythology Nazis brought with them when they took over: Imagine the Tea Party
seizing power and making every American conspiracy theory a standard part of
public instruction, and you have an idea of what happened in Germany. The Nazi
fascination with race and eugenics, or social Darwinism, was part of their
appeal and motivation: people liked being told they were the master race, and
that others were not. The Nazis also were searching for odd powers in distant
places, like “Raiders of the Lost Ark.” So it began to fall together: what if
they were still looking, and modern physics provided new opportunities? What if
the obsession with purity of blood led to an American woman with the key in her
veins?
Jen: In terms of research, how much was needed in order for the storyline
to ring true with your readers?
William: I had to create two worlds: Germany and Tibet in 1938, and then
a contemporary world that would take my heroine from Washington State to Tibet
to the CERN supercollider near Geneva. As a result I combined travel to Tibet
(which was fascinating) with scenes from my own stomping grounds in Washington,
and then book research on Europe. For example, Himmler’s SS headquarters in
Berlin is long-gone, so I had to read to reconstruct it. I couldn’t get down in
the supercollider because of radiation, so a physicist helped me with a mountain
of information, photographs, and advice. My research ranged from Buddhism to the
Third Reich, from what a woman might carry in her purse (my daughter helped) to
making the physics simple and somewhat plausible. The highest I got in Tibet was
more than 16,000 feet at the Chinese side of the base of Mount Everest, or
almost a half-mile higher than the summit of Mount Rainier. I moved slowly.
Jen: Tacking onto that last question, what was the most fascinating bit
of information you discovered along the way?
William: It’s stunning that physicists and astronomers theorize we don’t
know, and can’t even detect, what 96 percent of the matter and energy in the
Universe even IS. That gives a novelist a lot of speculative latitude. It
shocked me that the price of a trans-Pacific airplane ticket in 1938 could have
bought two new cars at that time. I also tried Tibetan butter tea, which is hot
water with liquefied yak butter. It’s not as bad as it sounds.
Jen: The structure of the novel combines two time periods within one
overall plot. How did you go about constructing the story? And, what was the
most challenging part of writing both in the present and past simultaneously?
William: The multiple narrative threads make this the most complex novel
I’ve constructed. The Nazis are going to Tibet. An American is recruited to
pursue them on a separate path across China. A contemporary young Seattle woman
is fleeing from a car bombing and rediscovering her own past. So I constructed
an outline specifying how these threads would come together into a climax and
then followed it closely. I also consciously tried to create narrative parallels
between past and present, so there were these weird echoes of time as the story
unfolds.
Jen: As for the characters, let’s start in the past in March 1938. What
makes Kurt Raeder the quintessential scientist to undertake the secret mission
ordered by Reichsfuhrer SS Heinrich Himmler?
William: He’s a poster boy Nazi: handsome, a climber, a crack shot, a
zoologist, an SS member. As such, he’s modeled on the leader of the real 1938
expedition. But he’s also a sadist toward women, haunted, and destructively
ambitious, a man with no moral core. I wanted this villain to embody both the
energy and the corruption of the Nazi regime.
Jen: Wealthy zoologist Benjamin Hood is intrigued by this secretive
mission and willingly chooses to partake in it on behalf of the United States.
What is the driving force behind his desire to beat Raeder at his own game?
William: Hood is a zoologist like Raeder and the two have been to Tibet
together before, to hunt animal specimens for museums. They have also been
involved with the same beautiful Tibetan widow, and had a falling out that’s
never been resolved. Hood is persuaded to pursue Raeder to finish the showdown
he fled from, and to bring meaning to his own life. His alliance with tomboy
pilot Beth Calloway, and reunion with Tibetan Keyuri Lin, adds layers of
romantic complication to the story.
Jen: Now let’s talk about present day. Software publicist Rominy Pickett
is literally thrown into the mix by the mysterious journalist Jake Borrow. When
he reveals the horrid details of her parents’ demise as well as her true
heritage, what makes her willing to trust him?
William: Rominy is the novel’s innocent, the singleton plucked out of
obscurity who must ultimately choose courage and help save the world. She was a
real balancing act to write: smart enough to be appealing, and yet baffled
enough so that the reader has the same reaction to her decisions as when the
heroine turns the knob in a horror movie: “Don’t go into the basement!” She
wants to trust handsome, charismatic Jake Barrow: any woman would be intrigued
at being “saved” by stud muffin reporter. So some of the tension in the story
comes from hope against caution, and safe security versus the excitement of
breaking from routine. I think readers can identify with her boil of emotions.
Jen: Let’s switch gears now and talk about your promotional plans. In
terms of social media, are you on FaceBook? Twitter? Do you blog regularly on
your site or others?
William: I’m on Facebook and blog on my website when I find time. Twitter
is a reach for a guy used to writing things 100,000 words long: uh, why? I guess
that shows my age. I love how the Internet has brought people together – I’ve
heard from people I haven’t seen for decades – but am baffled at the idea of
sharing every movement and thought. I don’t know about you, but I’m boring. We
all still need to edit ourselves.
Jen: Please take us on a tour of your website highlighting points of
interest.
William: It’s www.williamdietrich.com. There you can find a description of all
my books (just click on the covers), sample chapters, review excerpts, and brief
Q&A. “Readings” lists my schedule on the West Coast, and a biography and TV
interview tell more about me than most people want to know. I can be contacted
via email through “Contact.”
Jen: Are you currently at work on your next novel? If so, what can you
share with us?
William: I’ve just completed a draft of the fifth Ethan Gage adventure.
This is a series featuring a rogue American hero during the Napoleonic wars, and
“The Treasure of Montezuma” takes Ethan and his new family in 1803 from the
French Alps to the Caribbean during the slave revolt in Haiti, the first such
successful revolt in history. Funny, fast-paced, and tragic.
Jen: Thank you so much for taking time out of your busy schedule to stop
by and chat with my readers. It was a pleasure for me to step out of my comfort
zone in terms of genres. I am officially now a William Dietrich fan! Looking
forward to your next release! I hope you have a relaxing summer.
William: Thank you! It won’t be relaxing – I’ve got a good deal of book
publicity and am looking ahead to future projects – but I feel very blessed for
my career as a writer and the opportunity to communicate with people this way.
Readers, please try my books!
I hope you have enjoyed my interview with William. Please stop by your favorite
book store or local library branch and pick up a copy today. Better yet, how
would you like to win one instead? Okay, be one of five readers to answer the
following trivia question correctly and you could win.
What is the name of the wealthy zoologist in BLOOD OF THE REICH?
Later this month, I will be bringing to you my interview with New York
Times bestselling author Meg Cabot! You won’t want
to miss it.
Until next time…
Jen
2 comments posted.
In many ways I'm not really fond of Nazi-themed books. My family lived through that time in Germany and I got to feel some of the aftermath. However, I do like historical fiction and would definitely like to read more fiction set in Germany. Your books might fill the bill. The only other German-set books I've read, except for some written in German, are the Hannah Vogel books by Rebecca Cantrell set in the 1930s. I've just been thinking that I really must learn more about pre-Nazi German history--besides the names of the last Kaisers.
(Sigrun Schulz 5:49am August 10, 2011)