L. J. SELLERS | Why I Love Crime Novels

When reviewers come across a particularly good crime novel, they like to say it
"rises above the genre." They mean to be complimentary of the author,
but it’s really an insult to crime fiction, as though the genre was subpar and
the writer was able to drag the story out of the muck.

I couldn’t disagree more. For me, crime novels offer some of the best reading on
the market. I believe, as many crime writers and readers do, that our fiction
confronts the realities of life, across various cultures, in both sensitive and
thought-provoking ways.

Crime novels are particularly suited to exploring provocative social issues and
showing those issues and attitudes from various perspectives. Some crime novels
are often quite analytical about segments of our society such as illegal
immigration, human trafficking, and drug use. Other stories highlight cultural
and social ills, such as racism, sexism, bigotry, and the dangers of
stereotypes. Crime novels let us see the world from perspectives that surprise
us and make us think outside our comfort zones.

Crime fiction also offers a way to vicariously win the struggles between good
and evil. We get to see the good guys win and the bad guys get what is coming to
them. It doesn’t always work out that way in real life, so it’s important to our
collective mental health to experience this triumph and justice in fiction and
movies.

As crime writers and readers, we get to make sense of things that would
otherwise haunt us. We learn why the family next door disappeared one day or
what’s really going on in the creepy warehouse across the street. Sometimes that
knowledge helps us sleep better and sometimes it doesn’t, but at least we learn
one version of the truth.

Novels with well-written protagonists and antagonists bring us to terms with the
duality within ourselves. Humans are all deeply flawed, with the capacity for
great goodness as well as for deceit, jealousy, schadenfreude, addiction,
selfishness, and often worse. When crime fiction heroes—detectives, FBI
agents, and prosecutors—possess such flaws, we not only relate to those
characters, we forgive ourselves for the same shortcomings. When a killer calls
his mother or pets a stray dog, we hate him a little less and remember to look
for good qualities in everyone.

Crime novels explore relationships in a way that few other genres can. What
better mechanism to test a bond between husband and wife, parent and child, or
lifelong friends than to embroil the relationship in a crime, either as victims,
suspects, or perpetrators. Similar to natural disasters, the aftermath of a
crime can bring out the best—or worst—in humans.

The genre is rich with possibilities for exploring the complexity of the human
condition. Victims become predators; predators become victims. A person is
guilty, but not in the way we’ve been led to believe. Most of all, crime fiction
is full of surprises, and we readers love the unexpected.

Writing complex crime stories that live up to my own expectations—while
entertaining readers— is the most challenging and satisfying work I’ve done.