We follow the gathering crowds toward the ticket booth, funneling into the entrance beneath pennants made of sun-bleached calico, the patterns mere ghosts of their old selves. We’re not even through the ticket gate and already I can smell sawdust and burned sugar. Shrieks of terror and joy stutter through the wind, mixing with the excited chatter of those waiting in line. Hand- painted boards taller than I am lead up to the ticket booth, each one featuring a different performer. A knife thrower done in stark black, white, and orange. Two golden girls standing atop a spotted horse, no saddle or reins to hold them. A boy and girl, near mirror reflections of the other, hovering over a crystal ball, dark shadows creeping in around them. The biggest belongs to a trio of tumblers who tangle their limbs together until they’re one muscled mass of human impossibility. The sign is a boast, a dare, a promise—come and see these men and be amazed. And I want to be amazed.