Chapter One
In death there were many layers. Violent death added more.
It was her job to sift through those layers and find
cause. In cause, to meet justice.
However the act of murder was committed, in cold blood or
hot, she was sworn to pursue it to its root. And serve the
dead.
For tonight, Lieutenant Eve Dallas of the New York City
Police and Security Department wore no badge. It, along
with her service weapon and communicator, was currently
tucked in an elegant, palm-sized silk purse she considered
embarrassingly frivolous.
She wasn't dressed like a cop, but wore a shimmering
apricot-hued gown that skimmed down her long, slim body
and was sliced in a dramatic V in the back. A slender
chain of diamonds hung glittering around her neck. More
sparkled at ears she recently, and in a weak moment, had
been persuaded to have pierced.
Still more were scattered like raindrops through her short
chop of brown hair and made her feel faintly ridiculous.
However glamorous the silk and diamonds made her appear,
her eyes were all cop. Tawny brown and cool, they scanned
the sumptuous ballroom, skimmed over faces, bodies, and
considered security.
Cameras worked into the fancy plasterwork overhead were
unobtrusive, powerful, and would provide full scope.
Scanners would flag any guests or staff who happened to be
carrying concealeds. And among the staff, weaving their
way through the chatter to offer drinks, were a half-dozen
trained security personnel.
The affair was invitation only, and those invitations
carried a holographic seal that was scanned at the door.
The reason for these precautions, and others, was an
estimated five hundred and seventy-eight million dollars'
worth of jewelry, art, and memorabilia currently on
dazzling display throughout the ballroom.
Each display was craftily arranged for impact and guarded
by individual sensor fields that measured motion, heat,
light, and weight. If any of the guests or staff had
sticky fingers and attempted to remove so much as an
earring from its proper place, all exits would close and
lock, alarms would sound, and a second team of guards hand-
selected from an elite NYPSD task force would be ordered
to the scene to join the private security.
To her cynical frame of mind, the entire deal was a
foolishly elaborate temptation for too many, in too large
an area, in too public a venue. But it was tough to argue
with the slick setup.
Then again, slick was just what she expected from Roarke.
"Well, Lieutenant?" The question, delivered with a whiff
of amusement in a voice that carried the misty air of
Ireland, drew her attention to the man.
Then again, everything about Roarke drew a woman's
attention.
His eyes, sinfully blue, set off a face that had been
sculpted on one of God's best days. As he watched her, his
poet's mouth, one that often made her want to lean in for
just one quick bite, curved, one dark brow lifted, and his
long fingers skimmed possessively down her bare arm.
They'd been married nearly a year, and that sort of
casually intimate stroke could still trip her pulse.
"Some party," she said and turned his smile into a fast,
devastating grin.
"Yes, isn't it?" With his hand still lightly on her arm,
he scanned the room.
His hair was black as midnight and fell nearly to his
shoulders into what she thought of as his wild Irish
warrior look. Add to that the tall, tautly muscled build
in elegant black-tie, and you had a hell of a package.
Obviously a number of other women in the room agreed. If
Eve had been the jealous type, she'd have been forced to
kick some major ass just for the hot and avaricious looks
aimed in her husband's direction.
"Satisfied with the security?" he asked her.
"I still think holding this business in a hotel ballroom,
even your hotel ballroom, is risky. You've got hundreds of
millions of dollars' worth of junk sitting around in
here."
He winced a little. "Junk is not quite the descriptive
phrase we hope for in our publicity efforts. Magda Lane's
collection of art, jewelry, and entertainment memorabilia
is arguably one of the finest to ever go to auction."
"Yeah, and she'll rake in a mint for it."
"I certainly hope so, as for handling the arrangements for
security, display, and auction Roarke Industries gets a
nice piece of the pie."
He was scanning the room himself, and though he was
anything but a cop, he studied, measured, and watched even
as his wife had.
"Her name's enough to push the bidding far above actual
value. I think we're safe in predicting that twice the
actual value will make up that pie by the end of things."
Boggling, Eve thought. Boggling. "You're figuring people
will choke out half a billion for somebody else's things?"
"Conservatively and before the sentiment factors in."
"Jesus Christ." She could only shake her head. "It's just
stuff. Wait." She held up a hand. "I forgot who I was
talking to. The king of stuff."
"Thank you, darling." He decided not to mention he had his
eye on a few bits of that stuff for himself, and his wife.
He lifted a finger. Instantly a server bearing a tray of
champagne in crystal flutes was at his side. Roarke
removed two, handed one to Eve.
"Now, if you've finished eyeballing my security
arrangements, perhaps you could enjoy yourself."
"Who says I wasn't?" But she knew she was here not as a
cop, but as the wife of Roarke. That meant mingling,
rubbing shoulders. And the worst of human tortures in her
estimation: small talk.
Because he knew her mind as thoroughly as he knew his own,
he lifted her hand, kissed it. "You're so good to me."
"And don't you forget it. Okay." She took a bracing sip of
champagne. "Who do I have to talk to?"
"I think we should start with the woman of the hour. Let
me introduce you to Magda. You'll like her."
"Actors," Eve muttered.
"Biases are so unattractive. In any case," he began as he
led her across the room, "Magda Lane is far more than an
actor. She's a legend. This marks her fiftieth year in the
business, one which often chews up and spits out those who
dream of it. She's outlasted every trend, every style,
every change in the movie industry. It takes more than
talent to do that. It takes spine."
It was as close as Eve had ever seen him to having stars
in his eyes. And that made her smile. "Stuck on her, are
you?"
"Absolutely. When I was a boy in Dublin, there was a
particular evening where I needed a bit of a dodge off the
streets. Seeing as I had several lifted wallets and other
pocket paraphernalia on my person and the garda on my
heels."
The wide mouth she'd forgotten to dye for the evening
sneered. "Boys will be boys."
"Well, be that as it may, I happened to duck into a
theater. I was eight or thereabouts and resigned myself to
sitting through some costume drama I imagined would bore
me senseless. And there sitting in the dark, I had my
first look at Magda Lane as Pamela in Pride's Fall."
He gestured toward the display of a sweeping white
ballgown that shimmered under a firestorm of icy stones.
The droid replica of the actor turned in graceful circles,
dipped into delicate curtsies, fluttered a sparkling white
fan.
"How the hell did she walk around in that?" Eve
wondered. "Looks like it weighs a ton."
He had to laugh. It was so Eve to see the inconvenience
rather than the glamour. "Nearly thirty pounds of costume,
I'm told. I said she had spine.
In any case, she was wearing that the first time I saw her
on screen. And for an hour I forgot where I was, who I
was, that I was hungry or that I'd likely get a fist in
the face when I got home if the wallets weren't plump
enough. She drew me out of myself. That's a powerful
thing."
He avoided interruption by simply aiming a smile or wave
in the direction of those who called him. "I went back and
saw Pride's Fall four times that summer, and paid for it.
Well, paid the fee once anyway. After, whenever I needed
to be drawn out of myself, I went to the movies."
She was holding his hand now, well able to visualize the
boy he'd been, sitting in the dark, transported away by
the images flickering on screen. At the age of eight he'd
discovered another world outside the misery and violence
of the one he lived in.
And at eight, she thought, Eve Dallas had been born to a
young girl too broken to remember anything that had come
before.
Wasn't it almost the same thing?
Eve recognized the actor. Roarke didn't really go to the
movies these days-unless you counted his private theaters-
but he had copies on disc of thousands of them. She'd
watched more screen in the past year with him than she had
in the previous thirty.
Magda Lane wore red. Screaming siren red that painted a
stunning and voluptuous body like a work of art. At sixty-
three she was just dipping into middle age. From what Eve
could see, she was approaching it with a snarl. This was
nobody's matron.
Her hair was the color of ripening wheat and tumbled to
her bare shoulders in snaking spirals. Her lips, full and
lush as her body, were painted the same bold red as her
gown. Skin, pale as milk, was unlined and highlighted by a
beauty mark just at the outer point of one slashing
eyebrow.
Beneath those contrastingly dark brows were eyes of fierce
and brilliant green. They landed on Eve coolly, a female
to female measuring, then shifted to Roarke and warmed
like suns.
She was surrounded by people, and simply shot them a
careless smile, then stepped out of the circle, hands
outstretched.
"My God, but you're gorgeous."
Roarke took her hands, kissed both. "I was about to say
the same. You're stunning, Magda. As ever."
"Yes, but that's my job. You were just born that way.
Lucky bastard. And this must be your wife."
"Yes. Eve, Magda Lane."
"Lieutenant Eve Dallas." Magda's voice was like fog, low
and full of secrets. "I've been looking forward to meeting
you. I was devastated I couldn't make the wedding last
year."
"It seems to have stuck anyway."
Magda's brows rose, then the eyes beneath them began to
glitter with appreciation. "Yes, it has. Go away, Roarke.
I want to acquaint myself with your lovely and fascinating
wife. And you're too much of a distraction."
Magda waved him away with one slim hand. Light shot off
the diamond on her ring finger like the tail of a comet
before she tucked her arm companionably through Eve's.
"Now, let's find someplace where a dozen people won't
insist on speaking to us. Nothing more tedious than idle
conversation, is there? Of course, you're thinking that's
just what you're about to be trapped into with me, but
I'll assure you I don't intend to make our conversation
idle. Shall I start off by telling you one of my own
regrets is that your ridiculously attractive husband is
young enough to be my son?"
Eve found herself sitting at a table in the back corner of
the ballroom. "I don't see why that would have stopped
either of you."
Laughing delightedly Magda snagged fresh flutes of
champagne, then shooed the server away. "My own fault. I
made a rule never to take a lover more than twenty years
older or younger. Stuck with it, too. More's the pity.
But . . ." She paused to sip, studying Eve. "It isn't
Roarke I want to talk about, but you. You're exactly what
I thought he'd fall for when his time came around."
Eve choked on her wine, blinked. "You're the first person
who's ever said that." She struggled with herself a
moment, then gave up. "Why do you say it?"
"You're quite attractive, but he wouldn't have been
blinded by your looks.
You find that amusing," Magda noted, nodding in
approval. "Good. A nice sense of humor's essential when
dealing with any man, but particularly one of Roarke's
nature."
They were solid looks though, Magda mused. Neither
glamorous nor staggering, but solid with good bones, clear
eyes, and an interesting dent in the center of a strong
chin.
"Your looks might have attracted him, but they didn't
snare him. I wondered about that as Roarke has an
interest, and an affection, for beauty. So I, having some
interest and affection of my own in the man, followed the
media on you."
Eve angled her head, a kind of challenge. "Do I pass?"
Amused, Magda ran one scarlet-tipped finger around the rim
of her flute, then lifted it to equally bold lips, and
sipped. "You're a smart, determined woman who doesn't
merely stand on her own feet but uses them to boot
whatever asses need booting. You're a physical woman with
brains, and a look in your eyes when you glance around an
event like this that says: 'What a bunch of nonsense.
Haven't we all got something better to do?'"
Intrigued, Eve studied Magda in turn. More here, she
realized, than some fluff piece who liked to play make-
believe. "Are you a shrink or an actor?"
"Either profession requires solid elements of both." She
paused again, sipped again. "My guess is you didn't-don't-
give a hang about his money.
That would have intrigued him. I can't see you falling at
his feet either.
If you had, he'd likely have scooped you up and played
with you awhile. But he wouldn't have kept you."
"I'm not one of his damn toys."
"No, you're not." This time Magda lifted her glass in a
toast. "He's madly in love with you, and it's lovely to
see. Now, tell me about being a policewoman. I've never
played one. I have played women who go outside the law to
protect what's theirs, but never one who works within it
to protect others. Is it exciting?"
"It's a job. It has its ups and downs like any."
"I doubt like any. You solve murders. We . . . civilians,
I suppose you'd say, can't help but find the process,
including the murder, fascinating."
"That's because you're not the one who's dead."
"Exactly." Magda threw back her magnificent head and
roared with laughter. "Oh, I like you! I'm so glad. You
don't want to talk about your work, I understand. People
from outside think mine is exciting, glamorous. When what
it is . . . is a job, with its ups and downs like any."
"I've seen a lot of your work. I think Roarke has
everything you've done on disc. I like the one where
you're a scheming conwoman who falls for her mark. It's
fun."
"Bait and Switch. Yes, it was. Chase Conner was my leading
man in that, and I fell for him, too. It was also fun,
while it lasted. I'm auctioning off the costume I wore in
the cocktail party scene."
She glanced around the ballroom, scanning her things,
things that had once been vital to her, with
amusement. "It should bring a good price, and help get The
Magda Lane Foundation for the Performing Arts off the
ground. So many bits and pieces of a career, of a life,
going on the block before much longer."
She turned, studying a display arranged like a lady's
boudoir, with a shimmering nightgown, an open jewelry case
where chains and stones spilled gloriously onto a gleaming
dressing table. "That's a lovely bit of female business,
isn't it?"
"Yeah, if you're into that."
Magda swiveled back, smiling. "At one time I was
desperately into that.
But, a smart woman doesn't survive a fickle career like
acting without regularly reinventing herself."
"What are you now?"
"Yes, yes," Magda murmured. "I like you very much. People
ask me why I'm doing this, why I'm giving so much of it
up. Do you know what I say?"
"No, what?"
"That I intend to live and to work for a great deal
longer. Time enough to collect more." She gave that lusty
laugh again, turned back to Eve. "That's true enough, but
there's more. The Foundation's a dream of mine, a
cherished one. Acting's been good to me. I want to pass it
on, while I'm still around and young enough to enjoy it
all. Grants, scholarships, facilities for all that new
blood to swim in. It pleases me that a young actor or
director might get his or her start from a break given in
my name.
That's vanity."
"I don't think so. I think it's wisdom."
"Oh. Now I like you even more. Ah, there's Vince, giving
me the eye. My son," Magda explained. "He's handling the
media and assisting in the security for this extravaganza.
Such a demanding young man," she added, signaling across
the room. "God knows where he got that particular trait.
So that's my cue to get back to work." She rose. "I'm
going to be in New York for the next several weeks. I hope
we'll see each other again."
"That would be nice."
"Ah, Roarke, perfect timing." Magda turned to beam at him
as he walked to the table. "I have to abandon your
delightful wife as duty calls. I expect an invitation to
dinner, very soon, so I can spend more time with both of
you, and indulge in one of those spectacular meals your
man arranges. What is his name?"
"Summerset," Eve said, lip curling.
"Yes, of course. Summerset. Soon," she said, and kissed
both Roarke's cheeks before gliding off.
"You were right. I did like her."
"I was sure you would." As he spoke, he began to guide her
smoothly toward the exit. "I'm sorry to interrupt your
evening off, but we have some trouble."
"A problem with security? Somebody try to duck out with a
pocketful of baubles?"
"No. It's nothing to do with theft, and everything to do
with murder."
Her eyes changed. Woman to cop. "Who's dead?"
"One of the housekeeping staff, from what I'm told." He
kept her arm, steered her toward a bank of
elevators. "She's in the south tower, forty-sixth floor. I
don't know the details," he said shortly before she could
interrupt. "My head of hotel security just informed me."
"Have the police been contacted?"
"I've contacted you, haven't I?" Eyes grim, he waited
while the elevator shot up to the south tower. "Security
knew I was on site, and that you were with me. It was
decided to inform me-and you-first."
"Okay, don't get testy. We don't even know if it's a
homicide yet. People are always yelling murder at
unattended deaths. Mostly they're accidents or natural
causes."
The minute she stepped off the elevator, her eyes narrowed
to slits. Too many people in the hallway, including one
hysterical female in a housekeeper's uniform, lots of guys
in suits, and several people who were obviously guests
who'd popped out of their rooms to see what the commotion
was.
She reached into her foolish little purse, pulled out her
badge, and held it up as she strode forward.
"NYPSD, clear this area. You people go back in your rooms,
anyone with hotel security stand by. And somebody deal
with this woman here. Who's security chief?"
"That would be me." A tall lean man with a coffee-colored
complexion and mirror-sheened bald head stepped
forward. "John Brigham."
"Brigham, you're with me." Since she didn't have her
master code, she gestured to the door.
When he opened it, she stepped through, scanned the parlor
area.
Sumptuous, chock-full of fancy furniture, including a full
bar setup. And tidy as a church. The privacy screens on
the generous windows were engaged, and the lights on full.
"Where is she?" Eve asked Brigham.
"Bedroom, to the left."
"Was the door open or closed as it is now when you arrived
on scene?"
"It was closed when I got here. But I can't say it was
that way before. Ms. Hilo from Housekeeping found her."
"That's the woman in the hall?"
"That's right."
"All right, let's see what we've got." She moved to the
door, opened it.
Music poured out. The lights were on full here as well,
and shone harshly on the body lying on the bed like a
broken doll that had been tossed there by a spoiled child.
One arm was cocked at an impossible angle, her face was
raw and blackened from a vicious beating, and her uniform
skirt was hiked up to her waist.
The thin silver wire used to strangle her cut deep into
her throat like a slender and deadly necklace.
"I think you can rule out natural causes," Roarke
murmured.
"Yeah. Brigham, who's been in this suite besides you and
the housekeeper since the body was found?"
"No one."
"Did you approach the body, touch it or anything other
than the doors in any way?"
"I know the drill, Lieutenant. I was on the job-Chicago
PSD, Anti-Crime Division. Twelve years. Hilo alerted me.
She was screaming into her communicator. I got here within
two minutes. She'd run back to her base on the fortieth
floor. I entered the suite, came to the doorway here,
determined by visual that the victim was deceased. Aware
that Roarke was on site, and accompanied by you, I
contacted him immediately, then secured the suite, sent
for Hilo, and waited for your arrival."
"I appreciate it, Brigham. Since you were on the job, you
know how many times a crime scene's corrupted by helping
hands. Did you know the victim?"
"No. Hilo called her Darlene. Little Darlene. That's all I
could get out of her."
Eve was scanning the scene, keeping herself back from it,
and calculating the steps that hadled to murder. "You
could do me a big favor and get Hilo somewhere quiet and
private where she can't talk to anyone but you until I
send for her. I'm going to call this in. I don't want to
go into the room until I can seal up."
Brigham reached in his pocket, pulled out a minican of
Seal-It. "I had one of my men bring this up. And a
recorder," he added, handing her a collar clip. "Didn't
figure you'd have a field kit with you."
"Good thinking. Do you mind sticking with Hilo for a
while?"
"I'll take care of it. You can tag me when you want to
talk to her.
Meanwhile, I'll leave a couple of men at the door until
your crime scene unit gets here."
"Thanks." Idly she shook the can. "Why'd you go off the
job?"
For the first time Brigham smiled. "My current employer
made me a hell of an offer."
"I bet you did," Eve said to Roarke when Brigham stepped
out. "He's got a cool head, good eyes." She started to
spray her shoes, then decided she'd do a hell of a lot
better without them. After stepping out of them, she
sprayed her feet, her hands, passed off the can, then the
clip, to Roarke.
"I'll need you to record the scene." She pulled out her
communicator and called it in.
"Her name's Darlene French." Roarke read off the data he'd
called up from his PPC. "She's worked here for just over a
year. She was twenty-two."
"I'm sorry." She touched his arm, waited until he shifted
those hot, angry eyes to hers. "I'm going to take care of
her now. Record on, okay?"
"Yes, all right." He slipped the PPC back in his pocket,
engaged the clip recorder.
"The victim is identified as Darlene French, female, age
twenty-two, employed as housekeeper, The Roarke Palace
Hotel. Apparent homicide, this location, Suite 4602.
Present and acting as primary, Dallas, Lieutenant Eve.
Also present and acting as temporary aide in recording
this log, Roarke. Dispatch has been notified."
Now Eve approached the body. "The scene shows little sign
of struggle, but the body shows bruising and lacerations
consistent with a violent beating, particularly around the
face. Blood spatter pattern indicates that beating
was administered while the victim was on the bed."
She glanced around the room again, noted the beeper on the
floor just outside the bath.
"The right arm is broken," she continued. "Other bruising
on the victim's thighs and vaginal area indicates
premortem rape."
Gently, Eve lifted one of the limp hands. Wishing for
microgoggles, she examined it carefully. "Got a little
skin here," she murmured. "Managed to get a swipe in,
didn't you, Darlene? Good for you. We have skin, possibly
hair and fiber under victim's fingernails."
Meticulous, she moved up the body. The uniform was still
buttoned over the breasts. "He didn't bother with much
foreplay. Didn't rip at her clothes or bother to take them
off her. Just beat her, broke her, raped her. A thin wire,
silver in appearance, has been used, garrote-style, to
strangle the victim. The ends of the wire were crossed in
front, then twisted into small loops, indicate the killer
strangled her face-to-face, while he was ranged over her,
and she was down. Have you got this from all angles?" she
asked Roarke.
"Yes."
With a nod, she lifted the victim's head, tilting her own
so that she could see the back of the wire. "Get this,"
she ordered. "It might shift a little when we turn her.
The wire's unbroken in the back, and the bleeding's
minimal. He didn't use it until he'd finished the beating,
until he'd finished the rape. Straddling her," she said,
narrowing her eyes to bring it into focus. "One knee on
either side. She's not putting up much of a fight, if any,
by this point. He just slips the wire over her head,
crosses the ends in front, then pulls, opposite
directions. It wouldn't have taken long."
But she'd have bucked, her body instinctively struggling
to throw off the weight, her throat burning from the wire
and the trapped screams of pain and terror. Her heart
would have pounded, and that storm-at-sea sound would have
exploded in her ears at the lack of oxygen.
Heels drumming, hands clawing for air. Until the blood
begins to burst in the head, behind the eyes, and that
frantic heart surrenders.
Eve stepped back. There was little more she could do
without a field kit.
"I need to know who this room is registered to. What the
housekeeping routine is. I'll need to talk to Hilo," she
added as she walked to the closet, glanced in. "And it
would help for me to be able to interview anyone on staff
who knew her well." She checked the dresser.
"No clothes. Not even a lint ball. A couple of used towels
she might have dropped or simply set down on her way out
of the bathroom. Was anyone registered to this room?"
"I'll find out. You'll want her next of kin."
"Yeah." Eve sighed. "Husband, if she had one. Boyfriends,
lovers, exes.
Nine times out of ten that's what you find in a sexual
homicide. But I think this is number ten. Nothing personal
about this, nothing intimate or passionate. He wasn't mad,
wasn't particularly involved."
"There's nothing intimate about rape."
"There can be," Eve corrected. And she knew that, better
than most. "When there's knowledge between the assailant
and the victim, any sort of history-even just a fantasy on
the part of the assailant, it lends intimacy. This was
cold. Just ram it in and get off. I bet he spent more time
beating her than he did with the rape. Some men enjoy the
first more.
It's their foreplay."
Roarke switched off the recorder. "Eve. Turn the case over
to someone else."
"What?" She blinked herself back to the moment. "Why would
I do that?"
"Don't put yourself through this." He touched her
cheek. "It hurts you."
He was being careful, she noted, not to mention her
father. The beatings, the rapes, the terror she'd lived
with until she was eight.
"They all hurt if you let them," she said simply, and
turned back to look at Darlene French. "I won't turn her
over to someone else, Roarke. I can't. She's already
mine."