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Available 4.15.24


Excerpt of Bellfield Hall by Anna Dean

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Dido Kent #1
Minotaur Books
February 2010
On Sale: February 2, 2010
Featuring: Dido Kent; Richard Montague; Catherine
304 pages
ISBN: 0312562942
EAN: 9780312562946
Hardcover
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Jane Austen, Mystery Historical, Mystery Amateur Sleuth

Also by Anna Dean:

A Place Of Confinement, August 2013
Hardcover / e-Book
A Woman Of Consequence, February 2013
Paperback / e-Book
A Woman Of Consequence, April 2012
Hardcover / e-Book
A Gentleman Of Fortune, April 2011
Hardcover / e-Book
Bellfield Hall, February 2010
Hardcover

Excerpt of Bellfield Hall by Anna Dean

Chapter One

Bellfield Hall,

Monday, 23rd September 1805

My dear Eliza,

I must begin another letter to you, although it is not six hours since I sent my last. I have some news to communicate which I think will surprise you not a little.

Miss Dido Kent hesitated, her pen suspended over the page. All her education and almost thirty years’ experience of writing letters had not quite prepared her for this situation. As well as she could recall, the rules of etiquette said nothing about the correct way in which to convey the news that she now had to impart. However, her governess had once told her that the very best style of writing was that which gave information simply and clearly without any excess of sensibility.

She dipped her pen into the ink and continued.

There has been a woman found dead here – in the shrubbery – this evening.

She read what she had written, thought for a little while, then added:

It was the under-gardener who found her.

Her sister would wish to be reassured that it was not a member of the family, or one of their guests, who had made the horrible discovery.

Looking at the words gleaming blackly in the light of her candle, Dido thought for a moment how strange it was that something so extraordinary should be contained within the familiar, flowing pattern of the script, looking no more strange than a report upon the weather or an account of a sermon heard in church. Then she continued, her pen beginning to move more steadily as she found herself drawn away from the simple giving of information to that commentary upon men and women which seemed to come most naturally to her whenever she had a blank page before her.

No one knows who the dead woman can be. Sir Edgar and Lady Montague are quite sure that they know nothing of her. They are both, of course, deeply shocked. He, as you may imagine, is very much exercised over ‘what people will think,’ and how a dead woman in his shrubbery is likely to reflect upon ‘the honour of the family name’. Altogether, I think it is the novelty of the event which distresses him more than anything else; if only his ancestors – those innumerable previous Sir Edgars who stare at one from dark portraits in every conceivable corner of this house – had suffered the shock before him, then dead women in shrubberies would be a family tradition and hold no horrors for him at all. Meanwhile, her ladyship sits upon her sofa and wrings her hands and declares that ‘one does not know what to think’, hoping, I suppose, that someone will tell her what to think and so save her the trouble of forming an opinion of her own.

Her sister-in-law, Mrs Harris, is quite as animated upon the subject as my lady is languid and has been occupied with relating every shocking detail which she has been able to gather or can imagine – details which a woman of more sense would not give credit to, and one of more breeding would certainly not retail in the drawing room. Her husband, though one must believe he is a sensible man – or at least a clever one, or else how would he have made such a fortune in India? – instead of trying to check her, hangs upon her words and laughs over her extravagances as if they were the pinnacle of feminine wit and vivacity – a very disgusting display of conjugal affection which I think we might be spared from a husband and wife with more than twenty years’ married life behind them – and two grown daughters into the bargain.

The daughters in question are, I believe, as undecided as her ladyship over ‘what one should think’ and want to know whether interest, horror or indifference would be most becoming – or at least which Colonel Walborough would find most becoming. Although I think it might be a kindness to just mention to them that neither Miss Harris’s pursed-lip silence, nor Miss Sophia’s excessive sorrow over the death of ‘the poor, poor unfortunate woman,’ are likely to charm a sensible man.

The colonel himself seems to have expressed all that he feels upon the subject with a long, rather dull story which he told us at dinner about a similar incident that occurred when he was stationed in Bahama – at least I think it was Bahama. It was somewhere that has very hot weather and odd diseases. The colonel has not quite that power of narration which chains the listener’s attention. And then, when the story was done, Mr Tom Lomax must try to enliven our dessert by calling on Mr Harris to better it, since he was sure, from all he had heard from his numerous acquaintance in the place, that India was ‘as full of strange and shocking events as ever Bahama was.’ That sally did not amuse anyone, least of all Mr Harris, who seemed to be extremely discomposed by it; though I confess I liked it rather better than Mr Tom’s next attempt at wit, which was to lament that his friend Richard was not at home to ‘see all this carry on, which by G_ _ is as good as play!’ Which distressed poor Catherine terribly and I thought it quite unpardonable of him to draw attention to Mr Montague’s absence in that way. I was glad when Mr William Lomax – his father – spoke the only bit of sense we had heard all evening, calling him to order and reminding him to show a little respect for the dead. By the by, I am excessively fond of Mr William Lomax; he is so kindly and so well made and he has a very fine profile. He has also the very great recommendation of being a widower. And, all in all, I am rather sorry that I gave up the business of falling in love some years ago.

Well, I have given you a picture of them all now – except those who, I make no doubt, you most wish to hear of. And I expect to be thoroughly called to order by you in your next letter for abusing my fellow creatures so dreadfully. Remember that I quite rely upon your strictures, for why else do I allow my pen to run on so cruelly, but that you may prove yourself my superior in candour and liberality as you are in everything else?

And as for our nearest relations, well, they are as you have probably imagined them. Margaret is almost as concerned for the health and welfare of the name of Montague as Sir Edgar can be, for, ever since Catherine’s engagement to Mr Montague, she has considered the name as pretty much her own. And I daresay Francis feels the same; though I have not seen him. He left on business to town some hours before I arrived here. And dear Catherine? Well, to own the truth, she is too distressed over the business I explained in my last to notice much what happens around her. And yet, if this matter is not settled soon, I fear it will hurt her dreadfully.

You see, there is to be an inquest. It seems it cannot be avoided because of no one here even knowing who the dead woman is. Even the servants – and I have spoken to most of them myself – cannot guess who she might be. Though I suppose they may be lying.

Excerpt from Bellfield Hall by Anna Dean
All rights reserved by publisher and author

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