April 20th, 2014
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Can he come home again to the Plain life?


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Is sacrificing herself the only way to stop this evil?


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Is Homecoming turns out more than new dresses…murdersacrificing herself the only way to stop this evil?


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Vampires aren't real...or are they?


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Is your first love worth a second chance?


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Win it all, or lose it all




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Media Buzz

Daily Show with Jon Stewart - December 5, 2011

Also by Benjamin Lowy:

Iraq | Perspectives, October 2011
Hardcover

Iraq | Perspectives
Benjamin Lowy

Duke University Press Books
October 2011
On Sale: October 14, 2011
120 pages
ISBN: 0822351668
EAN: 9780822351665
Hardcover
$39.95
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Non-Fiction Photography

Selected by William Eggleston as Winner The Center for Documentary Studies / Honickman First Book Prize in Photography

Benjamin Lowy’s powerful and arresting color photographs, taken over a six-year period through Humvee windows and military-issue night vision goggles, capture the desolation of a war-ravaged Iraq as well as the tension and anxiety of both U.S. soldiers and Iraqi civilians. To photograph on the streets unprotected was impossible for Lowy, so he made images that illuminate this difficulty by shooting photographs through the windows and goggles meant to help him, and soldiers, to see. In doing so he provides us with a new way of looking at the war—an entirely different framework for regarding and thinking about the everyday activities of Iraqis in a devastated landscape and the movements of soldiers on patrol, as well as the alarm and apprehension of nighttime raids.

“Iraq was a land of blast walls and barbed wire fences. I made my first image of a concrete blast wall through the window of my armored car. These pictures show a fragment of Iraqi daily life taken by a transient passenger in a Humvee; yet they are a window to a world where work, play, tension, grief, survival, and everything in between are as familiar as the events of our own lives. . . . [In] the ‘Nightvision’ images . . . as soldiers weave through the houses and bedrooms of civilians during nighttime military raids, they encounter the faces of their suspects as well as bystanders, many of whom are parents protecting their children. . . . I hope that these images provide the viewer with momentary illumination of the fear and desperation that is war.”—Benjamin Lowy

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