St. Martin's Press
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LOVE AND DECEPTION HAVE A LOT IN COMMON.
Meet the Goodnights, a respectable family who run a
respectable art gallery-and have for generations. There's
Gwen, the matriarch who likes to escape reality, Eve the
oldest daughter who has a slight identity problem (she has
two), Nadine, the granddaughter who's ready to follow in
the family footsteps as soon as she can find a set that
isn't leading off a cliff. And lastly, Matilda, the
youngest daughter, has inherited the secret locked down in
the basement of the Goodnight Gallery, the secret she's
willing to do almost anything to keep, even break into a
house in the dead of night to steal back her past.
THE RISKS ARE INTOXICATING.
Meet the Dempseys, or at least meet Davy, a reformed con
man who's just been ripped off for a cool three million by
his financial manager, who then gallantly turned it over
to Clea Lewis, the most beautiful sociopath Davy ever
slept with. Davy wants the money back, but more than that
he'll do anything to keep Clea from winning, including
break into her house in the dead of night to steal back
AND IF YOU'RE REALLY GOOD AT THEM, THEY BOTH PAY
One collision in a closet later, Tilda and Davy
reluctantly join forces to combat Clea, suspicious art
collectors, a disgruntled heir, and an exasperated hitman,
all the while coping with a mutant dachshund, a juke box
stuck in the sixties, questionable sex, and the growing
realization that they can't turn their backs on the people
they were meant to be...or the people they were born to
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