FreshFiction...for today's reader

Authors and Readers Blog their thoughts about books and reading at Fresh Fiction journals.

Friday, July 31, 2009

Lisa Dale | What Inspires You?

Many people ask me where I get my ideas for my books. Sometimes, there’s no other answer except that inspiration falls into my lap like a star falls from the sky.

For example, on the night that I got “the call” from my agent that my first book, SIMPLE WISHES, would be published, I couldn’t fall asleep. I sat on the couch in my little apartment, and since there was nothing to do, I just turned on the television and vegged out until the wee hours.

As I was watching the Discovery channel, a show came on about meteorite hunters—folks who collect and then sell meteorites. It was like I got struck by lightning. I knew then and there that the hero in my next book would be a hunter of meteorites. I’ve always had a thing for nerd guys.

The end result was that in my new book, IT HAPPENED ONE NIGHT, which comes out in late October, the hero is a sexy, science geek type. The book is about two sisters who own a wildflower farm in Vermont. Lana Biel longs to leave Vermont so she can travel and see the world. And her sister Karin wants nothing more than to put down roots and conceive the child she and her husband just can’t seem to have. When a lighthearted fling with a mountain biker leaves Lana expecting, she finds herself tumbling headlong into motherhood while her sister Karin can only look on.

Click here to read the rest of Lisa's blog, leave a comment or enter her blog give-away.

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Wednesday, July 22, 2009

Kylie Brant | Making a Living

I love being a writer. At least, most of the time. But occasionally there are days like today, when the words won't come and everything I do manage to get on the page sounds like it was produced by an illiterate nine-year-old. Today my love for writing seems very far away. I begin to dream of other occupations. More rewarding ones. I become convinced that there has to be an easier way to make a living.

So that train of thought takes over and distracts me from the cursor blinking so accusingly on the nearly blank page. Mentally I run through a list of possible job prospects. Maybe I can be a grocery store clerk. Nothing to think about except ringing up bananas and milk. Then I consider the fact that they're on their feet all day. I'm stretched out on my chaise lounge with my laptop on my lap and a Diet Coke within reach. Cross grocery store clerk off my list.

It might be interesting to run a dress shop, I muse, trying to avoid looking at that cursor. Is it possible for it to look smug? I could work with pretty clothes all day, and those employee discounts would certainly be nice. Forgetting for the moment that I hate to shop, i give real consideration to the idea. Maybe I could find one that's only open 9-5 and no weekends.

Click to read the rest of Kylie's blog, leave a comment or enter her blog contest.

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Friday, June 12, 2009

Jessica Inclan | If The Skin Fits, Wear It

What has amazed me about the past couple of years is how I have managed to finally gain some perspective on myself and my life. What's appalling about this observation is that I used to think I had this perspective. I thought that I knew what I was doing and why and how. I thought I had things under control; I imagined I was in charge. I thought I knew what in the heck I was doing.

Now, however, I realize that I have and had some behaviors and needs and feelings and thoughts, but I don't imagine anymore that I have control of it of all. I just sort of "see" myself and know a little more about what I do. I also know that in another 47 years (should I make it that long) I will be able to say the same thing about my current self that I just said about my younger self.

Poor thing, I will think. She thought she had it figured out.

Click to read the rest of Jessica's blog and to leave a comment.

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Wednesday, June 03, 2009

Linda Goodnight | Cinderella at the Book Expo

I just returned from New York City and my very first trip to the Book Expo of America (BEA). For the uninitiated, BEA is an enormous trade show of publishers exhibiting their authors, books and other forms of media. People from literally all over the world gathered at the Javits Center on the Hudson River for several days of sales, book signings, workshops, and general schmoozing.

The BEA buzz is noisy, energizing and exhausting. My feet are still recovering. Authors from every genre—children’s books to nonfiction to romance-were in abundance. Posters and banners bearing names such as Debbie Macomber, Oliver North, R.L. Stine, and literally dozens of others lined the walls and hung from the ceilings. All were scheduled to sign free books for anyone willing to stand in some very long lines.

On a personal note, I had a couple of special highlights. One was a fun and friendly audio interview done by "All About Romance" to be aired online at their website at a future date. For someone with an Oklahoma twang, I’m a little nervous about hearing my voice online.

Probably my favorite thing was signing my latest release from Steeple Hill, THE BABY BOND, in the Harlequin booth.

Click to read the rest of Linda's blog and to leave a comment.

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Wednesday, March 25, 2009

Cynthia Baxter | Confessions of a Mystery Writer . . . Er, Travel Writer

We’re all entitled to an obsession or two, aren’t we?

One of mine is travel. I suppose it’s because I spent my childhood in the backseat of a car with my sister and grandmother – often a Volkswagen bug – with my parents in the front seat, acting as pilot and co-pilot. School vacation was synonymous with road trip. Since my father was an English teacher in a neighboring school district, he usually had the same days off that we kids did – and so off we’d go.

Our home was on Long Island, in the suburbs of New York, which was a great starting point for traveling all over the eastern half of the United States. The five of us explored New England, Florida, and just about every state in between. (Eastern Canada, too.) We saw the big cities like Boston, Philadelphia, and Montreal; historic towns like Williamsburg, Virginia, and Salem, Massachusetts; and places that were just plain fun like Hershey, Pennsylvania, and St. Petersburg, Florida.

In fact, Florida was a favorite destination for spring vacations. The drive took about three days, including stops at every Stuckey’s and Horne’s we passed along the way (a blast from the past for those of you who had the pleasure of putting those on your itinerary before their demise). Once we were there, we also stopped at every attraction. This was still the 1950’s and 1960’s, so Disney had yet put in an appearance. But we found plenty to do: alligator farms, orange groves, Cypress Gardens, stores selling everything that could possibly be made with seashells, and the glitzy hotels of Miami Beach, where we strolled through the lobbies and pretended we were wealthy enough to stay at them.

Click to read the rest of Cynthia's blog and to leave a comment.

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Friday, March 13, 2009

Dianne Emley | Ten Commandments of Fiction Writing

Thank you, Fresh Fiction for inviting me to blog today! I’m Dianne Emley, author of the L.A. Times bestselling Detective Nan Vining “thrillogy”: THE FIRST CUT, CUT TO THE QUICK, and, just out, THE DEEPEST CUT. These three are a thrillogy because they have an overarching storyline in which Nan Vining obsessively pursues the man who attacked her and left her for dead, the creep who Vining and her teenage daughter call T.B. Mann—The Bad Man. The Nan Vining series continues! I’m working on the fourth which will be out in 2010.

I’ve learned a lot about the art and business of writing since the first book hit the shelves. I’ve become not just smarter, but wiser. I’ve developed a few rules that I strive to follow when I’m writing and editing a book and some that govern my behavior when the book is out. I’d like to share these with you. Herewith:

Dianne Emley’s Ten Commandments of Fiction Writing

1. I shall heed good editorial advice, shun bad advice, and learn how to tell the difference.

Click to read the rest of Dianne's Commandments!

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Friday, February 27, 2009

Maxine Sullivan | THE LONG JOURNEY

If anyone had told me in the early 1980s that it would take me over 20 years to be published, I probably wouldn't have kept on writing. Perhaps. Back then the world was much smaller, and living in Australia it was smaller still and very isolated. There was no internet, no romance writer organisations, it took two weeks for a letter to get to a publisher before waiting months for a reply, and it took me weeks to type up a manuscript on a typewriter from longhand. Patience was something you had to have. And that was a good training ground for the next twenty years as I tried hard to get published.

In the early 1990s the fledgling internet began to trickle information through. Luckily I knew a computer guru who set me up with an internal modem with a speed that is laughable now but was sheer heaven back then, and I started to learn that there was a growing network of writers out there. It was fantastic. The world was coming into my home and suddenly Down Under wasn't so far away.

Click here to the rest and enter Maxine's one day blog contest.

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Tuesday, January 06, 2009

Margay Leah Justice | From Conception to Birth, Or One Book’s Journey to Publication

Ah, the first blush of romance. The first time you see the idea, sitting there in the corner of your mind, trying to get your attention in that inconspicuous manner these ideas sometimes adopt. You look away, convinced that there is no way this idea could possibly go anywhere. It’s just a fluke, a fling. Surely, you’ll forget it by morning. But when you look back, the idea is still there, sitting in the corner, flirting with you. So what’s a harmless little flirtation? You approach the idea cautiously, in a manner you hope is suave and sophisticated, but as you get closer, your excitement rises. Your heart begins to race. You lick your lips in anticipation. It’s even more exciting up close. So you flirt with it, spend the night with it, take it home with you. In the morning, you’re surprised that it’s still with you. After two months, you begin to believe this idea has a future. So you cultivate it, give up sleep for it, nurture it as it grows within you. Soon, what began as a nugget of an idea in your mind blossoms into a full-blown creature. It grows within you, like a fetus in a womb, becoming bigger by the month, more substantial. You can almost feel it move within you; you carry it everywhere, wherever you go, it’s there with you. All of your energy is devoted to it.

After a suitable gestation period, your little nugget of an idea, which you have affectionately begun to call “the book” while you search for the right title, is ready to make its appearance. Your months of labor are about to pay off as you prepare to deliver your book into the capable hands of the publisher who will introduce it to the world. But wait, his assistant has to help you clean it up a bit first and you are struck by the niggling thought, What if my baby’s ugly? What if I put this out there and no one likes it? But with the reassurances of your publisher, you clean the book up and send it back, maybe with a prayer or two, and you wait. Now it’s time for your baby to prove its worth.

As you can tell from my whimsical tale above, writing and publishing, to me, often mimic conception and birth. The stages of both are remarkably similar. There is the courtship period when you are first introduced to the idea that will one day take over your life. Followed by the get-to-know you period during which you decide whether or not the idea has longevity and you want to commit to it. Once you make that commitment, there is the gestation period – I think you can guess what happens here. The idea grows and grows, taking on a life of its own, convincing you that you are mad, suffering from a hormonal imbalance, or both. But in the end, it’s worth it because you deliver a rollicking, three hundred page epic that someone is bound to love – and not because they’re related to you.

So I guess you could say that Nora’s Soul is the first of my literary babies. She is almost two months old now, having made her debut in November, and growing stronger every day. Bringing her to the attention of the public is similar to the care and nurturing of an infant, requiring constant vigilance. Yet the pay off is that people are noticing her, some are cooing over her, and others even want to take her home with them. She may just be crawling now, but soon she will gain her legs and walk on her own – and I will sit back in amazement like any proud mother, thinking, Wow, I can’t believe I created that! And in the grand tradition of mothers everywhere, I will want to create another one, forgetting all of the pains and labor involved in the process. Keep your eyes open for the debut of Nora’s brother, Dante. Thank you for riding along with me on this whimsical journey into my take on writing. I hope you enjoyed the trip as much as I did.

Margay Leah Justice is the author of Nora’s Soul, from Second Wind Publishing, LLC. Nora’s Soul is currently available on Amazon.com. To read more about Margay and her writing, visit margayleahjustice.com.

Click here for a chance to win a copy of NORA'S SOUL -Today only.

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Friday, November 14, 2008

Marie Bostwick | Fiction and Addictions

It’s time for a confession. For years now, I’ve harbored a secret addiction.

I’m not talking about my addiction to books. For writers, a book fetish simply goes with the territory. Right now, my nightstand is piled so high with books that if the stack toppled and fell on my foot, I’d end up with several broken toes. You understand what I’m talking about. Probably your nightstand is in the same condition. If not, you wouldn’t spend your time reading Fresh Fiction blogs, would you?

No, the addiction I’m talking about is much more personal and insidious. Until recently, I’ve been in denial but the time has come to face the truth. I’m addicted – to fabric. I’m a quilter, Dear Reader, and I’ve got it bad.

My home in New England is loaded with quilt shops and I can’t bypass any of them. There is a particular store in the wilds of New Hampshire that I been known to drive three hours out of my way to visit. Not three hours round trip - I’m talking three hours each way! Imagine how that went over with my kids, who thought they were just taking a little drive to see some fall foliage and buy cider only to find themselves trapped in car with a crazed woman who would let nothing stand between her and the mother of all quilt shops. They’ve never forgiven me for that one and really, I don’t blame them.

But what my family doesn’t understand is that this isn’t my fault. Though I’ve got more fabric than I could quilt in a lifetime, the need to continually add to my stash has grown from a pleasant pastime to an irresistible urge. Whenever I visit a quilt shop, I tell myself I’m just going to stick to my list, buy only buy what I absolutely need and that is all. But the second I walk through the shop door and see those delicious colors and patterns, the moment I run my fingertips over those sensuous bolts of clean, crisp cotton, I lose all reason. Yesterday, I ran down to my local quilt shop to buy one yard of fabric, just one, for the sashing on a wall hanging. I walked out with six! Including a yard of novelty fabric that has a bunch of jewel-toned Japanese fish kites. It’s gorgeous but…what was I thinking? I live in Connecticut; there isn’t a touch of the Orient anywhere in my house! Make that in my whole county! I’m telling you, this whole thing is getting out of hand.

Fortunately, I’ve finally found a way to justify my fabric compulsion and to combine two of the things I love most – writing and quilting.

My new book, A SINGLE THREAD, is set in a small New England village, much like the one where I live, and tells the story of Evelyn Dixon, a Texas homemaker who, after an unwanted divorce, fulfills her youthful dream of opening her own business,Cobbled Court Quilts…but it’s not an easy journey.

A SINGLE THREAD is my first full-length contemporary novel and I’m thrilled that the early reviews have been so good. Publisher’s Weekly said, “Bostwick’s polished style and command of plot make this story of bonding and sisterhood a tantalizing book club contender.” New York Times bestselling author, Susan Wiggs kindly said, “By the time you finish this book, the women in A SINGLE THEAD will feel like your own girlfriends--emotional, funny, creative and deeply caring. It's a story filled with wit and wisdom. Sit back and enjoy this big-hearted novel, and then pass it on to your best friend.”

A SINGLE THREAD is a novel of sisterhood and friendship that will appeal to all kinds of women, dedicated crafters as well as those who have never threaded a needle and never want to. I think you’ll fall in love with these characters just as I have and will want to read about them again. And that’s a good thing because A SINGLE THREAD is the first title in a series I’m calling the Cobbled Court novels. This means that I’ll need to continue doing research on quilt shops, quilting, and buying lots and lots of fabric.

And that, Dear Reader, is a very good thing. Anybody up for a ride to New Hampshire? I know this great quilt shop…

Marie Bostwick
www.mariebostwick.com/

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Monday, November 10, 2008

Stephanie Julian | A Writer’s List of Thanks

Since November is the month when we give thanks for being lucky enough to live in our great country—and since I figure I’ve given enough tax dollars to the government to say thanks for the next fifty years—I thought I’d list all those things that we, as writers, should be thankful for every day.

Ergonomic chairs. Pretty self-explanatory.

Agents. The first line of defense in any writer’s arsenal against rejection. It’s not that you don’t get rejections, it’s just that she gets them first. Yes, they still sting but having someone who believes in you makes it all a little better.

Writing buddies. Knowing I can call them, day or night and bitch about my uncooperative muse makes me breathe easier.

Call waiting. Don’t recognize the number? Ignore. Recognize the number as your mother-in-law’s? See response to first question.

Cattle prods. For those days when the kids demand to know why they don’t have any clean underwear and what exactly you did all day if you didn’t do wash.

Tazers. For the husband on vacation (or retirement) who walks into your office as you’re furiously typing away, leans on the door and says, “So, what are you doing?”

And the thing I’m most grateful for as a writer? Junior Mints. Decadent little discs of dark chocolate and mint. Nectar of the Gods.

I went through several (okay, more like too many) boxes as I wrote the fourth installment of my Magical Seduction series from Ellora’s Cave. SEDUCED AND ENCHANTED is my own take on the Sleeping Beauty story, set in the contemporary world where the descendents of the magical Etruscan race are alive and well and living among us.

Linchetto Rio de Feo has just met the woman of his dreams. Rosie Bianchi is smart, sexy, sweet…and cursed. She’s got an evil dead witch on her tail and a secret even she doesn’t know anything about.

Rosie can’t believe her good luck. The gorgeous guy she just met is Prince Charming material. But after one night of hot sex, Rosie wakes up with magical powers and is thrust into a battle for her life.

Love will need a little help and a little luck, but where there’s an enchanted rose hedge and three godmothers, there’s magic.

Want to read an excerpt? Check out my website at www.stephaniejulian.com/. You’ll also find excerpts from the other three books in the series and a whole world of Etruscan magic that you never knew existed.

I love writing about magic in our everyday world and I’m thankful that others are enjoying my series as well.

What are you thankful for?

Stephanie Julian

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Wednesday, October 15, 2008

Amanda McIntyre | Time Keeps on Tickin

Is there ever enough of it? It seems our lives fairly leap from one moment to the next, barely allowing the time to savor the moment, sometimes even “taste” it! Parenthood, careers, schedules, social lives, volunteer work—it wraps us up so tight sometimes that we long to stand alone on a mountaintop and scream to release the stress! (Okay, that may be “my” vision and yours may be different.)

REALITY ALERT: (not for the faint of heart)

But in reality, I have to ask myself would I want it any other way? Here is a glimpse of my past week—Deadline of a novella, football game (away) Band contest (45 minutes drive each way) -parent-sponsored/served lunch, transporting grandmas to and from contest parade and field contest-sitting all afternoon waiting for your band to perform, drive home, launder kids clothes, pack to leave Sunday morning-them going to a two day choral festival, us to see oldest son on opposite side of the state. Pick up another son next day, and transport him back home to participate in a football game-where we sat most of the game watching him play in the pouring rain. (They won, that made it all worthwhile) Pick up other child who stayed for evening choral performance at around 1 A.M. form the school. Stave off severe colds for both sons so they can participate in State vocal auditions. Band marching contests each weekend in October, two football games per week. Early morning band/Show choir/All State rehearsals—after school Football/All-State/band lessons….oh and homework and youth group.

Get new editor (mild shock) meet friend for dinner (postponed to Thursday lunch as she missed her plane) prepare family and myself for my business trip Friday –Monday. Drive to St Louis and back on Monday—still have deadline and we pretty much start most of the above all over again…

Now I am positive many of you could rival that few short days without batting an eye. It’s the world we live in, isn’t it? But it surely makes those moments—seeing your kids joking and laughing with each other, having your oldest son and his friends around a table enjoying a meal together, the beauty of a sunset from the deck of a good friend’s house—even more special.

Amid the chaos of days like I’ve listed above, those moments are mixed in, sometimes barely detected if we aren't looking. Often times, when it’s least expected and I am reminded of one of my favorite movie scenes from the flick, Parenthood (Universal 1989) with Steve Martin and Mary Anne Steenbergen. This scene follows a myriad of confusion and chaos within the household and there is tension between the husband (Martin) and his wife (Steenbergen).

To me it exemplifies how one can choose to view whether the “grass is truly greener on the other side of the fence”-as it were…

Grandma: "You know, when I was nineteen, Grandpa took me on a roller coaster."

Gil: "Oh?"

Grandma: "Up, down, up, down. Oh, what a ride!"

Gil: "What a great story "

Grandma: "I always wanted to go again. You know, it was just so interesting to me that a ride could make me so frightened, so scared, so sick, so excited, and so thrilled all together! Some didn't like it. They went on the merry-go-round. That just goes around. Nothing. I like the roller coaster. You get more out of it."

What a wonderful POV and its one I hold dear, because in truth, would I want my life any other way? Nope, I just hang on and enjoy the ride!

A wild ride! Diary of Cozette (Harlequin Spice-Books) continues to do well and I am beyond thrilled! I received the cover art for my next SPICE book TORTURED (a medieval set in the Dark Ages! August 2009)

Until next time! Enjoy the ride!!

Amanda McIntyre

Wicked Historical ~Sexy Contemporary
MIRROR, MIRROR September/08
DIARY OF COZETTE October /08 / SPICE-Books Pre-order!
THE BOY'S CLUB Oct/eHarlequin FREE read
"An intoxicating read! I couldn't put it down!"~ Renee Bernard, USA Today Bestselling Author
"Beguiling! 4 stars!" RT BOOK reviews
www.amandamcintyre.net/ * lustintime.blogspot.com/* www.thefaerycourt.com/

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Friday, October 10, 2008

Sharon Ashwood | Making Paranormal Sandwiches

There’s a lot to be said for the submarine sandwich. There can be as much bread, cheese, veggies and cold cuts as the maker desires. If you want two kinds of cheese, go ahead. Mayo and mustard? Why not? The only limit is appetite.

Which is all good until your boss points to a sandwich box made for the usual peanut butter and jelly sized affair. That moment of “hmm, how am I going to get this sucker in there?” sums up my experience of writing the paranormal romance. I have to tell a many-layered story as clearly and efficiently (and as briefly!) as I can.

For any author, there’s a lot on the kitchen counter when they’re building the universe of their book: there’s character, plot, and setting, plus:

  • In a romance, there’s the whole fall-in-love experience.
  • If it’s a historical novel, the author needs to bring the past alive, right down to the horseshoe nails, gun smoke and corsets.
  • If it’s science fiction, fantasy, or paranormal, there’s the whole supernatural universe, with its vast array of creatures, rules of magic, and other cultures to explain and make compelling.
  • For a good paranormal or urban fantasy romance, where you have most of the above, your metaphorical book sandwich is a definite clubhouse. Yum, and don’t hold the pickles.

But wait: just because an author has a lot of ground to cover, that doesn’t mean they get more pages to tell their tale. In fact, many editors are careful to put the word count they want right in a writer’s contract. How many words? Not enough! Why do they do this? Long books cost more to print (and the reader pays for that) and also not everyone wants to read a really long book.

Having a word limit does challenge an author’s skill, and that’s not a bad thing. It’s made me write smarter—but inevitably, things get left out. When the dust settled from writing my February 09 release, RAVENOUS, I had a spare demon and an entire unopened box of vampires. Plus, there was a lot to say about my universe and the people in it that I hadn’t even begun to cover. It was like I’d been whittled down to, well, half a sandwich. Thank heavens there’s a book two!

What’s an author to do with all their leftover ideas? One solution to the world-building overflow is to take all that extra content and post it on the web. Games, maps, character interviews and background histories are popping up on web sites more and more often—and that’s not the only outlet for extras. Marvel Comics has picked up some popular authors and are releasing comic books based on writers like Laurell K. Hamilton. If TV shows and movies have tie-ins, why not books? Can action figures be far behind? In trade magazines for the book industry, I’ve seen this many-pronged approach hailed as the future of reading—books aren’t just on paper anymore, but require a multimedia event.

As an author, that’s a lot to explore. So far, I have my own Monsterpedia page at www.sharonashwood.com/ that fills in snippets of information about the RAVENOUS world. I’m sure I’ll do other things as the series goes along. Overall, I’m glad there are so many ways to communicate with readers, and I enjoy blogging, and multimedia content is fun to experience and to create. But what about the story?

This “book plus web” approach is nifty from my side of the fence, but would more book and fewer extras work better for readers? Or is the opposite true? I like to think of novels as one-stop-shopping or, to go back to my original metaphor, the full meal deal. Is that view out of date?
What about you? Thumbs up or thumbs down on putting important book series information on the web? Should it be web-only, or just repeat what’s already on the page?

Sharon Ashwood

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Wednesday, October 08, 2008

Laura Griffin | A Romantic Thriller and a Chance to Win

People often ask me where I get story ideas. With my latest romantic suspense novel, THREAD OF FEAR, the idea took shape as I watched a news broadcast about a kidnapped girl. It wasn’t the kidnapping itself that caught my attention, but the forensic artist who helped solve the case.

How does a person interview a traumatized victim, and come away with a life-like picture of a criminal? This is the job of a forensic artist. They listen to people’s heart-wrenching stories and transform them into concrete leads for the police.

Fiona Glass’s talent at forensic art has made her the best in the business—which is why she’s quitting. She’s haunted by the stories of victims and the faces of sadistic criminals. She’s working on her last case when rugged Texas police chief Jack Bowman bulldozes over her resistance and convinces her to help him hunt down a serial killer who is terrorizing his small town.

Jack never intended for Fiona to become so involved in his case. Or in his life. But he knows she’s his best hope for finding a psychopath who’s lurking in plain sight. He desperately needs Fiona’s help, but he never counted on her ending up in the killer’s crosshairs.

If you like a spine-tingling mystery, as well as a love story, I hope you’ll enjoy THREAD OF FEAR.

While you’re here, please check out my fall contest, through Fresh Fiction, for a chance to win a gift basket that includes: a $15 Starbucks gift card, a $15 Barnes & Noble gift card, a box of Godiva chocolates, as well as my romantic suspense novels, THREAD OF FEAR, ONE WRONG STEP, and ONE LAST BREATH. For details, just click here . To read an excerpt from THREAD OF FEAR, or to drop me a line, please visit my website at www.lauragriffin.com/. I’d love to hear from you!

Happy reading!

Laura Griffin

www.lauragriffin.com/
laura@lauragriffin.com

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Monday, October 06, 2008

Cindy Gerard | Writing as a Living

It is GREAT to be here at Fresh Fiction. Frankly it’s just great being! I’m riding a major high because why, you might ask? Well, because I recently found out that SHOW NO MERCY, book 1 of my new Black Ops., Inc. series hit #15 on the New York Times. Yowser! I’m still in shock. And it got me to thinking … how did it come to this? I wasn’t always a writer. I was a lot of other things, all things, that at the time, represented who I was and what I was about. So, it made me wonder… Is the sum total of who we are determined by what we’ve done?

While a lot of us are writers (and readers) most of us were, at one time, something else, right? Like I said – I’m a prime example. I was once a beautiful black wild stallion – but we’ll save that for another day. :o)

Before taking on writing as a living, I worked in the county treasurer’s office computing and collecting taxes, I kept books in a lumber yard, did retail sales and alterations in a men’s clothing/sporting goods store, and sewed custom draperies – all of this before I started a career with the State department of Human Services as a case worker. Oh, and somewhere in that mix, my dh and I have also been restaurateur’s.

Whew. I’ve been a busy girl. It’s no wonder the prospect of parking my behind in a nice cushy desk chair and writing my day dreams on paper appealed to me.

I look back on those days and I realize that each of those positions helped mold me in some way into the person I am today. I learned about handling money, about lumber (and a girl can never know too much about board feet) about measuring inseams (ahem) and about guns. I learned that sewing draperies is a damn hard job. And I learned about humanity and how difficult life can be for a client in today’s welfare system. I learned not to eat everything on the menu and still get into last year’s clothes. Well, that lesson, I didn’t learn so well.

So now, I’m subconsciously bundling all of those afore mentioned skills and applying them to my business of writing. Truly, I have drawn from each facet of my working life – professionalism, discipline, and empathy for one’s fellow human beings being at the top of the list.

So what about you? What did you do before the writing bug bit you? Or what are you doing now as your write your way to bestsellerdom so you can quit that day (or night) job? And what, of all the things you’ve done, has had the most impact on your life and your writing? And if you’re not a writer, what major career or personal changes have impacted you the most?

Cindy Gerard
www.cindygerard.com/

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Monday, September 29, 2008

Deborah LeBlanc | When Stereotypes Are in Stereo

As a writer, I work hard at breaking away from stereotypes, which isn’t always easy, especially if it involves a culture you’re not that familiar with. Such was the case with GRAVE INTENT, my second book. One of the main characters was from a particular Roma clan, and I knew very little about gypsies except what I’d seen on television or read in books. A good bit of research, including spending time with an actual Roma family, did wonders to help me break out of any mental stereotypes about the culture.

In my newest book, WATER WITCH, I didn’t have that problem since many of the primary characters are of Cajun decent. Being Cajun myself, it was easy to write what is real instead of winging it on perception.

Oddly enough, I ran into a situation not long ago that, for me, really put a different spin on stereotypes. I say ‘oddly’ because it happened here in the south, in territory I’m pretty familiar with. For the story to make sense, however, let me take a moment to clarify the definition of a stereotypical southerner….

Below are some common traits often used to portray a stereotypical, modern day Southerner:

• Drawl in their speech.
• Not having a full set of teeth, and the missing ones are usually in the front.
• Being slow on the uptake, meaning they don’t quite ‘get’ things as quickly as other folks.
• Their love of country music.
• Their dress—typically anything Walmart has on sale.
• To summarize most of the above---Dumb Hick

Now although I’m from the South, I’m not a Southerner. I’m a Cajun, as I noted before, and we have our own public perceptions to bear and overcome. That being said, I understand why Southerners get a little rankled sometimes when they see themselves portrayed in books and movies. Although we (we being those stereotyped) know some of what we’re reading or seeing is true, it’s not true about all of us, and some of us resent the implication that it is. Because of that, writers are often told to stay away from the stereotypical traits and focus more on the person. Okay, so you can throw in a missing tooth or two, maybe even a few, “Thank Youuuuuu,s” to add flavor, but that’s it. The rest should be kept neutral. Well, that’s all fine and dandy, but what happens when all you see in a particular culture and setting is stereotypical traits? Do you then have to ‘create’ neutral?

Here’s an example….

Not long ago, I was in Alabama when the transmission on my Pathfinder blew. Fortunately I was able to nudge the car off the Interstate before she froze up and refused to move another inch.

There I was, stuck on the side of the road in a small, northern Alabama town—it was Sunday—and it was Father’s Day. Not a winning combination by any stretch of the imagination. I called AAA, first time I’ve ever had to use them, and told the dispatcher what was going on. After asking me a dozen questions, she then tells me I’ve contacted the main dispatch center, which is in Missouri, and that she’ll have the Alabama office contact me on my cell asap. Fine.

Forty minutes later, I’m thinking our definition of asap is different so I call back, this time insisting that I’ll hold until someone from the Alabama office picks up. After huffing and puffing about it not being protocol, the woman from main dispatch finally agrees, and I’m put on hold while she contacts the other office.

Ten minutes later, a woman with a heavy Alabama accent picks up the phone, and due to drawl alone it takes her six more minutes to say, “My name is Carol Ann, with AAA in Birmingham, Alabama, how may I help you?”

Frustrated that the first woman hadn’t even bothered to give her the myriad of details I’d already relayed, I went through my story again….

“My name is Deborah LeBlanc, and my Pathfinder broke down just outside Huntsville. I’m near a convenience store right off exit—”

“Your name is Deborah what?”

“LeBlanc.” I spelled it before she asked.

“And what kind of car are you in?”

I swear to everything in the universe and beyond, I was on the phone for another forty minutes repeating the same information a million times. She was either writing with a broken ink pen or was in the early stages of Alzheimer’s.

Finally, she says she’ll have a tow truck heading my way soon. I ask how soon. She says she doesn’t know, but soon, then proceeds to give me the name of the towing company I should expect.

TWO hours later, I see a tow truck with that name plastered all over it fly past me. I wave. He doesn’t stop. Doesn’t even look my way. I see him make a U-Turn two blocks down and keep my fingers crossed. Maybe he did see me waving. . . .

Nope, he takes off down a side street that leads to the on-ramp of the Interstate.

I call AAA again. Twenty minutes later, I’m talking to the Alabama office again. I tell her about the wayward tow truck driver, and she spends another fifteen minutes telling me that she can’t understand why he didn’t stop and ain’t that about a shame. While she’s yammering, the tow truck suddenly appears again, and I all but run out into the middle of the road, arms waving, and yelling, ‘Over here! Here!” He waves back, signaling that he sees me. All the while, the woman on the phone is still working on finishing her last sentence. Knowing I’d be stuck on the phone with her another hour if I told her he’d finally arrived, I simply hung up.

Okay, so far I know this could be tied to AAA and not be considered Alabama specific, but bear with me….

When the driver gets out of the tow truck, the first thing he does is spit out a wade of tobacco juice, then wipes his mouth with the back of a hand. His walk is slow and his talk slower, and the combination of the two means another two hours go by before my SUV is loaded on the truck.

After settling into the passenger seat of that tow truck, it takes me another hour to finally get the information I need to make a decision. The bottom line finally came to this—nothing was open—no repair shops, no rental car companies, no dealerships. The only option I had was to have the car towed to the towing company’s yard, where it could be kept in a gated area overnight. Fine.

Once we reach the yard, the driver leads me into the office so I can take care of the paperwork. Two people were in that office. A woman with a missing front tooth, wearing an “I Love Garth” t-shirt, and a guy with only four front teeth, wearing a stained “Get ‘er Done!” t-shirt and jeans. Both were watching a small television that was tucked just inside the front door. It takes quite some time for me to get their attention, and when I finally did, they look irritated that I’d disrupted their viewing pleasure. In the meantime, I see the driver who brought me to this lovely establishment, now sitting at one of the desks, eating biscuits and gravy. So much for unloading my car…

I ask the toothy wonders, “Where is the nearest hotel?”

She looks at him, he looks at the TV, she looks back at me. “Don’t know.”

“Are you from here?”

She glances at the television. “Uh-huh.”

Figuring it was useless to ask how she could be from the area and NOT know if they had a hotel, I said, “Okay, what about cabs. Got any of those around here?”

Still looking at the television, she says, “Uh-huh.”

Mr. “Get ‘er Done!” suddenly guffaws and points at the television. “Did you see that?” he says without looking away from the twelve-inch screen. Evidently, I had never been a solid form in his peripheral vision.

“So there are cabs here?” I ask the woman again.

“Uh-huh.” This time she looks right at me but just stands there.

“Would you mind calling one for me?”

“Don’t know the number.” She looks over at ‘Get ‘er Done!”. “Hey, Earl, you know the number to that comp’ny’s got them yellow cabs?”

Earl frowns, but doesn’t take his eyes off the television. “Nope.”

She turns back to me and shrugs. “Earl don’t know the number neither.”

It takes me a moment to respond because I can’t believe this whole conversation is really taking place. “Maybe we could find the number for the cab service in the phone book?” I offered.

She looks at the television. “Yeah, we got a phone book. It’s back over there by Earl’s desk.”

Not knowing if she was implying that I should go get the book and look up the number myself, I ask, “Do you mind if I borrow the phone book?”

Again, I swear to all that’s in the universe and beyond that the conversation went back and forth like that seemingly forever.

I finally did get a cab---another two hours later…and, yes, the driver had a missing front tooth and talked like he was reading a primer and didn’t quite understand the words he was sounding out. We did locate a hotel, though. Days Inn circa 1958, and their ‘free’ Internet access was dial up that kept dropping the call every two minutes. So much for getting any work done.

The following morning started off much the same way. I got a phone call from the towing company at 6 A.M., asking me what repair shop I wanted my car towed to. I told them I didn’t have a clue since I wasn’t from the area. The person on the other end of the line remained silent. Every couple of seconds, I’d hear him sip on something.

“Well, can you recommend a repair shop?” I asked. Yeah, I was snippy, but damn I hadn’t even had coffee yet.

As you might suspect, that simple question got an even simpler answer. “Not really.”

And we were off to the races.

The short version of the ending is that I had to hunt up another cab, then orchestrate getting the car to a repair shop. When that was finally settled, I asked the owner of the repair shop if there was any chance my car would be fixed that day. If not, I planned to rent a car to drive back to Louisiana.

The owner says, “Yeah, there’s a chance.”

“How good a chance?”

“We’ll probably get it done today.”

Finding that answer still too iffy, I batted it back to him a dozen different ways, trying to get a more concrete answer. It always came back the same. “There’s a chance.”

Well, *$%&. All I knew to do with that was wait. I figured I’d hold out until 4:30, a half hour before the rental car place closed, and if they hadn’t made progress on my car by then, I’d still have an option open.

So I waited in that repair shop ALLLLLL day. And, again, I swear to everything in the universe and beyond, that every person who walked through those shop doors was dentally challenged and had that slow, not-quite-gettin’-it-done drawl. I had quite the time watching and listening, jotting down notes on some brown paper towels I’d found in the bathroom.

I’m happy to say that the repair shop owner was true to his half/word, and my car was done by 5 P.M. As I drove away, though, I realized there was no way I’d ever be able to write a story using any of the characters I’d met over that two day period. If I stayed true to them, I’d get bashed for using stereotypes. In truth, I’d actually have to tone them down to make the characters believable. Now ain’t that about a shame?

Deborah LeBlanc

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Monday, September 22, 2008

Margo Candela | Little Darlings

I spent most of my spring and all of my summer finishing my fourth novel, How Can I Tell You? (Touchstone, August ’09). Hours blurred into days which turned into weeks which…well, you get the idea. The only thing I really remember about this time is asking myself every morning as I sat down and every night as I curled up into a fetal position in bed was, “How the heck did I manage do it the last three times?”

You’d think that I’d have some sort of idea of how to write a book by now. I’ve even taught a course on it. True, I have the basics down, but somewhere in the midst of the process, I always find myself scrambling. The worst thing I can ask myself is: What am I doing? Nothing derails a productive, if not creative day, in front of the computer more than self-doubt, self-pity and all those other wonderful little demons that run rampant when the mind is looking for reasons to shut down and take the body to the movies.

This time, around late May and early June, I abstained from playing hooky and instead invested in books on plot and structure, how to write faster and about three or four different writing software programs. All promised to get my thoughts in order and guide me through this dark time. In the end, I could do no more than skim the books—they reiterated much of what I already knew, and it was nice to see I wasn’t totally on the wrong track. I went back to MS Word, as I always do, because I just couldn’t handle the learning curve of something new. Suffice to say while this was going on, I was doing very little writing but a whole lot of worrying about it.

Paradoxically, I was also fighting off the urge to start, or re-start, other projects that suddenly seemed to call for my attention. They coaxed me with promises of good times in front of the keyboard. The exact opposite of what I was going through with the manuscript I was supposed to be tending to.

Despite everything, I got the manuscript done (nothing puts the fear of litigation into my heart like a contractual due date) sent it in to my editor and promised myself, “Next time things will be different!”

With that experience a few weeks behind me, I’m now concentrating on promoting my third novel, More Than This (Touchstone, August ’08), enrolled in a couple of classes at my local college and I’m taking my time to figure out what I want to write next. Do I finally commit to revising and polishing that one novel that’s been my unrequited love for a few years? Or focus on my YA idea that’s been on the backburner for far too long? Along with those, I have at least two or three more projects that are all calling, yelling, screaming for my attention. “Pick me, pick me!” they each beg. But no, not yet.

There’s time enough for that. I’m enjoying not being tied to my computer and facing down a deadline. I almost feel human again. For now I’m going to enjoy reading what I want, writing just for the fun of it and maybe getting some sort of a life again. Soon enough, I’ll take another look with fresh eyes and see which of my little darlings is ready to become full-fledged manuscript.

I’m sure I’ll find myself panic mode at some point, wondering how I ever got myself into this mess all over again. On the plus side, I’m already stocked up on the how-to books and writing programs.

Margo Candela
http://www.margocandela.com/

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Tuesday, September 16, 2008

Rita Herron | Good or Bad

Do you believe that people are born either good or bad? That your genes determine whether or not you have a temper, are violent, or lose control?

That’s only one of the premises I explore in my Demonborn series.

Vincent Valtrez, the hero of book one, INSATIABLE DESIRE, has only faint memories of his traumatic past. Memories which disturb him because he feels a darkness in his soul.

Memories and a killer that bring him back to his hometown.

A hometown full of secrets and evil. A hometown he swore he’d never return to.

A hometown plagued by danger and the girl he left behind.

Vincent had no idea what is in store for him. Or that his destiny is calling.

Only that his need for sex and darkness have begun to call his name again.

But giving in to the dark side could be his downfall and cause him to lose his soul once and for all.

Do you have a dark side?

If so, can you resist the call?

Rita Herron

http://ritaherron.com/

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Friday, September 05, 2008

T. Lynn Ocean | Putting Your Subconscious Mind To Work For You

People often ask authors where they get their ideas. The answer for me is, I'm not sure. But I do know that I'd never have a writing career if it weren't for my subconscious mind (SM).

Everyone has this amazing tool at their disposal. Scientists still don't understand quite how it works, but they do know that we all have a duality of minds: your consciously thinking mind, and your subconscious mind. Whether you are creating a character that people will want to read, composing a song, or trying to solve a dilemma at the office, your SM can do the work for you. It's true!

Ever been with friends discussing a movie or a song, and you can't remember the name of the lead actor? "It's on the tip of my tongue!" you might say. Finally, you give up. The next morning it hits you. You remember the name. Well, folks, that is your SM at work. It's a very simple example, but proof that your mind can problem-solve while you are not consciously thinking about the problem.

There are two basic things to remember about your SM. First, it never sleeps. It's always working, regardless of what you are doing. Second, your SM has no filters or screens. It's like the mind of an innocent child and will soak up everything without prejudice.

So, how do you put your SM to work for you? Very easily. You must fuel, or feed it! For example, when I'm working on a new character, I will sketch out all the basics. A background, including family and career. Physical description. Accent and manner of speaking. Oddities or quirks, such as a man who always jingles the change in his pocket when he's nervous. Next, I'll think about the plot and how the character fits in. And then it's time to feed my SM. If my character were the owner of a bakery for example, I'd quiz some pastry chefs, subscribe to a trade magazine, and watch cooking shows. If my character was a sleazy landlord, I'd read some articles about fraud and scams, maybe interview a property manager or two, and check out the real estate market where the book takes place. Bottom line? Go on road trips. Talk to people. Read applicable magazines. Attend pertinent continuing education classes or seminars. Brainstorm with friends. AND THEN FORGET ABOUT IT! One of the best times to put your SM to work for you is just before bedtime. Forget Leno or Letterman and take fifteen minutes to review your notes or read that trade magazine. Go to sleep thinking about your project. You'll be amazed at what you come up with.

Once you begin to utilize the power of your SM, your characters will become multi-dimensional and real. They'll begin telling you what they would say or do in a given situation. Your plots will suddenly come together in a way that makes perfect sense. That song you've been trying to compose will vividly spring to life. And that problem at work? You'll suddenly have the solution, and in hindsight, you'll probably wonder why you didn't think of it sooner.

Oh yeah. One more thing. If you're going to tap into the power of your SM, there are a few rules. You must avoid negative people. You must keep an open, welcoming mind. And you must try to remain stress-free. Like everything else, your subconscious mind performs best when nurtured.

It's how I plan, plot, and write. SOUTHERN FATALITY has just been re-released in paperback, SOUTHERN POISON is now out in hardcover, and I just sent in the manuscript for the third in this mystery series. Jersey Barnes is such a fun character to write… I just love it when the characters start telling you what they're going to do next!

T. Lynn Ocean
www.tlynnocean.com/

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Tuesday, September 02, 2008

Laura Preble | Why Can't I Have My Own Robot?

I've been a geek since birth. I was raised on Star Trek (the original, styrofoam-rock, red-shirt-guy-killing Star Trek) and my parents took us to see both Barbarella and Planet of the Apes at the drive-in. So, when I was asked by an editor at Penguin to take a stab at writing in the genre of Chick Lit, I sort of balked. I mean, what do I have in common with those elegant Chick Lit writers? I associated them with cheerleaders, slutty high school girls (not the same thing, mind you), makeup, high heels, and the felonious application of Newton's Laws of Motion.

But then I had what I thought was a great idea: Chick Lit for geek girls like me. That led to the creation of The Queen Geek Social Club, and subsequently, Queen Geeks in Love and Prom Queen Geeks, which debuts this month. I had great fun writing the books; the main character, Shelby, was the person I would have been in high school if I'd had any confidence and a better sense of fashion.

But one thing in the books has had an interesting impact on readers: the inclusion of Euphoria, Shelby's humor-impaired robot, nanny, and tracking device. I'm not exactly sure where Euphoria came from, honestly; I started writing the first book at 3 a.m. and she just sort of appeared and started talking. I imagine her as a cross between the Jetson's robot, Rosie, and an intelligent Roomba. Created by Shelby's father, Euphoria is a pseudo-mom to Shelby, whose own mother has died even before the series begins. (And this is possibly because just before I came up with the idea for the books, my own mother died.) She attempts humor, has the ability to sense emotions from people, can make cookies, and can also aid and abet in semi-criminal activities, as she does in Prom Queen Geeks.

Anyway, readers are always writing to tell me that they absolutely love Euphoria, or, on rare occasions, that they love the books except for that one weird quirky thing that seems totally unreal and out of place. I guess that when I honestly examine why I inserted this quirky metallic meddler into my fiction, it's because I want a robot of my own. I want someone who never gets tired, who never wears down, who can read me like a book, who knows my favorite recipes, who cares about me when I don't care about myself. I guess, now that I think about it, I really wanted my own mom. So, when people ask me now why I put Euphoria in the story, I can answer: since my mom never got to see the books I finally wrote after all her years of encouragement, I simply wrote her into them so she'd always be there.

Laura Preble
www.laurapreble.com/

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Thursday, August 07, 2008

Christine Son | Yes, It Can Happen

My debut novel, OFF THE MENU, hits bookshelves on August 5th, and recently, a lot of people have been asking me how I went about getting published. The short answer? By keeping my chin — and optimism — up even though I was receiving stacks of rejections every day. The long answer takes me back to a Facebook question I answered for my profile, which called for my most embarrassing moment. Unfortunately, my life is riddled with heinously embarrassing moments, and one of them occurred at a writers conference I attended in the mountains of California, where I met my agent. I’d been invited to an industry cocktail party out of the graciousness of one of the conference’s board members, and being an unpublished writer who was desperate to make a good impression, I researched the guest list, which included dozens of publishers and agents. This was my chance to wow them, I thought. And maybe snag an agent. So, I perfected my pitch. Practiced my smile. Wore a cute outfit. As ready as I’d ever be, I showed up at the party, determined and excited. And it would have been a great party had I managed to stay upright for more than thirty minutes. I can’t say what exactly caused what happened next — the high altitude, perhaps, or maybe low blood sugar, or the single sip of wine in my system — but in front of God and everyone who mattered in publishing, I fainted. As in, hit the floor face first. With my wine glass still in hand. I don’t recall the fall, but a number of revelers told me afterwards that I then did a pushup before a couple of concerned hosts helped me to a chair, brought me water, and then guided me back to my room, where I spent the rest of the night horrified and cringing. I’d never fainted before, and of all the times in the world to pass out, I couldn’t believe that my body had chosen that moment to try it out. I wrung my hands (literally), sure that I’d forever blown my chances to find an agent. I worried that publishers would think that I was a jackass at best, and a liability at worst. I fretted all night, wishing that I could turn back time and praying that there might be at least a few attendees who hadn’t witnessed my complete lack of grace. Alas, everyone heard about the fainting girl in the darling ruffled shirt.

The next morning, I spent some time apologizing to people I recognized from the night before, and my pitiful conversation with a striking woman turned into a long one about the troubles with thin mountain air, me and my book. She asked me to send her the first chapter of it, which I did as soon as I returned to Dallas, and three days later, she called to request the rest of it. The next week, she signed me on, made me change a few things in the manuscript, and then sent it out to a bunch of publishers. It went nowhere. But I began writing what would become OFF THE MENU, and after a number of rewrites, it sold to Penguin.

So, there you have it in a nutshell as to how I went about getting published. I worked really, really hard, wrote during every free second I had, learned the industry, went to several writers conferences, attended a cocktail party and then passed out. I guess the road to publishing is a bit like that — a mix of preparation and luck. It’s incredibly labor intensive, and sometimes, what seems like the worst thing in the world ends up becoming the best. Because the kicker of it all is that my agent would never have noticed me had I not caused a ruckus at the coc ktail party. You can read more about me at www.christineson.com/.

Christine Son

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Tuesday, August 05, 2008

Allie Pleiter | I think I have a writing disability.

Well, perhaps disability is too strong a word, except that I do truly feel “differently-abled.” I feel somewhat hampered by it, like I stand out more than I already do by being six feet tall. And at gatherings of writers and readers, like here at the Romance Writers of America conference in San Francisco this week, I feel my “freak flag” flying especially high.

I’m an extrovert. A raging, card-carrying, put-my-photo –in-the-dictionary-next-to-the-definition extrovert. And introverts—not extroverts--populate the writers world by a huge majority.

Why is that a disability? Well, it sets me at a disadvantage. All you thoughtful introverts are watching, observing cunning truths of human behavior, carefully selecting your contribution to the dialogue, and I’m…well I’m yakking away like that crazy uncle everyone tolerates at Thanksgiving. I’m on my ninth story, mistaking all your quiet for consent when I’m now rather sure you all were saying to yourselves (or maybe even each other) can’t someone rein this gal in? Take her volume and drama down a notch? I’m trying—perhaps too desperately—to pull you into conversations when you all would probably rather have a root canal than make small talk with the likes of me.

Really, I’m starting to think I’m coming off rather badly at these things. I’m missing a gene. Most of the writers I truly admire don’t have this psychotic impulse to go meet new people and make them talk to me. Perhaps I need to start counting to ten before I engage another person in conversation. Or find a support group. Perhaps I am the exception that proves the rule. Perhaps I serve some useful social function, saving introverts from having to create conversation—or…gulp…giving them an oddity they can all talk about like the bad boss that unites an office by giving all the workers a common enemy.

Pipe up! Chime in! The internet is the water cooler of introverts! Tell me what you think of the oddities of extroverted writers…or extraverted readers…or tell me to please hush up and go home….

Allie Pleiter
www.alliepleiter.com/

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Monday, August 04, 2008

Eve Silver | Why Gothic?

Thanks to FreshFiction for inviting me to blog today.

Sometimes, the best laid plans blow up like a shook-up soda.

I’m a suspense fan. Lisa Jackson's Shiver, Linda Howard ’s Cry No More, Lisa Gardner’s Hide...those books sent a shiver up my spine. But I never imagined myself as a suspense writer. In fact, my very first romance-writing attempt was a light, funny contemporary romance that is buried in the back yard where it belongs. Some books should never see the light of day, LOL! Still, the months I slaved over that manuscript were not a waste. I learned a lot. Specifically, I learned I should not be writing contemporary romantic comedy. (What was I thinking?)

No problem. I tried my hand at a light, funny historical. Umm...not such a success. No matter how hard I tried to be funny, everything I wrote was dark. Very dark. And spooky. And scary. In fact, that first historical ended up as a twisty, creepy gothic. So I ran with it, and I kept writing gothics. It was easier than fighting the dark cauldron of my imagination. I guess you could say that I didn’t choose gothics, they chose me.

My August release, His Wicked Sins, is no exception. It’s a little less gothic, a little more suspense, and a lot sinister. In 1828 Yorkshire, a killer lurks in the shadowed halls of Burndale School. Three women are dead. Murdered. Elizabeth Canham is drawn to Griffin Fairfax, the father of one of her pupils. But she soon learns that all of the victims were intimately connected to him. As the murderer stalks her, Elizabeth must decide if Griffin could be the charming, seductive killer so many women have lost their hearts—and lives—to...

Considering how much fun I have writing these books, I must admit that I don’t regret going over to the dark side.

Please visit www.evesilver.net/ or www.evekenin.com/ for more information on HIS WICKED SINS and other Eve Silver / Eve Kenin books.

Happy reading!

Eve Silver / Eve Kenin

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Thursday, July 31, 2008

Carol Cassella | Rich and Famous

A friend at the hospital heard I was a newly published novelist and asked me if I would be calling in too "Rich and Famous" to work soon. After all, I am on a book tour! I have just published a novel!

Published a novel?? Me?? Who would have dreamed it when I was slogging away in our grungy basement, or local coffee shops with the same fantastical self-image as any middle-aged mother who suddenly decides to reinvent themselves? Was this novelist thing any less outrageous than suddenly taking up yodeling or body piercing? I told my her that I would be happy merely to call in “Out of Debt and Keeping my Same Old Friends.”

Unanticipated as it is, it has been a bit miraculous to be on a book tour, finally holding in my own disbelieving hands the weighty, hard back product of a decade’s worth of silent musing. If I may confess it to this anonymous audience, the only event to surpass this so far is the birth of my twins. Even my wedding paled. (Sorry, sweetie!)

In my fleeting fifteen minutes of fame, I can admit that it has been glorious, and the cause of many deep and soulful blushes, but also comfortingly real. I still look in the mirror after a signing and realize I have lipstick smudged on my front tooth, and I still come home to the same piles of dirty dishes and smelly socks, and my children are thoroughly bored with the whole escapade. Surprisingly, that only makes me more certain they love me for my mediocre cooking and lung-collapsing hugs.

So I am happy to wallow in this fifteen minutes of fame, all the while recognizing that--just like Andy Warhol, the originator of that sweeping anointment--I too shall die and a million more will rise up to replace me. They are nipping at the edges of the bookstore shelves right now, ready to bump me from face-out to spine-out. But I even like that somehow. More books to read in my own future! More reason to keep writing!

In the middle of my tour I ran out of copies of Oxygen and wanted to buy some as gifts. I went to my the nearest big box bookstore, grabbed three off a table and plopped them on the counter.

“Do you have a discount card?” the perky young clerk asked. I gave her my number and she stated my name to verify. She asked for my credit card and photo ID, repeating my name each time, clearly drilled by her manager not to let any identity frauds slip through on her watch. She looked at the cover of my novel and I waited, almost shyly, for her to congratulate me on being the author. “Gee,” she said at last. “I’ve seen this book around a lot lately.” I smiled and started to thank her. Then she continued, “Do you know anything about it?”

She handed me my bag and I shook my head. “I just liked the cover.” Next time, though, I just might flip to the author photo on the flap when she asks for my ID. If I’m feeling bold.

Carol Cassella

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