FreshFiction...for today's reader

Authors and Readers Blog their thoughts about books and reading at Fresh Fiction journals.

Friday, July 31, 2009

Lisa Dale | What Inspires You?

Many people ask me where I get my ideas for my books. Sometimes, there’s no other answer except that inspiration falls into my lap like a star falls from the sky.

For example, on the night that I got “the call” from my agent that my first book, SIMPLE WISHES, would be published, I couldn’t fall asleep. I sat on the couch in my little apartment, and since there was nothing to do, I just turned on the television and vegged out until the wee hours.

As I was watching the Discovery channel, a show came on about meteorite hunters—folks who collect and then sell meteorites. It was like I got struck by lightning. I knew then and there that the hero in my next book would be a hunter of meteorites. I’ve always had a thing for nerd guys.

The end result was that in my new book, IT HAPPENED ONE NIGHT, which comes out in late October, the hero is a sexy, science geek type. The book is about two sisters who own a wildflower farm in Vermont. Lana Biel longs to leave Vermont so she can travel and see the world. And her sister Karin wants nothing more than to put down roots and conceive the child she and her husband just can’t seem to have. When a lighthearted fling with a mountain biker leaves Lana expecting, she finds herself tumbling headlong into motherhood while her sister Karin can only look on.

Click here to read the rest of Lisa's blog, leave a comment or enter her blog give-away.

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Wednesday, July 22, 2009

Kylie Brant | Making a Living

I love being a writer. At least, most of the time. But occasionally there are days like today, when the words won't come and everything I do manage to get on the page sounds like it was produced by an illiterate nine-year-old. Today my love for writing seems very far away. I begin to dream of other occupations. More rewarding ones. I become convinced that there has to be an easier way to make a living.

So that train of thought takes over and distracts me from the cursor blinking so accusingly on the nearly blank page. Mentally I run through a list of possible job prospects. Maybe I can be a grocery store clerk. Nothing to think about except ringing up bananas and milk. Then I consider the fact that they're on their feet all day. I'm stretched out on my chaise lounge with my laptop on my lap and a Diet Coke within reach. Cross grocery store clerk off my list.

It might be interesting to run a dress shop, I muse, trying to avoid looking at that cursor. Is it possible for it to look smug? I could work with pretty clothes all day, and those employee discounts would certainly be nice. Forgetting for the moment that I hate to shop, i give real consideration to the idea. Maybe I could find one that's only open 9-5 and no weekends.

Click to read the rest of Kylie's blog, leave a comment or enter her blog contest.

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Friday, June 12, 2009

Jessica Inclan | If The Skin Fits, Wear It

What has amazed me about the past couple of years is how I have managed to finally gain some perspective on myself and my life. What's appalling about this observation is that I used to think I had this perspective. I thought that I knew what I was doing and why and how. I thought I had things under control; I imagined I was in charge. I thought I knew what in the heck I was doing.

Now, however, I realize that I have and had some behaviors and needs and feelings and thoughts, but I don't imagine anymore that I have control of it of all. I just sort of "see" myself and know a little more about what I do. I also know that in another 47 years (should I make it that long) I will be able to say the same thing about my current self that I just said about my younger self.

Poor thing, I will think. She thought she had it figured out.

Click to read the rest of Jessica's blog and to leave a comment.

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Wednesday, June 03, 2009

Linda Goodnight | Cinderella at the Book Expo

I just returned from New York City and my very first trip to the Book Expo of America (BEA). For the uninitiated, BEA is an enormous trade show of publishers exhibiting their authors, books and other forms of media. People from literally all over the world gathered at the Javits Center on the Hudson River for several days of sales, book signings, workshops, and general schmoozing.

The BEA buzz is noisy, energizing and exhausting. My feet are still recovering. Authors from every genre—children’s books to nonfiction to romance-were in abundance. Posters and banners bearing names such as Debbie Macomber, Oliver North, R.L. Stine, and literally dozens of others lined the walls and hung from the ceilings. All were scheduled to sign free books for anyone willing to stand in some very long lines.

On a personal note, I had a couple of special highlights. One was a fun and friendly audio interview done by "All About Romance" to be aired online at their website at a future date. For someone with an Oklahoma twang, I’m a little nervous about hearing my voice online.

Probably my favorite thing was signing my latest release from Steeple Hill, THE BABY BOND, in the Harlequin booth.

Click to read the rest of Linda's blog and to leave a comment.

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Wednesday, March 25, 2009

Cynthia Baxter | Confessions of a Mystery Writer . . . Er, Travel Writer

We’re all entitled to an obsession or two, aren’t we?

One of mine is travel. I suppose it’s because I spent my childhood in the backseat of a car with my sister and grandmother – often a Volkswagen bug – with my parents in the front seat, acting as pilot and co-pilot. School vacation was synonymous with road trip. Since my father was an English teacher in a neighboring school district, he usually had the same days off that we kids did – and so off we’d go.

Our home was on Long Island, in the suburbs of New York, which was a great starting point for traveling all over the eastern half of the United States. The five of us explored New England, Florida, and just about every state in between. (Eastern Canada, too.) We saw the big cities like Boston, Philadelphia, and Montreal; historic towns like Williamsburg, Virginia, and Salem, Massachusetts; and places that were just plain fun like Hershey, Pennsylvania, and St. Petersburg, Florida.

In fact, Florida was a favorite destination for spring vacations. The drive took about three days, including stops at every Stuckey’s and Horne’s we passed along the way (a blast from the past for those of you who had the pleasure of putting those on your itinerary before their demise). Once we were there, we also stopped at every attraction. This was still the 1950’s and 1960’s, so Disney had yet put in an appearance. But we found plenty to do: alligator farms, orange groves, Cypress Gardens, stores selling everything that could possibly be made with seashells, and the glitzy hotels of Miami Beach, where we strolled through the lobbies and pretended we were wealthy enough to stay at them.

Click to read the rest of Cynthia's blog and to leave a comment.

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Friday, March 13, 2009

Dianne Emley | Ten Commandments of Fiction Writing

Thank you, Fresh Fiction for inviting me to blog today! I’m Dianne Emley, author of the L.A. Times bestselling Detective Nan Vining “thrillogy”: THE FIRST CUT, CUT TO THE QUICK, and, just out, THE DEEPEST CUT. These three are a thrillogy because they have an overarching storyline in which Nan Vining obsessively pursues the man who attacked her and left her for dead, the creep who Vining and her teenage daughter call T.B. Mann—The Bad Man. The Nan Vining series continues! I’m working on the fourth which will be out in 2010.

I’ve learned a lot about the art and business of writing since the first book hit the shelves. I’ve become not just smarter, but wiser. I’ve developed a few rules that I strive to follow when I’m writing and editing a book and some that govern my behavior when the book is out. I’d like to share these with you. Herewith:

Dianne Emley’s Ten Commandments of Fiction Writing

1. I shall heed good editorial advice, shun bad advice, and learn how to tell the difference.

Click to read the rest of Dianne's Commandments!

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Friday, February 27, 2009

Maxine Sullivan | THE LONG JOURNEY

If anyone had told me in the early 1980s that it would take me over 20 years to be published, I probably wouldn't have kept on writing. Perhaps. Back then the world was much smaller, and living in Australia it was smaller still and very isolated. There was no internet, no romance writer organisations, it took two weeks for a letter to get to a publisher before waiting months for a reply, and it took me weeks to type up a manuscript on a typewriter from longhand. Patience was something you had to have. And that was a good training ground for the next twenty years as I tried hard to get published.

In the early 1990s the fledgling internet began to trickle information through. Luckily I knew a computer guru who set me up with an internal modem with a speed that is laughable now but was sheer heaven back then, and I started to learn that there was a growing network of writers out there. It was fantastic. The world was coming into my home and suddenly Down Under wasn't so far away.

Click here to the rest and enter Maxine's one day blog contest.

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Tuesday, January 06, 2009

Margay Leah Justice | From Conception to Birth, Or One Book’s Journey to Publication

Ah, the first blush of romance. The first time you see the idea, sitting there in the corner of your mind, trying to get your attention in that inconspicuous manner these ideas sometimes adopt. You look away, convinced that there is no way this idea could possibly go anywhere. It’s just a fluke, a fling. Surely, you’ll forget it by morning. But when you look back, the idea is still there, sitting in the corner, flirting with you. So what’s a harmless little flirtation? You approach the idea cautiously, in a manner you hope is suave and sophisticated, but as you get closer, your excitement rises. Your heart begins to race. You lick your lips in anticipation. It’s even more exciting up close. So you flirt with it, spend the night with it, take it home with you. In the morning, you’re surprised that it’s still with you. After two months, you begin to believe this idea has a future. So you cultivate it, give up sleep for it, nurture it as it grows within you. Soon, what began as a nugget of an idea in your mind blossoms into a full-blown creature. It grows within you, like a fetus in a womb, becoming bigger by the month, more substantial. You can almost feel it move within you; you carry it everywhere, wherever you go, it’s there with you. All of your energy is devoted to it.

After a suitable gestation period, your little nugget of an idea, which you have affectionately begun to call “the book” while you search for the right title, is ready to make its appearance. Your months of labor are about to pay off as you prepare to deliver your book into the capable hands of the publisher who will introduce it to the world. But wait, his assistant has to help you clean it up a bit first and you are struck by the niggling thought, What if my baby’s ugly? What if I put this out there and no one likes it? But with the reassurances of your publisher, you clean the book up and send it back, maybe with a prayer or two, and you wait. Now it’s time for your baby to prove its worth.

As you can tell from my whimsical tale above, writing and publishing, to me, often mimic conception and birth. The stages of both are remarkably similar. There is the courtship period when you are first introduced to the idea that will one day take over your life. Followed by the get-to-know you period during which you decide whether or not the idea has longevity and you want to commit to it. Once you make that commitment, there is the gestation period – I think you can guess what happens here. The idea grows and grows, taking on a life of its own, convincing you that you are mad, suffering from a hormonal imbalance, or both. But in the end, it’s worth it because you deliver a rollicking, three hundred page epic that someone is bound to love – and not because they’re related to you.

So I guess you could say that Nora’s Soul is the first of my literary babies. She is almost two months old now, having made her debut in November, and growing stronger every day. Bringing her to the attention of the public is similar to the care and nurturing of an infant, requiring constant vigilance. Yet the pay off is that people are noticing her, some are cooing over her, and others even want to take her home with them. She may just be crawling now, but soon she will gain her legs and walk on her own – and I will sit back in amazement like any proud mother, thinking, Wow, I can’t believe I created that! And in the grand tradition of mothers everywhere, I will want to create another one, forgetting all of the pains and labor involved in the process. Keep your eyes open for the debut of Nora’s brother, Dante. Thank you for riding along with me on this whimsical journey into my take on writing. I hope you enjoyed the trip as much as I did.

Margay Leah Justice is the author of Nora’s Soul, from Second Wind Publishing, LLC. Nora’s Soul is currently available on Amazon.com. To read more about Margay and her writing, visit margayleahjustice.com.

Click here for a chance to win a copy of NORA'S SOUL -Today only.

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Friday, November 14, 2008

Marie Bostwick | Fiction and Addictions

It’s time for a confession. For years now, I’ve harbored a secret addiction.

I’m not talking about my addiction to books. For writers, a book fetish simply goes with the territory. Right now, my nightstand is piled so high with books that if the stack toppled and fell on my foot, I’d end up with several broken toes. You understand what I’m talking about. Probably your nightstand is in the same condition. If not, you wouldn’t spend your time reading Fresh Fiction blogs, would you?

No, the addiction I’m talking about is much more personal and insidious. Until recently, I’ve been in denial but the time has come to face the truth. I’m addicted – to fabric. I’m a quilter, Dear Reader, and I’ve got it bad.

My home in New England is loaded with quilt shops and I can’t bypass any of them. There is a particular store in the wilds of New Hampshire that I been known to drive three hours out of my way to visit. Not three hours round trip - I’m talking three hours each way! Imagine how that went over with my kids, who thought they were just taking a little drive to see some fall foliage and buy cider only to find themselves trapped in car with a crazed woman who would let nothing stand between her and the mother of all quilt shops. They’ve never forgiven me for that one and really, I don’t blame them.

But what my family doesn’t understand is that this isn’t my fault. Though I’ve got more fabric than I could quilt in a lifetime, the need to continually add to my stash has grown from a pleasant pastime to an irresistible urge. Whenever I visit a quilt shop, I tell myself I’m just going to stick to my list, buy only buy what I absolutely need and that is all. But the second I walk through the shop door and see those delicious colors and patterns, the moment I run my fingertips over those sensuous bolts of clean, crisp cotton, I lose all reason. Yesterday, I ran down to my local quilt shop to buy one yard of fabric, just one, for the sashing on a wall hanging. I walked out with six! Including a yard of novelty fabric that has a bunch of jewel-toned Japanese fish kites. It’s gorgeous but…what was I thinking? I live in Connecticut; there isn’t a touch of the Orient anywhere in my house! Make that in my whole county! I’m telling you, this whole thing is getting out of hand.

Fortunately, I’ve finally found a way to justify my fabric compulsion and to combine two of the things I love most – writing and quilting.

My new book, A SINGLE THREAD, is set in a small New England village, much like the one where I live, and tells the story of Evelyn Dixon, a Texas homemaker who, after an unwanted divorce, fulfills her youthful dream of opening her own business,Cobbled Court Quilts…but it’s not an easy journey.

A SINGLE THREAD is my first full-length contemporary novel and I’m thrilled that the early reviews have been so good. Publisher’s Weekly said, “Bostwick’s polished style and command of plot make this story of bonding and sisterhood a tantalizing book club contender.” New York Times bestselling author, Susan Wiggs kindly said, “By the time you finish this book, the women in A SINGLE THEAD will feel like your own girlfriends--emotional, funny, creative and deeply caring. It's a story filled with wit and wisdom. Sit back and enjoy this big-hearted novel, and then pass it on to your best friend.”

A SINGLE THREAD is a novel of sisterhood and friendship that will appeal to all kinds of women, dedicated crafters as well as those who have never threaded a needle and never want to. I think you’ll fall in love with these characters just as I have and will want to read about them again. And that’s a good thing because A SINGLE THREAD is the first title in a series I’m calling the Cobbled Court novels. This means that I’ll need to continue doing research on quilt shops, quilting, and buying lots and lots of fabric.

And that, Dear Reader, is a very good thing. Anybody up for a ride to New Hampshire? I know this great quilt shop…

Marie Bostwick
www.mariebostwick.com/

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Monday, November 10, 2008

Stephanie Julian | A Writer’s List of Thanks

Since November is the month when we give thanks for being lucky enough to live in our great country—and since I figure I’ve given enough tax dollars to the government to say thanks for the next fifty years—I thought I’d list all those things that we, as writers, should be thankful for every day.

Ergonomic chairs. Pretty self-explanatory.

Agents. The first line of defense in any writer’s arsenal against rejection. It’s not that you don’t get rejections, it’s just that she gets them first. Yes, they still sting but having someone who believes in you makes it all a little better.

Writing buddies. Knowing I can call them, day or night and bitch about my uncooperative muse makes me breathe easier.

Call waiting. Don’t recognize the number? Ignore. Recognize the number as your mother-in-law’s? See response to first question.

Cattle prods. For those days when the kids demand to know why they don’t have any clean underwear and what exactly you did all day if you didn’t do wash.

Tazers. For the husband on vacation (or retirement) who walks into your office as you’re furiously typing away, leans on the door and says, “So, what are you doing?”

And the thing I’m most grateful for as a writer? Junior Mints. Decadent little discs of dark chocolate and mint. Nectar of the Gods.

I went through several (okay, more like too many) boxes as I wrote the fourth installment of my Magical Seduction series from Ellora’s Cave. SEDUCED AND ENCHANTED is my own take on the Sleeping Beauty story, set in the contemporary world where the descendents of the magical Etruscan race are alive and well and living among us.

Linchetto Rio de Feo has just met the woman of his dreams. Rosie Bianchi is smart, sexy, sweet…and cursed. She’s got an evil dead witch on her tail and a secret even she doesn’t know anything about.

Rosie can’t believe her good luck. The gorgeous guy she just met is Prince Charming material. But after one night of hot sex, Rosie wakes up with magical powers and is thrust into a battle for her life.

Love will need a little help and a little luck, but where there’s an enchanted rose hedge and three godmothers, there’s magic.

Want to read an excerpt? Check out my website at www.stephaniejulian.com/. You’ll also find excerpts from the other three books in the series and a whole world of Etruscan magic that you never knew existed.

I love writing about magic in our everyday world and I’m thankful that others are enjoying my series as well.

What are you thankful for?

Stephanie Julian

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Wednesday, October 15, 2008

Amanda McIntyre | Time Keeps on Tickin

Is there ever enough of it? It seems our lives fairly leap from one moment to the next, barely allowing the time to savor the moment, sometimes even “taste” it! Parenthood, careers, schedules, social lives, volunteer work—it wraps us up so tight sometimes that we long to stand alone on a mountaintop and scream to release the stress! (Okay, that may be “my” vision and yours may be different.)

REALITY ALERT: (not for the faint of heart)

But in reality, I have to ask myself would I want it any other way? Here is a glimpse of my past week—Deadline of a novella, football game (away) Band contest (45 minutes drive each way) -parent-sponsored/served lunch, transporting grandmas to and from contest parade and field contest-sitting all afternoon waiting for your band to perform, drive home, launder kids clothes, pack to leave Sunday morning-them going to a two day choral festival, us to see oldest son on opposite side of the state. Pick up another son next day, and transport him back home to participate in a football game-where we sat most of the game watching him play in the pouring rain. (They won, that made it all worthwhile) Pick up other child who stayed for evening choral performance at around 1 A.M. form the school. Stave off severe colds for both sons so they can participate in State vocal auditions. Band marching contests each weekend in October, two football games per week. Early morning band/Show choir/All State rehearsals—after school Football/All-State/band lessons….oh and homework and youth group.

Get new editor (mild shock) meet friend for dinner (postponed to Thursday lunch as she missed her plane) prepare family and myself for my business trip Friday –Monday. Drive to St Louis and back on Monday—still have deadline and we pretty much start most of the above all over again…

Now I am positive many of you could rival that few short days without batting an eye. It’s the world we live in, isn’t it? But it surely makes those moments—seeing your kids joking and laughing with each other, having your oldest son and his friends around a table enjoying a meal together, the beauty of a sunset from the deck of a good friend’s house—even more special.

Amid the chaos of days like I’ve listed above, those moments are mixed in, sometimes barely detected if we aren't looking. Often times, when it’s least expected and I am reminded of one of my favorite movie scenes from the flick, Parenthood (Universal 1989) with Steve Martin and Mary Anne Steenbergen. This scene follows a myriad of confusion and chaos within the household and there is tension between the husband (Martin) and his wife (Steenbergen).

To me it exemplifies how one can choose to view whether the “grass is truly greener on the other side of the fence”-as it were…

Grandma: "You know, when I was nineteen, Grandpa took me on a roller coaster."

Gil: "Oh?"

Grandma: "Up, down, up, down. Oh, what a ride!"

Gil: "What a great story "

Grandma: "I always wanted to go again. You know, it was just so interesting to me that a ride could make me so frightened, so scared, so sick, so excited, and so thrilled all together! Some didn't like it. They went on the merry-go-round. That just goes around. Nothing. I like the roller coaster. You get more out of it."

What a wonderful POV and its one I hold dear, because in truth, would I want my life any other way? Nope, I just hang on and enjoy the ride!

A wild ride! Diary of Cozette (Harlequin Spice-Books) continues to do well and I am beyond thrilled! I received the cover art for my next SPICE book TORTURED (a medieval set in the Dark Ages! August 2009)

Until next time! Enjoy the ride!!

Amanda McIntyre

Wicked Historical ~Sexy Contemporary
MIRROR, MIRROR September/08
DIARY OF COZETTE October /08 / SPICE-Books Pre-order!
THE BOY'S CLUB Oct/eHarlequin FREE read
"An intoxicating read! I couldn't put it down!"~ Renee Bernard, USA Today Bestselling Author
"Beguiling! 4 stars!" RT BOOK reviews
www.amandamcintyre.net/ * lustintime.blogspot.com/* www.thefaerycourt.com/

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Friday, October 10, 2008

Sharon Ashwood | Making Paranormal Sandwiches

There’s a lot to be said for the submarine sandwich. There can be as much bread, cheese, veggies and cold cuts as the maker desires. If you want two kinds of cheese, go ahead. Mayo and mustard? Why not? The only limit is appetite.

Which is all good until your boss points to a sandwich box made for the usual peanut butter and jelly sized affair. That moment of “hmm, how am I going to get this sucker in there?” sums up my experience of writing the paranormal romance. I have to tell a many-layered story as clearly and efficiently (and as briefly!) as I can.

For any author, there’s a lot on the kitchen counter when they’re building the universe of their book: there’s character, plot, and setting, plus:

  • In a romance, there’s the whole fall-in-love experience.
  • If it’s a historical novel, the author needs to bring the past alive, right down to the horseshoe nails, gun smoke and corsets.
  • If it’s science fiction, fantasy, or paranormal, there’s the whole supernatural universe, with its vast array of creatures, rules of magic, and other cultures to explain and make compelling.
  • For a good paranormal or urban fantasy romance, where you have most of the above, your metaphorical book sandwich is a definite clubhouse. Yum, and don’t hold the pickles.

But wait: just because an author has a lot of ground to cover, that doesn’t mean they get more pages to tell their tale. In fact, many editors are careful to put the word count they want right in a writer’s contract. How many words? Not enough! Why do they do this? Long books cost more to print (and the reader pays for that) and also not everyone wants to read a really long book.

Having a word limit does challenge an author’s skill, and that’s not a bad thing. It’s made me write smarter—but inevitably, things get left out. When the dust settled from writing my February 09 release, RAVENOUS, I had a spare demon and an entire unopened box of vampires. Plus, there was a lot to say about my universe and the people in it that I hadn’t even begun to cover. It was like I’d been whittled down to, well, half a sandwich. Thank heavens there’s a book two!

What’s an author to do with all their leftover ideas? One solution to the world-building overflow is to take all that extra content and post it on the web. Games, maps, character interviews and background histories are popping up on web sites more and more often—and that’s not the only outlet for extras. Marvel Comics has picked up some popular authors and are releasing comic books based on writers like Laurell K. Hamilton. If TV shows and movies have tie-ins, why not books? Can action figures be far behind? In trade magazines for the book industry, I’ve seen this many-pronged approach hailed as the future of reading—books aren’t just on paper anymore, but require a multimedia event.

As an author, that’s a lot to explore. So far, I have my own Monsterpedia page at www.sharonashwood.com/ that fills in snippets of information about the RAVENOUS world. I’m sure I’ll do other things as the series goes along. Overall, I’m glad there are so many ways to communicate with readers, and I enjoy blogging, and multimedia content is fun to experience and to create. But what about the story?

This “book plus web” approach is nifty from my side of the fence, but would more book and fewer extras work better for readers? Or is the opposite true? I like to think of novels as one-stop-shopping or, to go back to my original metaphor, the full meal deal. Is that view out of date?
What about you? Thumbs up or thumbs down on putting important book series information on the web? Should it be web-only, or just repeat what’s already on the page?

Sharon Ashwood

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Wednesday, October 08, 2008

Laura Griffin | A Romantic Thriller and a Chance to Win

People often ask me where I get story ideas. With my latest romantic suspense novel, THREAD OF FEAR, the idea took shape as I watched a news broadcast about a kidnapped girl. It wasn’t the kidnapping itself that caught my attention, but the forensic artist who helped solve the case.

How does a person interview a traumatized victim, and come away with a life-like picture of a criminal? This is the job of a forensic artist. They listen to people’s heart-wrenching stories and transform them into concrete leads for the police.

Fiona Glass’s talent at forensic art has made her the best in the business—which is why she’s quitting. She’s haunted by the stories of victims and the faces of sadistic criminals. She’s working on her last case when rugged Texas police chief Jack Bowman bulldozes over her resistance and convinces her to help him hunt down a serial killer who is terrorizing his small town.

Jack never intended for Fiona to become so involved in his case. Or in his life. But he knows she’s his best hope for finding a psychopath who’s lurking in plain sight. He desperately needs Fiona’s help, but he never counted on her ending up in the killer’s crosshairs.

If you like a spine-tingling mystery, as well as a love story, I hope you’ll enjoy THREAD OF FEAR.

While you’re here, please check out my fall contest, through Fresh Fiction, for a chance to win a gift basket that includes: a $15 Starbucks gift card, a $15 Barnes & Noble gift card, a box of Godiva chocolates, as well as my romantic suspense novels, THREAD OF FEAR, ONE WRONG STEP, and ONE LAST BREATH. For details, just click here . To read an excerpt from THREAD OF FEAR, or to drop me a line, please visit my website at www.lauragriffin.com/. I’d love to hear from you!

Happy reading!

Laura Griffin

www.lauragriffin.com/
laura@lauragriffin.com

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Monday, October 06, 2008

Cindy Gerard | Writing as a Living

It is GREAT to be here at Fresh Fiction. Frankly it’s just great being! I’m riding a major high because why, you might ask? Well, because I recently found out that SHOW NO MERCY, book 1 of my new Black Ops., Inc. series hit #15 on the New York Times. Yowser! I’m still in shock. And it got me to thinking … how did it come to this? I wasn’t always a writer. I was a lot of other things, all things, that at the time, represented who I was and what I was about. So, it made me wonder… Is the sum total of who we are determined by what we’ve done?

While a lot of us are writers (and readers) most of us were, at one time, something else, right? Like I said – I’m a prime example. I was once a beautiful black wild stallion – but we’ll save that for another day. :o)

Before taking on writing as a living, I worked in the county treasurer’s office computing and collecting taxes, I kept books in a lumber yard, did retail sales and alterations in a men’s clothing/sporting goods store, and sewed custom draperies – all of this before I started a career with the State department of Human Services as a case worker. Oh, and somewhere in that mix, my dh and I have also been restaurateur’s.

Whew. I’ve been a busy girl. It’s no wonder the prospect of parking my behind in a nice cushy desk chair and writing my day dreams on paper appealed to me.

I look back on those days and I realize that each of those positions helped mold me in some way into the person I am today. I learned about handling money, about lumber (and a girl can never know too much about board feet) about measuring inseams (ahem) and about guns. I learned that sewing draperies is a damn hard job. And I learned about humanity and how difficult life can be for a client in today’s welfare system. I learned not to eat everything on the menu and still get into last year’s clothes. Well, that lesson, I didn’t learn so well.

So now, I’m subconsciously bundling all of those afore mentioned skills and applying them to my business of writing. Truly, I have drawn from each facet of my working life – professionalism, discipline, and empathy for one’s fellow human beings being at the top of the list.

So what about you? What did you do before the writing bug bit you? Or what are you doing now as your write your way to bestsellerdom so you can quit that day (or night) job? And what, of all the things you’ve done, has had the most impact on your life and your writing? And if you’re not a writer, what major career or personal changes have impacted you the most?

Cindy Gerard
www.cindygerard.com/

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Monday, September 29, 2008

Deborah LeBlanc | When Stereotypes Are in Stereo

As a writer, I work hard at breaking away from stereotypes, which isn’t always easy, especially if it involves a culture you’re not that familiar with. Such was the case with GRAVE INTENT, my second book. One of the main characters was from a particular Roma clan, and I knew very little about gypsies except what I’d seen on television or read in books. A good bit of research, including spending time with an actual Roma family, did wonders to help me break out of any mental stereotypes about the culture.

In my newest book, WATER WITCH, I didn’t have that problem since many of the primary characters are of Cajun decent. Being Cajun myself, it was easy to write what is real instead of winging it on perception.

Oddly enough, I ran into a situation not long ago that, for me, really put a different spin on stereotypes. I say ‘oddly’ because it happened here in the south, in territory I’m pretty familiar with. For the story to make sense, however, let me take a moment to clarify the definition of a stereotypical southerner….

Below are some common traits often used to portray a stereotypical, modern day Southerner:

• Drawl in their speech.
• Not having a full set of teeth, and the missing ones are usually in the front.
• Being slow on the uptake, meaning they don’t quite ‘get’ things as quickly as other folks.
• Their love of country music.
• Their dress—typically anything Walmart has on sale.
• To summarize most of the above---Dumb Hick

Now although I’m from the South, I’m not a Southerner. I’m a Cajun, as I noted before, and we have our own public perceptions to bear and overcome. That being said, I understand why Southerners get a little rankled sometimes when they see themselves portrayed in books and movies. Although we (we being those stereotyped) know some of what we’re reading or seeing is true, it’s not true about all of us, and some of us resent the implication that it is. Because of that, writers are often told to stay away from the stereotypical traits and focus more on the person. Okay, so you can throw in a missing tooth or two, maybe even a few, “Thank Youuuuuu,s” to add flavor, but that’s it. The rest should be kept neutral. Well, that’s all fine and dandy, but what happens when all you see in a particular culture and setting is stereotypical traits? Do you then have to ‘create’ neutral?

Here’s an example….

Not long ago, I was in Alabama when the transmission on my Pathfinder blew. Fortunately I was able to nudge the car off the Interstate before she froze up and refused to move another inch.

There I was, stuck on the side of the road in a small, northern Alabama town—it was Sunday—and it was Father’s Day. Not a winning combination by any stretch of the imagination. I called AAA, first time I’ve ever had to use them, and told the dispatcher what was going on. After asking me a dozen questions, she then tells me I’ve contacted the main dispatch center, which is in Missouri, and that she’ll have the Alabama office contact me on my cell asap. Fine.

Forty minutes later, I’m thinking our definition of asap is different so I call back, this time insisting that I’ll hold until someone from the Alabama office picks up. After huffing and puffing about it not being protocol, the woman from main dispatch finally agrees, and I’m put on hold while she contacts the other office.

Ten minutes later, a woman with a heavy Alabama accent picks up the phone, and due to drawl alone it takes her six more minutes to say, “My name is Carol Ann, with AAA in Birmingham, Alabama, how may I help you?”

Frustrated that the first woman hadn’t even bothered to give her the myriad of details I’d already relayed, I went through my story again….

“My name is Deborah LeBlanc, and my Pathfinder broke down just outside Huntsville. I’m near a convenience store right off exit—”

“Your name is Deborah what?”

“LeBlanc.” I spelled it before she asked.

“And what kind of car are you in?”

I swear to everything in the universe and beyond, I was on the phone for another forty minutes repeating the same information a million times. She was either writing with a broken ink pen or was in the early stages of Alzheimer’s.

Finally, she says she’ll have a tow truck heading my way soon. I ask how soon. She says she doesn’t know, but soon, then proceeds to give me the name of the towing company I should expect.

TWO hours later, I see a tow truck with that name plastered all over it fly past me. I wave. He doesn’t stop. Doesn’t even look my way. I see him make a U-Turn two blocks down and keep my fingers crossed. Maybe he did see me waving. . . .

Nope, he takes off down a side street that leads to the on-ramp of the Interstate.

I call AAA again. Twenty minutes later, I’m talking to the Alabama office again. I tell her about the wayward tow truck driver, and she spends another fifteen minutes telling me that she can’t understand why he didn’t stop and ain’t that about a shame. While she’s yammering, the tow truck suddenly appears again, and I all but run out into the middle of the road, arms waving, and yelling, ‘Over here! Here!” He waves back, signaling that he sees me. All the while, the woman on the phone is still working on finishing her last sentence. Knowing I’d be stuck on the phone with her another hour if I told her he’d finally arrived, I simply hung up.

Okay, so far I know this could be tied to AAA and not be considered Alabama specific, but bear with me….

When the driver gets out of the tow truck, the first thing he does is spit out a wade of tobacco juice, then wipes his mouth with the back of a hand. His walk is slow and his talk slower, and the combination of the two means another two hours go by before my SUV is loaded on the truck.

After settling into the passenger seat of that tow truck, it takes me another hour to finally get the information I need to make a decision. The bottom line finally came to this—nothing was open—no repair shops, no rental car companies, no dealerships. The only option I had was to have the car towed to the towing company’s yard, where it could be kept in a gated area overnight. Fine.

Once we reach the yard, the driver leads me into the office so I can take care of the paperwork. Two people were in that office. A woman with a missing front tooth, wearing an “I Love Garth” t-shirt, and a guy with only four front teeth, wearing a stained “Get ‘er Done!” t-shirt and jeans. Both were watching a small television that was tucked just inside the front door. It takes quite some time for me to get their attention, and when I finally did, they look irritated that I’d disrupted their viewing pleasure. In the meantime, I see the driver who brought me to this lovely establishment, now sitting at one of the desks, eating biscuits and gravy. So much for unloading my car…

I ask the toothy wonders, “Where is the nearest hotel?”

She looks at him, he looks at the TV, she looks back at me. “Don’t know.”

“Are you from here?”

She glances at the television. “Uh-huh.”

Figuring it was useless to ask how she could be from the area and NOT know if they had a hotel, I said, “Okay, what about cabs. Got any of those around here?”

Still looking at the television, she says, “Uh-huh.”

Mr. “Get ‘er Done!” suddenly guffaws and points at the television. “Did you see that?” he says without looking away from the twelve-inch screen. Evidently, I had never been a solid form in his peripheral vision.

“So there are cabs here?” I ask the woman again.

“Uh-huh.” This time she looks right at me but just stands there.

“Would you mind calling one for me?”

“Don’t know the number.” She looks over at ‘Get ‘er Done!”. “Hey, Earl, you know the number to that comp’ny’s got them yellow cabs?”

Earl frowns, but doesn’t take his eyes off the television. “Nope.”

She turns back to me and shrugs. “Earl don’t know the number neither.”

It takes me a moment to respond because I can’t believe this whole conversation is really taking place. “Maybe we could find the number for the cab service in the phone book?” I offered.

She looks at the television. “Yeah, we got a phone book. It’s back over there by Earl’s desk.”

Not knowing if she was implying that I should go get the book and look up the number myself, I ask, “Do you mind if I borrow the phone book?”

Again, I swear to all that’s in the universe and beyond that the conversation went back and forth like that seemingly forever.

I finally did get a cab---another two hours later…and, yes, the driver had a missing front tooth and talked like he was reading a primer and didn’t quite understand the words he was sounding out. We did locate a hotel, though. Days Inn circa 1958, and their ‘free’ Internet access was dial up that kept dropping the call every two minutes. So much for getting any work done.

The following morning started off much the same way. I got a phone call from the towing company at 6 A.M., asking me what repair shop I wanted my car towed to. I told them I didn’t have a clue since I wasn’t from the area. The person on the other end of the line remained silent. Every couple of seconds, I’d hear him sip on something.

“Well, can you recommend a repair shop?” I asked. Yeah, I was snippy, but damn I hadn’t even had coffee yet.

As you might suspect, that simple question got an even simpler answer. “Not really.”

And we were off to the races.

The short version of the ending is that I had to hunt up another cab, then orchestrate getting the car to a repair shop. When that was finally settled, I asked the owner of the repair shop if there was any chance my car would be fixed that day. If not, I planned to rent a car to drive back to Louisiana.

The owner says, “Yeah, there’s a chance.”

“How good a chance?”

“We’ll probably get it done today.”

Finding that answer still too iffy, I batted it back to him a dozen different ways, trying to get a more concrete answer. It always came back the same. “There’s a chance.”

Well, *$%&. All I knew to do with that was wait. I figured I’d hold out until 4:30, a half hour before the rental car place closed, and if they hadn’t made progress on my car by then, I’d still have an option open.

So I waited in that repair shop ALLLLLL day. And, again, I swear to everything in the universe and beyond, that every person who walked through those shop doors was dentally challenged and had that slow, not-quite-gettin’-it-done drawl. I had quite the time watching and listening, jotting down notes on some brown paper towels I’d found in the bathroom.

I’m happy to say that the repair shop owner was true to his half/word, and my car was done by 5 P.M. As I drove away, though, I realized there was no way I’d ever be able to write a story using any of the characters I’d met over that two day period. If I stayed true to them, I’d get bashed for using stereotypes. In truth, I’d actually have to tone them down to make the characters believable. Now ain’t that about a shame?

Deborah LeBlanc

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Monday, September 22, 2008

Margo Candela | Little Darlings

I spent most of my spring and all of my summer finishing my fourth novel, How Can I Tell You? (Touchstone, August ’09). Hours blurred into days which turned into weeks which…well, you get the idea. The only thing I really remember about this time is asking myself every morning as I sat down and every night as I curled up into a fetal position in bed was, “How the heck did I manage do it the last three times?”

You’d think that I’d have some sort of idea of how to write a book by now. I’ve even taught a course on it. True, I have the basics down, but somewhere in the midst of the process, I always find myself scrambling. The worst thing I can ask myself is: What am I doing? Nothing derails a productive, if not creative day, in front of the computer more than self-doubt, self-pity and all those other wonderful little demons that run rampant when the mind is looking for reasons to shut down and take the body to the movies.

This time, around late May and early June, I abstained from playing hooky and instead invested in books on plot and structure, how to write faster and about three or four different writing software programs. All promised to get my thoughts in order and guide me through this dark time. In the end, I could do no more than skim the books—they reiterated much of what I already knew, and it was nice to see I wasn’t totally on the wrong track. I went back to MS Word, as I always do, because I just couldn’t handle the learning curve of something new. Suffice to say while this was going on, I was doing very little writing but a whole lot of worrying about it.

Paradoxically, I was also fighting off the urge to start, or re-start, other projects that suddenly seemed to call for my attention. They coaxed me with promises of good times in front of the keyboard. The exact opposite of what I was going through with the manuscript I was supposed to be tending to.

Despite everything, I got the manuscript done (nothing puts the fear of litigation into my heart like a contractual due date) sent it in to my editor and promised myself, “Next time things will be different!”

With that experience a few weeks behind me, I’m now concentrating on promoting my third novel, More Than This (Touchstone, August ’08), enrolled in a couple of classes at my local college and I’m taking my time to figure out what I want to write next. Do I finally commit to revising and polishing that one novel that’s been my unrequited love for a few years? Or focus on my YA idea that’s been on the backburner for far too long? Along with those, I have at least two or three more projects that are all calling, yelling, screaming for my attention. “Pick me, pick me!” they each beg. But no, not yet.

There’s time enough for that. I’m enjoying not being tied to my computer and facing down a deadline. I almost feel human again. For now I’m going to enjoy reading what I want, writing just for the fun of it and maybe getting some sort of a life again. Soon enough, I’ll take another look with fresh eyes and see which of my little darlings is ready to become full-fledged manuscript.

I’m sure I’ll find myself panic mode at some point, wondering how I ever got myself into this mess all over again. On the plus side, I’m already stocked up on the how-to books and writing programs.

Margo Candela
http://www.margocandela.com/

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Tuesday, September 16, 2008

Rita Herron | Good or Bad

Do you believe that people are born either good or bad? That your genes determine whether or not you have a temper, are violent, or lose control?

That’s only one of the premises I explore in my Demonborn series.

Vincent Valtrez, the hero of book one, INSATIABLE DESIRE, has only faint memories of his traumatic past. Memories which disturb him because he feels a darkness in his soul.

Memories and a killer that bring him back to his hometown.

A hometown full of secrets and evil. A hometown he swore he’d never return to.

A hometown plagued by danger and the girl he left behind.

Vincent had no idea what is in store for him. Or that his destiny is calling.

Only that his need for sex and darkness have begun to call his name again.

But giving in to the dark side could be his downfall and cause him to lose his soul once and for all.

Do you have a dark side?

If so, can you resist the call?

Rita Herron

http://ritaherron.com/

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Friday, September 05, 2008

T. Lynn Ocean | Putting Your Subconscious Mind To Work For You

People often ask authors where they get their ideas. The answer for me is, I'm not sure. But I do know that I'd never have a writing career if it weren't for my subconscious mind (SM).

Everyone has this amazing tool at their disposal. Scientists still don't understand quite how it works, but they do know that we all have a duality of minds: your consciously thinking mind, and your subconscious mind. Whether you are creating a character that people will want to read, composing a song, or trying to solve a dilemma at the office, your SM can do the work for you. It's true!

Ever been with friends discussing a movie or a song, and you can't remember the name of the lead actor? "It's on the tip of my tongue!" you might say. Finally, you give up. The next morning it hits you. You remember the name. Well, folks, that is your SM at work. It's a very simple example, but proof that your mind can problem-solve while you are not consciously thinking about the problem.

There are two basic things to remember about your SM. First, it never sleeps. It's always working, regardless of what you are doing. Second, your SM has no filters or screens. It's like the mind of an innocent child and will soak up everything without prejudice.

So, how do you put your SM to work for you? Very easily. You must fuel, or feed it! For example, when I'm working on a new character, I will sketch out all the basics. A background, including family and career. Physical description. Accent and manner of speaking. Oddities or quirks, such as a man who always jingles the change in his pocket when he's nervous. Next, I'll think about the plot and how the character fits in. And then it's time to feed my SM. If my character were the owner of a bakery for example, I'd quiz some pastry chefs, subscribe to a trade magazine, and watch cooking shows. If my character was a sleazy landlord, I'd read some articles about fraud and scams, maybe interview a property manager or two, and check out the real estate market where the book takes place. Bottom line? Go on road trips. Talk to people. Read applicable magazines. Attend pertinent continuing education classes or seminars. Brainstorm with friends. AND THEN FORGET ABOUT IT! One of the best times to put your SM to work for you is just before bedtime. Forget Leno or Letterman and take fifteen minutes to review your notes or read that trade magazine. Go to sleep thinking about your project. You'll be amazed at what you come up with.

Once you begin to utilize the power of your SM, your characters will become multi-dimensional and real. They'll begin telling you what they would say or do in a given situation. Your plots will suddenly come together in a way that makes perfect sense. That song you've been trying to compose will vividly spring to life. And that problem at work? You'll suddenly have the solution, and in hindsight, you'll probably wonder why you didn't think of it sooner.

Oh yeah. One more thing. If you're going to tap into the power of your SM, there are a few rules. You must avoid negative people. You must keep an open, welcoming mind. And you must try to remain stress-free. Like everything else, your subconscious mind performs best when nurtured.

It's how I plan, plot, and write. SOUTHERN FATALITY has just been re-released in paperback, SOUTHERN POISON is now out in hardcover, and I just sent in the manuscript for the third in this mystery series. Jersey Barnes is such a fun character to write… I just love it when the characters start telling you what they're going to do next!

T. Lynn Ocean
www.tlynnocean.com/

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Tuesday, September 02, 2008

Laura Preble | Why Can't I Have My Own Robot?

I've been a geek since birth. I was raised on Star Trek (the original, styrofoam-rock, red-shirt-guy-killing Star Trek) and my parents took us to see both Barbarella and Planet of the Apes at the drive-in. So, when I was asked by an editor at Penguin to take a stab at writing in the genre of Chick Lit, I sort of balked. I mean, what do I have in common with those elegant Chick Lit writers? I associated them with cheerleaders, slutty high school girls (not the same thing, mind you), makeup, high heels, and the felonious application of Newton's Laws of Motion.

But then I had what I thought was a great idea: Chick Lit for geek girls like me. That led to the creation of The Queen Geek Social Club, and subsequently, Queen Geeks in Love and Prom Queen Geeks, which debuts this month. I had great fun writing the books; the main character, Shelby, was the person I would have been in high school if I'd had any confidence and a better sense of fashion.

But one thing in the books has had an interesting impact on readers: the inclusion of Euphoria, Shelby's humor-impaired robot, nanny, and tracking device. I'm not exactly sure where Euphoria came from, honestly; I started writing the first book at 3 a.m. and she just sort of appeared and started talking. I imagine her as a cross between the Jetson's robot, Rosie, and an intelligent Roomba. Created by Shelby's father, Euphoria is a pseudo-mom to Shelby, whose own mother has died even before the series begins. (And this is possibly because just before I came up with the idea for the books, my own mother died.) She attempts humor, has the ability to sense emotions from people, can make cookies, and can also aid and abet in semi-criminal activities, as she does in Prom Queen Geeks.

Anyway, readers are always writing to tell me that they absolutely love Euphoria, or, on rare occasions, that they love the books except for that one weird quirky thing that seems totally unreal and out of place. I guess that when I honestly examine why I inserted this quirky metallic meddler into my fiction, it's because I want a robot of my own. I want someone who never gets tired, who never wears down, who can read me like a book, who knows my favorite recipes, who cares about me when I don't care about myself. I guess, now that I think about it, I really wanted my own mom. So, when people ask me now why I put Euphoria in the story, I can answer: since my mom never got to see the books I finally wrote after all her years of encouragement, I simply wrote her into them so she'd always be there.

Laura Preble
www.laurapreble.com/

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Thursday, August 07, 2008

Christine Son | Yes, It Can Happen

My debut novel, OFF THE MENU, hits bookshelves on August 5th, and recently, a lot of people have been asking me how I went about getting published. The short answer? By keeping my chin — and optimism — up even though I was receiving stacks of rejections every day. The long answer takes me back to a Facebook question I answered for my profile, which called for my most embarrassing moment. Unfortunately, my life is riddled with heinously embarrassing moments, and one of them occurred at a writers conference I attended in the mountains of California, where I met my agent. I’d been invited to an industry cocktail party out of the graciousness of one of the conference’s board members, and being an unpublished writer who was desperate to make a good impression, I researched the guest list, which included dozens of publishers and agents. This was my chance to wow them, I thought. And maybe snag an agent. So, I perfected my pitch. Practiced my smile. Wore a cute outfit. As ready as I’d ever be, I showed up at the party, determined and excited. And it would have been a great party had I managed to stay upright for more than thirty minutes. I can’t say what exactly caused what happened next — the high altitude, perhaps, or maybe low blood sugar, or the single sip of wine in my system — but in front of God and everyone who mattered in publishing, I fainted. As in, hit the floor face first. With my wine glass still in hand. I don’t recall the fall, but a number of revelers told me afterwards that I then did a pushup before a couple of concerned hosts helped me to a chair, brought me water, and then guided me back to my room, where I spent the rest of the night horrified and cringing. I’d never fainted before, and of all the times in the world to pass out, I couldn’t believe that my body had chosen that moment to try it out. I wrung my hands (literally), sure that I’d forever blown my chances to find an agent. I worried that publishers would think that I was a jackass at best, and a liability at worst. I fretted all night, wishing that I could turn back time and praying that there might be at least a few attendees who hadn’t witnessed my complete lack of grace. Alas, everyone heard about the fainting girl in the darling ruffled shirt.

The next morning, I spent some time apologizing to people I recognized from the night before, and my pitiful conversation with a striking woman turned into a long one about the troubles with thin mountain air, me and my book. She asked me to send her the first chapter of it, which I did as soon as I returned to Dallas, and three days later, she called to request the rest of it. The next week, she signed me on, made me change a few things in the manuscript, and then sent it out to a bunch of publishers. It went nowhere. But I began writing what would become OFF THE MENU, and after a number of rewrites, it sold to Penguin.

So, there you have it in a nutshell as to how I went about getting published. I worked really, really hard, wrote during every free second I had, learned the industry, went to several writers conferences, attended a cocktail party and then passed out. I guess the road to publishing is a bit like that — a mix of preparation and luck. It’s incredibly labor intensive, and sometimes, what seems like the worst thing in the world ends up becoming the best. Because the kicker of it all is that my agent would never have noticed me had I not caused a ruckus at the coc ktail party. You can read more about me at www.christineson.com/.

Christine Son

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Tuesday, August 05, 2008

Allie Pleiter | I think I have a writing disability.

Well, perhaps disability is too strong a word, except that I do truly feel “differently-abled.” I feel somewhat hampered by it, like I stand out more than I already do by being six feet tall. And at gatherings of writers and readers, like here at the Romance Writers of America conference in San Francisco this week, I feel my “freak flag” flying especially high.

I’m an extrovert. A raging, card-carrying, put-my-photo –in-the-dictionary-next-to-the-definition extrovert. And introverts—not extroverts--populate the writers world by a huge majority.

Why is that a disability? Well, it sets me at a disadvantage. All you thoughtful introverts are watching, observing cunning truths of human behavior, carefully selecting your contribution to the dialogue, and I’m…well I’m yakking away like that crazy uncle everyone tolerates at Thanksgiving. I’m on my ninth story, mistaking all your quiet for consent when I’m now rather sure you all were saying to yourselves (or maybe even each other) can’t someone rein this gal in? Take her volume and drama down a notch? I’m trying—perhaps too desperately—to pull you into conversations when you all would probably rather have a root canal than make small talk with the likes of me.

Really, I’m starting to think I’m coming off rather badly at these things. I’m missing a gene. Most of the writers I truly admire don’t have this psychotic impulse to go meet new people and make them talk to me. Perhaps I need to start counting to ten before I engage another person in conversation. Or find a support group. Perhaps I am the exception that proves the rule. Perhaps I serve some useful social function, saving introverts from having to create conversation—or…gulp…giving them an oddity they can all talk about like the bad boss that unites an office by giving all the workers a common enemy.

Pipe up! Chime in! The internet is the water cooler of introverts! Tell me what you think of the oddities of extroverted writers…or extraverted readers…or tell me to please hush up and go home….

Allie Pleiter
www.alliepleiter.com/

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Monday, August 04, 2008

Eve Silver | Why Gothic?

Thanks to FreshFiction for inviting me to blog today.

Sometimes, the best laid plans blow up like a shook-up soda.

I’m a suspense fan. Lisa Jackson's Shiver, Linda Howard ’s Cry No More, Lisa Gardner’s Hide...those books sent a shiver up my spine. But I never imagined myself as a suspense writer. In fact, my very first romance-writing attempt was a light, funny contemporary romance that is buried in the back yard where it belongs. Some books should never see the light of day, LOL! Still, the months I slaved over that manuscript were not a waste. I learned a lot. Specifically, I learned I should not be writing contemporary romantic comedy. (What was I thinking?)

No problem. I tried my hand at a light, funny historical. Umm...not such a success. No matter how hard I tried to be funny, everything I wrote was dark. Very dark. And spooky. And scary. In fact, that first historical ended up as a twisty, creepy gothic. So I ran with it, and I kept writing gothics. It was easier than fighting the dark cauldron of my imagination. I guess you could say that I didn’t choose gothics, they chose me.

My August release, His Wicked Sins, is no exception. It’s a little less gothic, a little more suspense, and a lot sinister. In 1828 Yorkshire, a killer lurks in the shadowed halls of Burndale School. Three women are dead. Murdered. Elizabeth Canham is drawn to Griffin Fairfax, the father of one of her pupils. But she soon learns that all of the victims were intimately connected to him. As the murderer stalks her, Elizabeth must decide if Griffin could be the charming, seductive killer so many women have lost their hearts—and lives—to...

Considering how much fun I have writing these books, I must admit that I don’t regret going over to the dark side.

Please visit www.evesilver.net/ or www.evekenin.com/ for more information on HIS WICKED SINS and other Eve Silver / Eve Kenin books.

Happy reading!

Eve Silver / Eve Kenin

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Thursday, July 31, 2008

Carol Cassella | Rich and Famous

A friend at the hospital heard I was a newly published novelist and asked me if I would be calling in too "Rich and Famous" to work soon. After all, I am on a book tour! I have just published a novel!

Published a novel?? Me?? Who would have dreamed it when I was slogging away in our grungy basement, or local coffee shops with the same fantastical self-image as any middle-aged mother who suddenly decides to reinvent themselves? Was this novelist thing any less outrageous than suddenly taking up yodeling or body piercing? I told my her that I would be happy merely to call in “Out of Debt and Keeping my Same Old Friends.”

Unanticipated as it is, it has been a bit miraculous to be on a book tour, finally holding in my own disbelieving hands the weighty, hard back product of a decade’s worth of silent musing. If I may confess it to this anonymous audience, the only event to surpass this so far is the birth of my twins. Even my wedding paled. (Sorry, sweetie!)

In my fleeting fifteen minutes of fame, I can admit that it has been glorious, and the cause of many deep and soulful blushes, but also comfortingly real. I still look in the mirror after a signing and realize I have lipstick smudged on my front tooth, and I still come home to the same piles of dirty dishes and smelly socks, and my children are thoroughly bored with the whole escapade. Surprisingly, that only makes me more certain they love me for my mediocre cooking and lung-collapsing hugs.

So I am happy to wallow in this fifteen minutes of fame, all the while recognizing that--just like Andy Warhol, the originator of that sweeping anointment--I too shall die and a million more will rise up to replace me. They are nipping at the edges of the bookstore shelves right now, ready to bump me from face-out to spine-out. But I even like that somehow. More books to read in my own future! More reason to keep writing!

In the middle of my tour I ran out of copies of Oxygen and wanted to buy some as gifts. I went to my the nearest big box bookstore, grabbed three off a table and plopped them on the counter.

“Do you have a discount card?” the perky young clerk asked. I gave her my number and she stated my name to verify. She asked for my credit card and photo ID, repeating my name each time, clearly drilled by her manager not to let any identity frauds slip through on her watch. She looked at the cover of my novel and I waited, almost shyly, for her to congratulate me on being the author. “Gee,” she said at last. “I’ve seen this book around a lot lately.” I smiled and started to thank her. Then she continued, “Do you know anything about it?”

She handed me my bag and I shook my head. “I just liked the cover.” Next time, though, I just might flip to the author photo on the flap when she asks for my ID. If I’m feeling bold.

Carol Cassella

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Monday, July 21, 2008

Jessica Barksdale Inclan | Writers or Readers

Hello, everyone. My name is Jessica Barksdale Inclan, and I’m the author of a few novels, the latest BEING WITH HIM, a paranormal romance from Kensington.

I am so happy to be here today at Freshfiction.com. I blog daily at www.redrom.com/, but it’s nice to have a new place to meet people. As I was thinking about what to write about to you today, I realized I didn’t want to talk about writing but reading. Writers usually are always readers first. And as that is the case with me, I relate most with being a reader. That’s what I do. That’s what I am.

Reading saved me. It has always saved me. From before I could read myself, my mother’s daily and nightly reading to me saved me, kept me from thinking my own thoughts sometimes, giving me new thoughts to think about. Reading put me into worlds I had never been, worlds I wanted to go to.

Reading was something I could do when all else failed. In fourth grade, I was tested at 12th grade reading level and a 2nd grade math level. Things have changed relatively little in that regard, the wide disparity still there. But then and now, reading was the thing I could do and do well, sometimes the only thing.

I read during my labors with both children. I've read in airplanes. I've read on long car rides in the rain. I've read during sad afternoons, during long waits in the car for children to finish their appointments and classes. I've read in every place I've ever traveled to. I read whatever is in front of me: newspapers, cereal boxes, instruction booklets.

I don't have graphomania (the constant need to write) but I do have bibliomania. I will admit to that right now, no holds barred. I am obsessed with reading.

Now reading helps me make a living, reading and her twin writing. Reading is what I can do for others out of love. Reading is a gift I give to others out of friendship.

I read fast. At school, my colleagues have loved me during hiring committees because I could read through the application folders faster than anyone else. They loved me during writing assessments because of the same thing. It's my own true skill, something I didn't have to work at, learn to do. It's in my brain due to no training on my part.

I like to hold what I read, so I worry about ebooks, about kindles, about electronic everything. I like a book, being able to flip back and forth, feel the pages under my fingers. I like to carry it with me, even reading in the dry sauna or some times at the pool, water everywhere. I like to read outside, inside, in the sun, in the shade. This isn't going to disintegrate into Green Eggs and Ham, but you get my point.

Today, I am thankful for my reading skills, my reading love. I've read a lot today already, and it's a good thing, a nice thing, a wonderful thing.

What does reading do for you? How do you feel about reading? Is it your first true love?

Jessica
Being With Him


Jessica Barksdale Inclan
www.jessicabarksdaleinclan.com/

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Thursday, July 17, 2008

Megan Kelly | Pursuing the Dream

Thanks to Fresh Fiction for having me today. I’ve had a terrific weekend with the release and signing of my second Harlequin American Romance, The Fake Fiancée. One question I’ve been asked at book signings that tickles me is, “Why did you keep writing?” (I hope the person asks this before they’ve read my work!) If you aren’t familiar with my story, I started writing when my kids were toddlers and didn’t get published until after they became teens. During this time, I finaled in several “prominent” Romance Writers of America chapter contests, had requests from editors to whom I pitched my work at conferences, and even landed on the senior editor’s desk. All to no avail. I guess it could be called a “lucky” thirteenth year when I sold.

So why did I stick with it? Stubbornness? Blind faith that someday I would sell? Well, maybe the first explanation. Because for six years, I’d lost the belief I’d ever see my work in print. Those were dark times. It wasn’t until one day when I had “people” in my head again that I realized the characters who usually inhabit my waking hours had been AWOL. Even my family commented how much happier I seemed. I made up stories for people I’d see on the street (bank robber, runaway bride, demon in disguise…) and realized I hadn’t been doing that either. My everyday creativity was back from its hiatus.

To paraphrase author Barbara Scott (Cast a Pale Shadow), when you have a block you just have to bulldoze through the wall, which in my case meant: keep writing. That’s what I had done. Without believing I’d sell, I wrote. Without characters or imagination, I wrote. (Gee, I wonder why nothing sold during that period!) Without creativity in my everyday life, I wrote. Eventually, I broke through the wall--which made the sell of my first book, Marrying the Boss, to Harlequin all the sweeter.

I doubt my story is unique. Think Man of La Mancha or The Little Engine That Could. I often say my most valuable writing advice came from Winston Churchill: “Never, never, never give up.” Please visit me at http://www.megankellybooks.com/or at the Harlequin American Romance authors blog, www.harauthors.blogspot.com/. And if you have something you really want, really NEED in your life, keep striving for it!

Megan Kelly

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Thursday, July 10, 2008

Beth Cornelison | Secondary Characters: The Good, the Bad and the Quirky

I’m tickled to have the opportunity to guest blog today at Fresh Fiction. I want to start by giving a shout out to my older sister, Martha. Today is her birthday and no one deserves a happy birthday more. She’s a mom, a wife, a musician, a paralegal, an awesome aunt to my son, and she’s been a staunch supporter of my books since I started writing. (Which is why DUTY TO PROTECT, my July release from Silhouette Romantic Suspense is dedicated to her and my younger sister.) So happy birthday, Martha!

Now, back to the point of my post today… I’ve been thinking a lot lately about secondary characters. Why? One reason would be because I’m giving a workshop at RWA National later this month with my friend and fellow romance writer, Winnie Griggs, titled Secondary Characters: The Good, the Bad and the Quirky. In that workshop, we explore the many functions of secondary characters and how they add depth to novels, movies and plays.

For example, my family pulled out our DVD of GONE WITH THE WIND this weekend. GWTW may be Rhett and Scarlett’s story, but can you imagine this classic without Mamie? Without Melanie or… Ashley (said with the breathy sigh Scarlett always had in her voice)? It wouldn’t be the same classic we love, would it?

The best secondary characters highlight the flaws of the hero and heroine, add conflict or comic relief, up emotional drama, advance the plot, and give wise counsel when our lead character needs direction. Secondary characters can be the villain, a sidekick, a red herring, a sacrificial lamb, or an ally when the chips are down. No matter what role they play in the story, secondary characters give color and life to the stories we love. Sometimes they even steal the show. Captain Jack Sparrow anyone??

I’d never really considered how I wrote my secondary characters until the first reviews for my books started coming in. Readers were commenting on how much they loved my secondary characters! What a pleasant surprise! About my debut release TO LOVE, HONOR AND DEFEND, an Amazon reviewer said, “I think the final thing that sealed this book as a keeper is the way the author handles the motivations and personality of secondary characters. There are NO cardboard characters here. No scapegoating, NO sugar coating.” Needless to say, I was thrilled to hear my characters made such a positive impact.

This theme of standout secondary characters was repeated when I received this comment in a review for my new Samhain release, UNDER FIRE. “Her characters were so well-written that they all felt like major characters, no matter how small their presence in the book was. None of her characters were one-dimensional. Even the terrorists had hearts and conjured feelings of sympathy from me.”

So picture me grinning broadly as I sigh with relief. Writing UNDER FIRE took me almost three times longer than any other book I’d written to date. This was partly because I became so involved with all of the characters and wanted them to truly come to life and jump off the page. A couple of my secondary characters even demanded plotlines I’d not originally intended. (They do that, you know. Characters talk to the author, sometimes pouting, sometimes arguing, sometimes offering nuggets of inspiration or plot twists. In this case, one of my smokejumpers wanted his own storyline and one of my terrorists insisted she had a good heart but had simply gone astray.)

Sometimes, secondary characters will spawn sequel books. I know I love to follow up on characters I’ve met in earlier books. I feel like I’m visiting again with old friends. The heroine of my July Silhouette Romantic Suspense release DUTY TO PROTECT, Ginny West, started out as a secondary character in DANGER AT HER DOOR (August 2007 –SRS). Ginny was so sassy and brash, so intriguing to me as I wrote her, I knew she needed her own story told.

The fiction world is full of great memorable secondary characters. Who tops your list of favorites? Leave a comment here today, and I’ll pick one poster at random to win a copy of a book from my backlist. In the meantime, if you are looking for hot summer reads, I hope you’ll check out my two new romantic suspense releases, DUTY TO PROTECT from Silhouette Romantic Suspense, and UNDER FIRE from Samhain Publishing. More information about these books is available on my website www.bethcornelison.com/ .

Take care and happy reading!
Beth Cornelison- bcornelison@comcast.net
UNDER FIRE- Samhain Publishing- June 2008
DUTY TO PROTECT- Silhouette Romantic Suspense- July 2008
RANCHER'S REDEMPTION- Silhouette Romantic Suspense- Oct 2008
CHASING A DREAM- Five Star Expressions- On sale now!
http://www.bethcornelison.com/ - www.myspace.com/bethcornelison

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Wednesday, July 09, 2008

Yolonda Tonette Sanders | A Much Needed Break

A young busy mother of two, I look at my twelve-year-old son and a soon-to-be nine-year old daughter and wonder, “where did the time go?” Like many parents, I often get nostalgic while looking at old photographs or remembering when they were born. Now that they are getting older, I cherish moments with them even more, realizing how fleeting time is. It’s funny because there are times when I’m feeing overwhelmed and I’ll say, “I need a break.” We’ll make plans for the children to visit relatives for while and once they’re gone, I miss them terribly. Like now, my daughter is out of town with my husband’s sister and niece. The original summer plan was for her to attend day camp along with my son, but there was a waiting list for her age group. Seeing how she was number sixty on the list, we didn’t have high hopes of her being enrolled. I’d wanted both children to attend day camp so I could write during the hours they were gone and then we could do “fun stuff” together when they came home. Well, with my daughter home with me during the days, my plans to get a lot of writing done went out the window. Through I have tones of work to do, I didn’t think it would be fair for her to be cooped up in the house on nice summer afternoons while I hovered over the computer. So, the plan changed for me to get my work in whenever I could fit it in. Thus, when my sister-in-law asked if my daughter could come stay with her for a week, I’m like “Cool!” Immediately I thought about all the work I’d get done while she was out of town and my son attended day camp. I did get some things done, but I wasn’t really as productive as I’d hoped to be. I spent a lot of time thinking about the things she and I would do when she got back. I would often say to my husband, “I miss her.” (I know she misses me as well, but she’s hanging out with her cousin and they are only five months apart in age, so I’m certain she’s not pining away for me.) Though I’m eager for her to return home, I must admit, I have enjoyed aspect of her being gone - I’m not refereeing arguments between her and my son. I seriously needed a break from that! LOL!!!

Yolonda Tonette Sanders
http://www.yolonda.net/

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Monday, July 07, 2008

Jasmine Haynes | Working Life really is like “The Office".

Thanks so much for having me as your guest. I’m excited to have Berkley releasing SHOW AND TELL this month, the second book in a trilogy that began with THE FORTUNE HUNTER, which won the Holt Medallion for erotic romance.

Here’s a little tidbit about SHOW AND TELL to whet your appetite. All her life Trinity Green has been a pleaser, first her mom and dad, then her husband. When she walks in on her husband with another woman, she realizes that trying to be the perfect wife with never a hair out of place or a smudge of makeup beneath her eyes was all for nothing. Now she's going to indulge herself, with good food, delicious wine, and hot sex. Then she meets the perfect man under the oddest of circumstances...

And Trinity also needs to get a job! That’s where my experiences working in an office atmosphere comes into play for the book. This spring I rented all the DVDs for “The Office.” You might think that show exaggerates what it’s really like, that no real boss is going to say or do stuff like that. But, swear it, they really do. I had a wonderful boss who drove me insane. I remember a time he walked up behind me and snapped my bra strap. I was in shock as he ran down to HR to ask if I could sue him. Another time he asked if I was sleeping with the VP of Manufacturing because the guy had given me such a glowing review. Of course, he didn’t just ask that in private, he yelled it out from his office door over to my cubicle. You might think I disliked this man, but for the most part he was actually a really nice guy. He just had this problem with saying and doing things before he thought them completely through. So, like “The Office” I had to bring along some characters that I worked with for SHOW AND TELL. Specifically, there’s lovely Inga Rice who gives Trinity hell on her new job. In my real life, she was a he. It was a nightmare from which I couldn’t seem to wake. But you know, I was kind of proud of the way I handled this guy in the end. Which is why I’m proud of the way Trinity handled Inga, too. So while much of what I write is totally fiction, a lot is also based on real events, maybe my events, or maybe a story someone else told me.

So, care to share any stories you have from your work? Any bizarre things happen to you recently? Any interesting characters that you’d like to share?

FAIR PLAY, the third book in THE FORTUNE HUNTER trilogy arrives sometime in April 2009. I also have an anthology coming out in December 2008, UNLACED, with stories by three other great writers, Jaci Burton, Joey Hill, and Denise Rossetti. In addition to Jasmine Haynes, many of you know me as Jennifer Skully, writing over-the-top (hopefully hilarious) romantic mysteries, and as JB Skully, I’ve created the Max Starr psychic mystery series. Readers can learn more about all my pseudonyms at http://www.skullybuzz.com/.

Enter my Fresh Fiction blog contest today.

And don't miss my contest with lots of free books and lots of winners, going on now at http://www.skullybuzz.com/contest.html

Jasmine

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Thursday, July 03, 2008

Karin Tabke | Hot Cops and Hot Knights

I want to start off by thanking everyone here at Fresh Fiction for inviting me as a guest blogger today! I’m really happy to be here.

So, let me ask you this: What is it we find so sexy about those sexy cops and to die for knights??

Hmm, could it be the washboard abs and the muscular arms? Or those brilliant piercing eyes that seem to look right into our souls? Maybe it’s that thick dark hair we want to run our fingers through. Or the uniform or the chain mail?

Or maybe it’s more, much, much more. Could it be the many layers that comprise an alpha’s true character? You know? that command presence they have when they walk into a situation and immediately know what to do: The bad guy is apprehended, the damsel in distress is no longer in one kind of distress but now a completely different kind of distress.

I think for me, what makes a guy sexy, whether he is a knight of William the Conqueror or a beat cop, is his brain. It’s all connected to how he works. How he thinks. His compassion, his take control attitude, his willingness to stand for something and fight for it, but mostly, his passion for everything he does. Whether it’s work, play or love.

A man who is unwaveringly committed is sexy. A man who when he walks into a room does not have to roar to let everyone know he is the king of the jungle, he just is, is damn sexy. That understated rawness and power that every woman wants to tame is beyond hot.

He could be wearing a five thousand dollar Italian suit or holey Wranglers and a faded tee-shirt. A sexy man looks good in anything. He wears it all, well. He has that charisma that smile that way to make each woman he makes eye contact with feel as if she were the one. Be still my beating heart. A sexy man can make a woman forget her name, where she lives and what she had for breakfast. He can take a confident over-achiever and reduce her to a pile of stuttering mush. He can make a wallflower bloom. He can make grandmothers blush and wish they were forty years younger and make a school girl wish she would hurry and grow up.

Sigh, it is because of men just as I have described that I write romance. I fall in love each time I write a book. How about you? What makes a guy sexy, and tell us who your all time favorite romance hero is.

Karin
http://www.karintabke.com/

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Friday, June 27, 2008

Meri Weiss | CLOSER TO FINE

June 24, 2008, the release date of my debut novel, CLOSER TO FINE, has now come and gone. The birthing process is over—the novel can now live its own life (hopefully a long one). I have seen my book—my words, my ideas, my characters—in bookstores, and never have I felt such satisfaction. I feel nervous and anxious as well—I want others to read my book, to love my characters the way I do—but mostly I am just proud of myself. Publishing a book is an arduous process—one’s ego must be displaced, and one’s self-confidence must remain steadfast, despite the incredible odds of actually seeing one’s book picked up by an agent, sold to a publisher, worked over by an editor and then successfully launched into the land of commercial fiction. I was fortunate to find a terrific agent and a fantastic editor, both of whom suggested minor changes that significantly improved my novel. I was, and am, lucky in general; the odds of publishing a book these days are slim. I also possess a cadre of friends who, along with my family, have supported my grass-roots efforts to publicize the book, which is, of course, the last and hardest part of the entire process.

Some people believe that publicizing your own book—using email, Facebook, alumni associations, word of mouth, bookstore readings and any and all means of spreading the word so others purchase the book—is shallow, useless and antithetical to what literature is supposed to be. These people believe that it is enough that my book is in stores; they posit that if I believe in my book (which I do) and my book is good (which it is), that is enough—I have achieved my goal, my work is done, time to move on and write another.

I am writing another novel, but I am not about to leave my first-born behind, sitting on shelves, without a voice with which to reach out and appeal to readers. I believe in art for art’s sake, but I also teach college-level literature and am all too aware of those writers who did not enjoy the respect of the reading public in their lifetimes. I do not aspire to be Fyodor Dostoyevsky or Herman Melville—they were brilliant writers who died alone amid poverty—their work did not sell while they were alive, and they were never lauded for their literary talents until years after they died. Part of the publishing quagmire is accepting the role and responsibility of self-promotion—every good writer does it, until he or she sells enough books to attract attention, and then a new, stronger contract. When a writer is no longer an unknown quantity, the publishing house pitches in, and helps sell the next book. Even then, however, thanks to our media-saturated society, a writer should do everything possible, whether it is a third book or a thirtieth book, to promote his or her own book. It is akin to supporting a child, really. No matter how much faith and confidence you have in your child, you would not usher it into adulthood, into the real world, without the tools and abilities needed to succeed.

So as I write my next novel, I will also continue to work on my debut novel, CLOSER TO FINE. It is an amazing book that will appeal to any reader. It makes people laugh, and it also makes people cry. It asks readers to think, but it also entertains readers. It is a part of me, and I will never abandon it.

Visit http://www.meriweiss.com/ for more information on CLOSER TO FINE, including Appearances.

Meri Weiss

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Tuesday, June 24, 2008

Jill Marie Landis | Celebrate Every Day!

Aloha to all of you readers out there in cyberspace. How exciting to be back on the Fresh Fiction Blog and in such good company.

This month I have plenty to celebrate. HOMECOMING, my first book for Steeple Hill, will go on sale today.

Set in the 1870's, it's the story of a young woman who is “rescued” from the Comanche clan that abducted her as a child. She has no memory of her past when she is taken in by Hattie Ellenberg, a woman who has suffered at the hands of the Comanche herself. Joe Ellenberg is Hattie’s son. He’s a man who has lost his faith and his hope for the future—until this lovely young woman searching to know “Who am I? Where do I belong?” comes into his life.

It's a book I truly enjoyed writing, even though I began with a little trepidation. I've never written an inspirational before and I wasn't sure I'd be able to achieve the goal I was going for: a page-turner filled with emotion, tension and characters readers would remember long after the last page was read.

So, when I finished, I gave the book to two friends and fellow writers to read. Stella Cameron (A MARKED MAN, Mira) was the first. She was here for R and R and I gave her only the first fifty pages and she came back begging for more until she'd read the entire book. Not only that, but she gave me some ideas for elements to put into the final "happily ever after" scene--which I never write until the final final draft.

The second read was by Kristin Hannah (FIREFLY LANE from St. Martin's). Kristin has a home here in Hawaii and we share a lot of beach time doing plotting and brainstorming while she's on island. She also blazed through the read. Whew.

Next, HOMECOMING was off to my editor--and as it turns out, she loved the book so much for the first time in what seems like forever, I had not one revision! I was so fired up I've already finished my second book for Steeple Hill. AN ACCIDENTAL LAWMAN will be out next year.

I've spent the past couple of weeks "touring" around on various blogs to promote DESTINATION: MARRIAGE and HOMECOMING. (It's a lot easier than leaving the island, believe me.) It's been fun and exciting. Writing is a solitary endeavor and at times it's hard to stay inside when there is so much to see and do all around me. When I'm in the writing "zone," sometimes a lose a whole day. I get up, shuffle to the kitchen, make some oatmeal, sit down to write and look up and it's two in the afternoon. Lately I've been trying to turn over a new leaf and take short ten to twenty minute breaks at least every hour or so. I've been walking the neighbors' dog. Riding my bike to the post office and back. Walking myself around. Puttering around the garden. It sounds like avoidance, but it's actually working! I'm getting more done and enjoying what I'm doing. It's a mini way to celebrate every day and not let life slip by while I'm plunking away at the computer.

Speaking of celebrating, July is definitely the month to have fun. Not only are my brother and his wife coming to visit us here in Hawaii, but the 4th is just around the corner. Here we celebrate by attending a friend's fantastic bar-b-que and pot luck at a nearby beach. She has an invite list of 400 and they bring friends! Not only that, but there's live entertainment all day long, which includes hula. You can bet I'll be dancing.

Thanks for spending some time with me. If you want to know more about HOMECOMING, visit my author page here at Fresh Fiction or my home page at www.jillmarielandis.com/

Above all, enjoy your day, enjoy life, and celebrate!
Jill Marie Landis

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Tuesday, June 17, 2008

Vicki Lane | No Manolos, No Makeup, and the Romantic Interest is Bald

"She flowed into his arms and they stood silently for a moment: two middle-aged people, much encumbered by heavy winter outerwear and vintage emotional baggage, but, for the moment, in perfect harmony."

So, I get the invitation to blog on Fresh Fiction and I accept joyfully, especially since the kind folks here have named my recent release In a Dark Season Pick of the Day” (5/25/08). I start checking out some past blogs and then I see the covers of featured books. Hmmm. Flowing hair, heaving bosoms, and more six-packs than a convenience store. Oh dear! This isn’t what I write – do they really want me?

Mind you, I have nothing against tempestuous heroines and hunky heroes – I’ve drooled my way through a Judith Krantz title or two before this. But when I began to write in 2000 – at the age of fifty seven – I’d already spent about ten years, looking around for role models -- older women who were aging in the way I hoped to. It seemed as if the media was crawling with gorgeous twenty-somethings and the occasional cute, feisty old lady and in real life there was a great middle ground of women trying desperately to give the illusion of being younger than they really were. But I was looking for women who were unapologetic about aging -- un-lifted, un-dyed, and un-Botoxed. I was looking for women who didn’t feel defined by their age – women to whom age was irrelevant. So I invented her.

My Elizabeth Goodweather Appalachian Mysteries have as protagonist a woman ‘of a certain age’ -- not beautiful or even beautifully dressed -- but a woman in her fifties whose long braid of dark hair is shot with silver threads, a woman whose knees aren’t what they once were, and who wouldn’t know a Jimmy Choo if it stomped on her instep. (Wouldn’t feel it either, as she’s usually wearing hiking boots.)

Elizabeth doesn’t dwell on her age or her hot flashes or her weight or her graying hair – she just gets on with solving the mystery – traveling up and down the dark hollows and coves of her mountain county (Signs in the Blood), weaving her way through the quirky art scene of nearby Asheville (Art’s Blood), exploring the world of the Cherokee (Old Wounds), or deciding what to do about the man who wants to marry her (In a Dark Season). And yes, he’s balding.

Really, Elizabeth’s age is peripheral to the story – this is NOT “Geezer Lit.” But she is aging gracefully -- and my greatest pleasure is hearing from the many women who feel like she’s a friend they look forward to visiting every year.
My very favorite email was from a woman who wrote: “Elizabeth makes me want to stop dyeing my hair and be who I really am.”

Amen, sister!

Vicki Lane

Website -- http://vickilanemysteries.com/
(Almost) Daily Blog - http://vickilanemysteries.blogspot.com/
Monthly Amazon Blog

Random House Podcast

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Tuesday, May 27, 2008

Toni McGee Causey | The Tipping Point...

Eleventy quibillion years ago, when I was in fourth grade, I wanted to be a writer. I wrote terrible poems, which I think only got worse as I got older and the teenage years descended like locusts, leaving only WOE and ANGST. By college, I had brief bouts of sanity, whereupon I attempted architecture (ohmyGod, they do not tell you about the math), business (my first accounting teacher gave me the final exam in advance, with the answers, if I would swear to her I would never, ever, take another accounting class again), and then journalism (where I learned they had the picky little annoying habit of wanting reporters to not make crap up)(this was before Fox News).

And in spite of a fine history of liking to eat and wanting a roof over my head, I still wanted to be a writer. If you asked a question, you would get a story instead of an answer. If I could sidetrack into a couple of tangents? You might as well park a while, because the stories? They would not stop.

All the while, I wrote. Much of it was bad.

I ran into a former high-school teacher, who'd also been a librarian, who asked me the tough question: why wasn't I submitting for publication? Have you ever run into one of your former teachers? THEY ARE SCARY. It's like they can retroactively fail you or their eyes shoot truth serum rays or something, and I did not want to stand there in front of my two-year-old and explain I hadn't submitted anything because I was a big honking chicken. So I took her advice and started writing and submitting to the local paper. (They were insane enough to buy the very first one. That's like feeding a stray puppy. They did not realize this, I think, until I was around so much, they added me to the regular staff AND the food staff, and this was a fairly prominent paper. One of my relatives realized that I was being assigned to write about how people COOK things. He asked, "Isn't that... fraud? You use the fire alarm as an oven timer." I look back on this as the beginning of my fiction career.)

Over the years, and we are not discussing how many, maybe more than two but less than a hundred, I wrote more articles than I can remember or count for newspapers and magazines. I started querying and submitting (and getting sales) at national magazines, but my real love was fiction. I tried my hand at a novel, but it was a spiraling mess, and my husband could see how frustrated I was. (And EVERY husband out there just substituted the words "complete raving loon" for "frustrated.") So, being a very wise man who liked to wake up breathing in the mornings, he encouraged me to go back to school for some writing classes.

For a while, I was lured to the dark side (screenwriting), and landed an agent, and did a lot of stuff that was almost-but-not-quite what I wanted to do, which was to sell something I made up. Hollywood, by the way, will kill you with encouragement, because when you meet the executives, you will be told you are the most brilliant writer they have read in forever and where the hell have you been all this time and they want to be in the "Toni Causey" business. Swear to God, they will say it and you will believe it because they are that good at sincere. Until you're sitting in the Warner Brothers commissary waiting for the next meeting, furtively looking around to see the FRIENDS stars on their lunch break (yes, I am dating myself, hush), and the same executive walks by with his arm around someone else who is not you, telling them how utterly brilliant they were, the most brilliant person they'd ever read. That's when you look down at the script in your hand that is an action thriller that everyone absolutely loves but could you make the man a woman and the woman a duck and wouldn't it be great if the horse saved the day? and you think, "I'm crazy, but I'm not this crazy." Some writers (our very own Alex and Rob) have the tenacity for that. Me? I kinda wanted to just kick people. (I never claimed to be mature.)

See, I had this idea. An idea for this funny, take-no-prisoners kind of southern woman, who loves deeply and means well, in spite of the chaos she causes, and I wanted to write that story and be true to that story. So I quit screenwriting. (I had had some offers if I'd move out there. I was not going to move the family.) I had a hard time convincing my former agent that yes, I was serious. I was quitting to write a novel. (I think she still thinks I am going to change my mind.) But I quit, and I started writing Bobbie Faye. I wrote a quick draft in script form, because I was used to that format, then a friend showed a friend, the lovely Rosemary Edghill, who said, "Send me some chapters." And I did. She gave me some notes (smart, smart woman), and taught me how to write the kind of synopsis an agent needs ("I did not think you could make this worse," she said of one draft of that synopsis, "but you did." That's because I am an overachiever. It took a lot of tries before I figured out that writing a marketing synopsis is a lot like writing a non-fiction article, and that I could do.) Next thing I know, I'd signed with an agent and Rosemary had pitched it to an editor, who made an offer, and St. Martin's Press bought that book and the next two based on three sample chapters and a synopsis. Almost twenty years from the point where I saw my old high-school English teacher and she'd said, "Why aren't you submitting for publication?"

(Thank you, Mrs. Ross.)

There is a great big huge world of "no" out there. Sometimes, following the dream does not mean hoppity-skipping down the easy path. In fact, a lot of times, it means zig zagging past mortars and incoming and a lot of almosts-not-quites and despair and frustration what-the-hell-were-you-thinking? and ugh-this-sucks and occasionally wow-show-me-more. And in spite of how long it took, and how much hard work, I have been exceptionally lucky--there have been friends and mentors who've said, "keep going," and who've said, "send that in." They changed my life. They were the tipping point for me.

So how about you? Who encouraged you? Or what's something you tried that someone encouraged you to do and now you're glad you did?

Toni McGee Causey
http://www.tonimcgeecausey.com/

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Friday, May 23, 2008

Karen White | Southern Women's Fiction: It's More Than Just An Accent!

When people ask me what I write, I tell them that I write 'Southern women's fiction'. To clarify, I usually follow that with the (hopefully) more clear 'grit lit.' Although that frequently elicits a grin or two, it rarely seems to explain what it is that I try and create on the pages of my novels.

I stick with the adage to 'write what I know' and I know the South. My father's family has lived in the South since before the American Revolution and both of my parents were born and raised in Mississippi--my father on the Gulf coast and my mother in the Delta. I have relatives still living there that most people from other parts of the country would need a translator to understand. But when I hear them speak, I simply feel as if I have found home.

Yeah, sure, I've created more than my share of hunky Southern men who drawl and even use the word 'darlin'. But writing Southern women's fiction is so much more than the accent. It's primarily a sense of place, and stocked with those inherently wacky yet familiarly beloved Southern characters (remember Aunt Pittypat?)--most of whom I've met or find myself related to in real life. It's the heat and the humidity, too, and the strong sense of family, good homestyle cooking (think Paula Deen), and warm hospitality. That's the Southern part, anyway. To make it women's fiction, I make the protagonist a strong but flawed woman at a crossroads in her life. I toss her and the setting together and, voila! Southern women's fiction results.

When I sit down to write, I close my eyes and picture myself at my grandmother's Indianola, Mississippi home--always alive with the sounds and sights of the South--and try to recreate those senses for my readers. My dream is for my readers to close my books with a sigh and a laugh, and for a craving for some really good fried chicken.

Karen White
THE MEMORY OF WATER
- NAL/Accent--March 2008
THE HOUSE ON TRADD STREET - NAL Trade-November 2008
LEARNING TO BREATHE - NAL/Accent-March 2007
http://www.karen-white.com/

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Tuesday, May 20, 2008

Brian Freeman | Are Crime Thrillers Moral?

It’s an odd way to make a living when you think about it. We write about things that would terrify and dismay people if they were real. Murder. Serial killers. Violence. And we do all this to entertain people.

I think about this issue whenever a news show covers an intimate tragedy like the disappearance of Natalee Holloway in Aruba or Madeleine McCann in Portugal. Cable news shows play on our love of mystery and drama to boost ratings. The difference is that, unlike a novel, the crime is real. Our news programs treat these dramas as whodunits, to an extent that we often cheapen or even forget the actual tragedy.

The question is: Are those of us who write mysteries any different? We invent our stories, but we strive to make the fear, crime, and drama real for the reader. The best writers make us gasp and cry, afraid to turn the page, but unable to put the book down. My only explanation is that mysteries make us confront difficult moral choices and decide for ourselves. Mysteries also give us something that the real world often cannot. Order. Resolution. Truth. The frustration in watching the news is in not knowing what really happened. In mysteries, in the end, we usually do.

That may explain it, but I’m not sure it gives us moral cover. Would there be a fictional Hannibal Lector without the real-life Zodiac killer? I’m not so sure. Those of us who make our living writing about murders perhaps owe more of a debt of gratitude to the people who commit them than we are comfortable admitting.

BRIAN FREEMAN

www.bfreemanbooks.com/
brian@bfreemanbooks.com

Author of STALKED (2008), STRIPPED (2006), and IMMORAL (2005)

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Thursday, May 15, 2008

Susan Lyons | I Hate Research – Except When I Don’t

Personally, I’m not a big fan of research, and after 10 years of university I’d hoped my research days were behind me. Not so! But at least when I’m writing fiction, I can choose topics that interest me.

Firefighters, for example. I decided that the hero of HOT IN HERE (the 2nd book in my Awesome Foursome series, which is a kind of "Sex And The City" series set in Vancouver, BC), would be a firefighter. Now there, let me tell you, was one tough research assignment! Drinking tea in a Vancouver fire hall kitchen with a group of hot firefighters; visiting a firefighter training centre in Reno; having a couple of Queensland firefighters dress me up in full turnout regalia, then catch me when I promptly toppled over!

Not all research is that much fun, unfortunately. Sometimes it’s a matter of a quick or lengthy internet search or reading a stack of library books. That’s great for getting the factual info. I’ll usually start there. Then, if possible, I’ll set up an interview or two. Hearing people’s experiences and insights adds so much flesh to those factual bones. Personal experience is the best thing, of course – it gives us sensory details, ambience, emotion. (For those who’ve read HOT IN HERE, yes, I actually did take a pole-dancing lesson!)

This week, I was at the library reading a brief excerpt from my latest release, SHE'S ON TOP (the 4th book in the Awesome Foursome series). I realized my background research included the following: the Banff summer music school (where the heroine and hero first met), Armed Forces families (because the heroine’s dad was with the Air Force and they travelled all the time), Jewish customs (because her mother was Jewish and her faith was very important to her), and the life of a professional classical musician (which the heroine lives). Of course the scene isn’t an info dump, it’s all about Rina and Giancarlo catching up after nine years, and the reader getting to see some of their similarities and differences – and getting an idea of the conflicts that are going to make for trouble between them.

The point of doing research isn’t to dump it all into the middle of a story, but to give the authentic details and “feel” that make the characters and story come alive and ring true. I know some readers (and writers) are obsessed about total accuracy, but in my opinion it’s fine to fudge a little with the facts; what really matters is emotional truth and resonance. If you’re a writer, how do you feel about the research aspects of your work? If you’re a reader, are you one of the people who notices if a tiny detail is wrong, or are you happy to opt into a “it’s all made up anyhow” approach and just go where the author (and characters) take you?

Thanks so much for inviting me to blog at Fresh Fiction.

Susan Lyons

For sexy romance that’s intense, passionate, heartwarming and fun

http://www.susanlyons.ca/: trailers, excerpts, contest, and all that other good stuff!



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Thursday, May 08, 2008

Kimber Chin | What's In A Name?

"What's in a name? That which we call a rose/By any other name would smell as sweet". Ummm… okay, Shakespeare. That's why Juliet fell in love with Romeo and not some guy named Fred. Yeah, somehow, I'm not buying the names are meaningless sales spiel.

Why? Because names aren't meaningless. They're important. That's why most parents spend the entire nine months trying to decide on one (I, on the other hand, was named after the toilet paper and one of my brothers was named after a box of tissues). They set expectations, invoking feelings and passions.

For the rest of your life.

I know this first hand. Who do you picture when you hear the name Kimber Chin (or, if you prefer, the Dr. Seuss version Kim Chin)? Perhaps Lucy Liu from Charles Angels and Kill Bill? Or Ziyi Zhang from Crouching Tiger, Hidden Dragon? Or…

I'll stop naming gorgeous Asian actresses now before I get depressed. You see, that's SO not me. Even the top Photoshop expert in the world (i.e. my hubby or so he thinks) can't make me look like Lucy Liu. I had to marry to get that last name. My background is Irish, my two sisters are redheads, and I'm paler than Casper, the Friendly Ghost.

Names are even more important for our fictional characters. I doubt any of the great characters in fiction were named carelessly.

There's the wicked George Wickham in Jane Austen's Pride And Prejudice. I just knew with a name like that, he'd turn out to be a baddie.

What about Elena Michaels from Kelley Armstrong's Bitten? She couldn't be plain Ellen Michaels, no, because there is something just a tad bit off with her. Hhhmmm… like being a werewolf, perhaps?

Dr. Jekyll, from Robert Louis Stevenson's Strange Case Of Dr. Jekyll and Mr. Hyde is also betrayed by his name. When I hear Jekyll, I think jackal, the animal, the beast. Not exactly good doctor material.

Sisters are extremely interesting. The D'Averette sisters from Margaret Moore's King John series share a surname emphasizing their ties to their land (De meaning of or from). However, they have very different and distinct first names, stamping each character as an individual. Lady Adelaide, with her almost masculine given name, is a woman of strength and bravery. As for the second sister? I've never met a meek Gillian, dull appearance or not. Lady Elizabeth or Lizette, with her amateur theatrics, won't be tied down to a single moniker. Margaret Moore doesn't say so but I'd bet big money Lizette is a Gemini.

In my first novel, Breach Of Trust, quiet, unassuming Anne James has the plainest name I could think of. Or almost does. She isn't a Smith, is she? No. I thought James more royal and, as our hero, the oh-so-French Philippe Lamont, can attest to, Anne can be a royal pain in the… well, never mind. She appears mild mannered (the Anne) but is truly fierce (the James). Contrasts.

What fictional names do you find interesting or amusing (Dumbledore, anyone?)? Do you try to guess the character's personality by his or her name? I look forward to hearing your thoughts!

Kimber Chin
Author of Breach Of Trust (Champagne Books)
http://businessromance.com/

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Monday, May 05, 2008

Diane Dean-Epps | What If?

"My newest book, KILL-TV, is one of my "what if," stream-of-consciousness moments parlayed into a plot. As a mere lass in my twenties I spent several years working in the radio and television industry where lessons abounded daily, minute-by-minute deadlines were de rigueur, and my video-to-script writing cost me all use and feeling in my verbs.

Back in the day," when I discovered the magic wrought by shoulder pads and their seemingly mysterious ability to make my waist appear smaller than it actually was, I came up with another mysterious point to ponder: What if I wrote a comical and suspenseful story that was based upon a combination of irritating characters I’d worked with in broadcasting and, lest there be any residual hostility on my part necessitating expensive counseling, I just plain killed ‘em off?” You know…cheap therapy. This began my year-long journey into the development of my most ambitious novel to date, KILL-TV, just by virtue of continuity, scene changes, and plotting gyrations.

While some kind folks, to whom I am not related, have commented that I am mildly amusing, humor does tend to always find its way into anything I write. Having said that, maintaining a humorous tone, snappy dialogue, and a fast pace can be a daunting task, but it lent itself well to the setting of the broadcast journalism world, a world that looks pretty danged different from the inside out. I’m often asked why I left the “glamorous” world of broadcasting for my full-time gig as a teacher of Generation Y-ME?! to which I reply cleverly, "Because." Truth be told, as I neared thirty, I was subjected to the tandem aural experience of hearing my biological and sociological clocks ticking; I wanted to contribute to society and use what little experience I had gained to serve people other than myself. Go figure how that kind of thinking can be achieved and channeled through a girl who refused to shop anywhere, but at a store rhyming with, "Lacy’s," until she was…well…thirty.

It may be said that humor is in the mind of the humorist – okay, you got me – I said it and I’m not so sure it makes sense, but just keep in mind, this is my wrap-up and I’m trying to sound all smart, profound, and what-not. With a book that is touted as "humorous," the trickiest part is creating a connection with the reader by accessing the commonality of the absurd and the things that make us all laugh. Being funny is extremely subjective and when I’m fortunate enough to be in front of someone, whether I’m doing stand-up, or just performing one of my "bits" gratis, I at least have the dual advantages of vocal and facial inflection. Writing does not offer this and no amount of exclamation points, italicized words, or clever dialogue can make someone laugh if the tone hasn’t been set first.

In writing, one way I establish tone is to rely upon situations that have happened, but then exaggerate the heck out of them. This is how I created the scene between Leslie and the recently deceased, Lincoln, where she gets her cute little knit top stuck on his tie clasp. As she attempts to set herself free by rocking back and forth in his lap, she creates the illusion that she is in an unseemly coupling with the boss, and this is in full view of anyone walking by in the outer hallway area, which is just on the other side of the control room glass partition. Combining the horror that a character would feel over discovering her dead boss with a slapstick type of physical interaction that is misinterpreted by a key character is no mean feat, but I hope I’ve succeeded. It is my fervent hope, desire, and wish that I have created a tale in KILL-TV that amuses the masses who will graciously welcome these characters into their lives, even briefly, and perhaps beyond if the alliterative protagonist, Leslie Lloyd, agrees to a future foray into my next book.

Diane Dean-Epps
www.dianedeanepps.com/

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Friday, May 02, 2008

Sheila Roberts | Dieting

Dieting can be hazardous to your health. Take exercise for example. A girl could get Plantar Fasciitis jogging across the mall to Cinnabon. She could sprain her wrist fighting with her husband over the last piece of chocolate. You’ve got to be careful. Okay, you’ve got to be serious, too, which is why this last year I finally brought in diet reinforcements: my girlfriends. Dieting is something a woman shouldn’t do alone. It’s too hard, too lonely, too discouraging. But with girlfriends along for support, you’ve got a fighting chance to win the fat wars. The power of female friendship is huge. At least that’s what I’m betting on.

And that’s why I wrote my current book Bikini Season. I know I’m not the only one out there who struggles against the call of chocolate éclairs, potato chips, and banana cream pie. I’m hoping that after reading about my characters’ diet adventures women will get inspired to start their own diet clubs. I’ve offered plenty of great recipes in the book to help you on your way. And, speaking of helping, feel free to visit my website (http://www.sheilasplace.com/) and enter the diet tip contest. Let’s keep the girlfriend power going.

Sheila Roberts

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Tuesday, April 29, 2008

Meg Waite Clayton | In Defense of Happy Endings

Happiness is boring,” and “Riding off into the sunset is not true,” insisted a Noted Author at a symposium I attended earlier this month on the proposition that happiness simply cannot make good literature. And as I resisted – just barely – the urge to pull Sense and Sensibility from my backpack, he lobbed up this comment about Austen unprompted: She is “done for” because we’ve entered “a divorce culture.” One can no longer rely on one’s mate.

I flipped to the back of the journal in which I was taking notes: Pfhew, the photo of my husband of twenty years was still there.

“At home later, I Googled “happy ending”: what I got was nothing about literature and everything about a massage that … well … people do seem to like. As I sat in that symposium, though, I had only my own favorite books to stack up against the Noted Author’s no-happy-endings admonishment. Among the classics, five of my eight favorites qualified, I decided, for happy ending status: Pierre and Natasha, Princess Marya and Nikolay, and even young Nikolinka all leave us with a sense of contentment and hope in War and Peace, as do Dorothea in Middlemarch and pretty much everyone in Austen’s books. Despite the tough spots in To Kill a Mockingbird, it ends with Atticus’s “youthful step … returned” and even Boo Radley emerging as a nice guy when one got to know him; most people are in real life, Scout learns—unlike in books! As for Mildred Lathbury, the most excellent of Barbara Pym’s Excellent Women? She ends up feeling as if she “might be going to have what Helena called ‘a full life’ after all”—even without finding a mate on whom she couldn’t rely for her happiness anyway, if the Noted Author is to be believed. Admittedly, my other three favorite classics tilt toward deadly endings, with an emphasis on suicide—but only three of eight. And, yes, my favorites among contemporary works do tend more toward cautiously hopeful rather than unabashedly happy, but if the choice is happy ending or sad, most would fall on the happy side of the line.

Which I understood the Noted Author to say puts me at best as someone who sticks her head in the sand and at worst a person who doesn’t care about the sad condition of my fellow travelers on this earth. Which maybe I am – we’re never the best judges of ourselves, are we? But here’s the thing: I get the grim truth from The New York Times and NPR every morning; I get an evening News Hour of it from Jim Lehrer. When it comes to books, I like to feel better when I turn the last page than I did when I opened the cover. That’s much of why I read: to experience joy, and to discover hope. And isn’t it hope that moves us forward, that inspires us, ultimately, to put our own shoulders to the task of making this world a better place? Isn’t that – the power to change the world – the defining greatness that makes the best of literature endure beyond whatever culture we might or might not be in at any given time?

Meg Waite Clayton
author of The Wednesday Sisters (Ballantine, June 17, 2008)
www.megwaiteclayton.com/

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Monday, April 28, 2008

Kathleen Long | The Gifts of Writing

I want to thank everyone here at Fresh Fiction for inviting me to blog today. I was sitting at my computer this morning trying to settle on an interesting topic for today’s blog. My new series? My future plans? My typical writing day?

Instead, I found myself thinking about the gift of writing—or should I say gifts, plural. Writing has brought so many layers of good to my life—new friends, new challenges, new skills—that describing those gifts would take all day.

Then, the best “gift” of my life announced she was awake for the day. That was the moment I realized a toddler’s chattering was the perfect place to begin—and focus—this blog.

Did writing bring about my two-year-old? No, but my writing career taught me to work hard and chase my dreams. In life, just as in writing, there aren’t any shortcuts. Our daughter came into our lives after a ten-year pursuit of parenthood, and I wouldn’t trade a single moment of the journey. After all, each step brought me to this wonderful moment filled with alphabet songs and questions and belly laughs.

My writing journey has been no different. Writing—like life—is about doing the legwork.

Writing is about believing your dream is worth chasing. It’s about dusting yourself off and trying again each time you face an obstacle in the road. Writing is about reading—how-to books, favorite authors, market news. Writing is about learning—pacing, plotting, story techniques. Writing is about writing—first drafts, second drafts, third drafts, and more. It’s about starting over time after time simply because you refuse to quit and because the need to write is part of who you are.

Writing is about setting the alarm to wake up two hours before your family to steal time in front of your computer. It’s about staying up far too late—or early—because the storyline in your head won’t take no for an answer. It’s about rolling over at 3am and thinking, wait a minute…what if my heroine said this instead? then racing downstairs to make notes or fire up the laptop.

Writing, for me, is its own reward.

Writing is about setting free the words and characters and places in my mind that come to me so clearly and purely I couldn’t ignore them even if I wanted to.

Writing is about creating worlds into which readers might escape for an hour or two or three.

The Body Hunters is my first trilogy—my first series—and I loved the process of creating the cast of characters and their stories. Developing the series provided me with the opportunity to form a longer-lasting, deeper connection to the characters in my mind. I hope the series will provide the same opportunity for connection—and escape—for readers.

Escape. That one powerful word sums up why I write.

At a particularly difficult point in my life, a book pulled me out of the fog of grief that had overtaken my every thought and movement. A book carried me away, helped me turn the corner toward becoming whole again. Since then, books have been my escape time and time again—be they books I’m writing or books I’m reading.

That particular book gave me the kick in the pants I needed not just to live again, but to write again. That book made me want to provide that same escape for others.

I sat back that day and decided to value my dream enough to chase it.

To every author out there—both published and as-yet unpublished—thank you for believing in yourself enough to chase your dream. Without you, I might still be stuck in my fog. Instead, I’m headed upstairs to help a two-year-old start her day. I can’t imagine a greater gift than that.

Please visit me at www.kathleenlong.com for the latest news and release info, and at www.thebodyhunters.com/ for the latest on The Body Hunters trilogy and just what inspired your favorite character or scene. Join me all this week over at the www.eharlequin.com/ Forums where an entire thread has been dedicated to discussing The Body Hunters. Most importantly, thank you for stopping by today, and thanks again to Fresh Fiction for inviting me to blog!

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Friday, April 25, 2008

Shelley Bradley | Unintentional Voyeur

It’s an occupational hazard. Authors don’t mean to spy and eavesdrop on people but it happens. Recently, I found myself at a restaurant for a Sunday lunch with my family. It was an upscale microbrewery/sports bar. All dark wood, brass, and plasma TVs everywhere. Great food, too. But even with all that going on around me, I was riveted by a couple two tables away. I couldn’t hear a word they were saying. But their bodies were talking- shouting. I just couldn’t help myself from "listening".

He was huge. I live an area that a lot of pro football players call home, so he may have been one. Regardless, he was at least 6’ 4”, blond ponytail, hulking shoulders. Gorgeous, frankly, with this interesting untamed air. Normally, he would have been enough all by himself to snag my attention. But he was sitting across the table from a woman. She was short and petite with dark, pixie hair. She had this interesting guarded expression. Gorgeous was leaning literally halfway across the table as he spoke, shoulders forward, eyes on Pixie. Whatever he was saying, he meant it. And his attention was nowhere but on her. She looked at her fingernails, her cell phone, her food, the table, and occasionally up at him with a shy glance. I don’t think she had a clue that I could actually see longing on her face. He must have seen it; I doubt the guy was blind. Every time she sent him one of these stares, he leaned a bit more toward her, until I swore he was going to climb across the table to get to her. And when they stood up to leave, he was all protective, possessive touches. She seemed a little jumpy and unsure, but finally settled against him. He honest-to-goodness smiled like he’d won the lottery. Then she moved away again. They walked out the door, her with car keys in hand.

Where am I going with this? Well, anywhere, really. For me, this is one way ideas are born. It was clear this couple knew each other, though my guess is not terribly well. I never heard a word they were saying. So in order to assuage my curiosity and fill in the blanks, I had to make SOMETHING up. The resulting story that’s brewing in my head is so delicious, I can’t stand it. A lot of deadlines are in-between me and this idea, but just seeing these two sent my head in a totally unexpected and thrilling direction.

There’s a saying: "Caution. What you do may appear in my next book." So true. Even if you don’t know it, I might be watching. And you could wind up immortalized in fiction.

What kinds of events or people do you notice when you’re out? Do they make you wonder what their lives and conversations are about?

Shelley Bradley - Sizzle from the Heart
A PERFECT MATCH ~ Samhain ~ May 13, 2008 (e-book)
www.blogger.com/www.shelleybradley.com

Shayla Black - The Wicked Edge of Romance
DANGEROUS BOYS & THEIR TOY ~ Ellora's Cave ~ May 28, 2008 (e-book)
TEMPT ME WITH DARKNESS ~ Pocket Paranormal ~ August 26, 2008
www.shaylablack.com/ www.doomsdaybrethren.com/
MySpace!

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Thursday, April 24, 2008

Celeste Bradley | When I Grow Up

Why is there no period of perfection between zits and gray hair? Why can't I ever be at the beginning of a trend instead of two years behind it? When exactly do I get to feel like a grown-up?

When I grow up, I want to be that confident woman who smiles more than she worries and who is happy with her body because it is strong and healthy. I want to be the woman who gets dressed only once, who can wear a scarf with flair, who puts on paisley without ever considering if it makes her look just a bit like an overstuffed sofa. When I grow up I want to meet new people and remember their names and their jobs and what makes them laugh--and never ever stare at them the next year without any fragment of recognition.

When I grow up I want to be on time for all appointments, wash my hair before it needs it and be on first name basis with everyone at the gym instead of the ice cream parlor. When I grow up I want to never be late with the light bill or lose a check or forget to give my kids lunch money. I want to listen to people talk about investments without my eyes glazing over or feeling faint. I want to start my taxes on January 1st and start my Christmas shopping in August.

When I grow up I want to be always patient and kind and generous and never make grumpy, envious snap judgements about other women because they wear scarves and wash their hair before it needs it and make regular appearances at the gym.

When I grow up I want to be just like me--only completely different.

Hmm...my forty-mumble birthday is coming. I'd better hurry up.

Celeste Bradley
celestebradley.com

"The Heiress Brides" are racing to the altar!
DESPERATELY SEEKING A DUKE (March 2008)
THE DUKE NEXT DOOR (April 2008)
DUKE MOST WANTED (May 2008)

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Wednesday, April 23, 2008

Karen Harrington | When a man loves a woman…who murders

When a central character is still deeply in love with someone you and I would judge harshly, for, say, murder, that presents a challenge for the writer. How can readers be sympathetic to a misguided, love-struck protagonist? And does a writer necessarily have to sympathize with him?
I know all about this challenge.

In my debut novel JANEOLOGY, Tom Nelson is still in love with the woman who has destroyed his life. He misses her. He craves her. He wants to touch her. He wants to talk to her over a cup of coffee the way they used to as friends. But this is never going to happen.

The story begins with Tom’s horrific discovery that his wife Jane drowned their toddler son. An act he feels is so out of character that it defies logic. Now, he judges himself harshly for still loving the woman he thought he knew. The world quickly vilifies Jane and urges him to join in their group hate. If that weren’t enough, prosecutors charge him with ‘failure to protect’ believing he should have known Jane was ill and shielded his child from her. This legal charge only makes Tom delve deeper into questioning his love for Jane. Was it misplaced, he wonders throughout his own trial? Is he, in fact, partially responsible as the prosecutor alleges? And what does he make of his attorney’s bold defense: that Jane’s nature and nurture conspired to make her ill-equipped to be a loving parent?

I began writing this story with the central question: what causes a mother to kill her own child? I could not ignore this question. It didn’t seem to add up that a mother could be pouring Cheerios one minute and be altered the next. Someone in her family, I reasoned, had to have witnessed the decline. It had to have taken place over a period of days, weeks and months – not overnight. While the horrible murder sets JANEOLOGY in motion, the novel is really a story of a man desperate to for understanding.

The idea that we sometimes miss changes in loved ones precisely because we love them began to take shape. I realized, at least in the fictional world of JANEOLOGY, that a spouse like Tom could indeed still love the person he originally knew without acknowledging the person she had become. We are all guilty of this at times. Time stands still in the face of love. And that is what happens to Tom Nelson to his profound detriment.

I invite you to read an excerpt of the novel by visiting my website http://www.karenharringtonbooks.com/

You can also view the video trailer for JANEOLOGY below, which so hauntingly couples water imagery with hints of dark family secrets trickling down among the generations of Jane’s troubled family. The unrelenting tribal drumbeat of the music ratchets-up the tension until you feel like the hairs on your neck stand at attention and you have to know what happens. (Fortunate author that I am, this trailer was created by THE inventor of the novel trailer art form, Kam Wai Yu, who has been developing this art since the 1980s.)




Thanks to FreshFiction for inviting me to blog here today among so many great authors.

See you on the bookshelves!

Karen Harrington

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Tuesday, April 22, 2008

L. J. Sellers | Taking the Plunge

At the end of last year, I decided that 2008 would be different. I had several goals:

1) start a new novel

2) work on my novel first thing every day, even if I had to get up an hour earlier

3) find or create paying work that I enjoyed more than what I was currently doing to earn a living

4) sell my detective series to another publisher

By March 1, I had accomplished the three things I had control over—although not the way I expected to. January first, I began to outline my new Detective Jackson novel with working title, SECRETS TO DIE FOR. I began getting up at five o’clock to write for an hour before I went to work. At the time, I worked as an editor for an educational publisher, a demanding job that left me too mentally exhausted at the end of the day to feel creative enough to fill blank page after blank page (which is how a novel comes into existence).

Next, I started sending out letters to agents, publishers, and writers, announcing my services as a fiction editor. And I contacted some corporate clients and magazines about nonfiction editing as well. Then I took the biggest step: I asked my employer to let me cut back on my hours at work, thinking it would be long slow transition to self-employment. They promptly laid me off.

Thank you very much.

Terrified, but joyously liberated, I plunged into a new routine: Write for three or four hours exclusively on my novel first thing every morning, break for an hour of exercise, then freelance edit for others. And the work poured in—enough to pay the bills. Now in the evenings, instead of trying to squeeze in a little bit of uninspired writing, I have time to network and market my novel that's currently in print, THE SEX CLUB. Most days I’m at my desk from six in the morning until ten at night, but very little of it feels like work.

I love my new life! My bathroom is perpetually untidy, dinner is often an unimaginative freezer-to-oven meal, and there's laundry backed up everywhere. But yesterday, I passed page 150 on my novel, so who cares? My husband says he's never seen me so happy. It's the first time in my life that I've put my personal writing first. Making a living, raising kids, taking care of extended family, and keeping the house together were always a priority. These things are still important, but they are no longer most important. (Don't call child services; my kids are adults now.)

My goal is keep it going for as long as possible—because I finally feel like my real self. I know that not every writer is in a position to make this kind of change, but I heartily recommend it if you can.

L. J. Sellers

http://thesexclub.net/

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Friday, April 18, 2008

Kathryn Caskie | Romantic Frame of Mine

Sometimes it's hard to get into a romantic frame of mind when its time to sit down and write, even when a deadline looms. For instance today. Two days ago, the sewer line from my 200 year old house to the street suddenly burst sending raw sewage into the air and across the yard. Yeah, how romantic is that? And then I see the outrageous bill, for digging up my entire yard to replace piping--none of which it seems is covered by insurance. There is no working plumbing in the house last night or today, the dogs had to be shuttled off to a kennel and the kids to a neighbor's house. So I have a little time alone--except for all of the plumbers with backhoes, shovels and long lengths of pipe--and it's time to write a love scene.

So how do I do it? How does an author write a rich, emotional scene when the world is not cooperating? I know of a fabulous New York Times bestselling romance author who pours herself a glass of white wine and then sits down to write three love scenes all in one sitting. I know another who watches sexy movies. I know another who calls her husband and asks him to come home for an early lunch. All very...inspiring.

Me? I read. It doesn't have to be steamy stories, or even Regency-set. I just need to read. Reading transports me like nothing else. Books can whisk you away to another time and place...where toilet paper isn't dangling from a limb and one plumber isn't daring the other to eat the five-inch worm he just dug up. Today I just happen to pick up The Seduction of an Unknown Lady by Samantha James. Within the span of a single page I was in her lushly detailed world, not my own. I was her heroine for an hour or so.

Then I opened the chapter I had been writing the day before. I read it aloud (I have this quirky way of launching myself into the scene--I read my pages in a British accent, but its not the Queen's proper British--it's more Monty Pythonesque. It embarrasses my kids, which is, I suppose, part of the fun of doing it. But it works!) Then, I close my eyes and watch the scene unfold in my mind. The characters come to life and I listen. And I write. The world outside my office has dissolved and Regency London has taken its place.

If ever there was a means for time travel, it would be reading. It takes us away and allows us to experience another reality for a while. Let's us forget our own troubles, replacing them with worries about choosing a gown for a ball--and whether the sexy hero is going to kiss you...um...I mean the heroine that night.

Books are pretty powerful things. If they were a drug, they'd be illegal. But they're not. They're only $6.99 or so. How great is that?

Kathryn Caskie's new book, How to Propose to a Prince, is on the shelves now! Stop by her web site for excerpts, fun and contests. www.kathryncaskie.com/

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Monday, April 14, 2008

Susan Whitfield | Tangled in seaweed and Testicles?

Genesis Beach, my first novel (published in 2007) tells the story of an investigative intern on North Carolina’s Crystal Coast, who is trying to solve the murder of a millionaire. Imagine her surprise when she discovers he was beaten to death with a sock! She pursues a prime suspect who is a slippery rascal (to borrow a phrase from the movie, Pretty Woman). While in pursuit, Logan Hunter must deal with a hurricane that wipes out most of her worldly possessions. At the same time she is having recurring sleep terrors that threaten to derail her when she realizes she may have been molested as a toddler. Her strength and determination keep her in the hunt, and she nails the killer even though she trusted the wrong person.

Just North of Luck evolved out of my need to carry on with Logan Hunter’s character. (Reader feedback indicated that she was likable and, perhaps, worthy of a few more adventures.) Logan is assigned to corral some bootleggers in the remote mountains of North Carolina when two murders occur. Once the SBI (State Bureau of Investigation) is called in, Logan takes the lead and teams up with hunky Chase Railey, a local detective. Together they pursue the killer but not before more victims are added to the list. The serial killer is targeting school employees and using a diversity of means to off them, causing some of the murders to be classified as accidents. Over the months of investigation, Chase introduces Logan to Appalachian festivals, including The Testicle Festival. Yes, that’s what I said. Now, I must explain that there really is NO festival like this in North Carolina, as far as I know. However, I thought it would be fun to add such an event to an intense setting. It adds humor, I hope, (Logan is coerced into eating the delicacies), shock, and a much-needed break from the gruesome murders. Logan gets her first taste of love when Chase takes her to his cabin, and together they zero in on the killer. So, this book offers killing folks, eating testicles, and making love.

When I’m not writing, I’m reading. I keep a basket of books by my sunroom rocking chair at all times. I read all genres. At one time in my life I read only best selling authors, but the more I visit book and writings sites, the more unknown authors I read. I have found many writers who have become cyber friends of mine, “talking” through email and blogs, offering advice and encouragement, and reading each other’s work. Isn’t that great? Ah, the wide world! I’ve collected reviews as well as blurbs from some of these awesomely nice folks, and have reciprocated when asked to do so.

I’m often asked where the ideas come from. My answer? Reading, television shows, comedy acts, billboards, phone books, editorials, eavesdropping (just kidding). You get the idea. I have more ideas than I will ever be able to use! I’m also fortunate to live in a beautiful state where I can travel from the mountains to the sea in one day. There are many gorgeous regions here for inspiration.

My first video trailer (for Just North of Luck) is posted on my website, www.swhitfield.com/

I welcome feedback for this blog, my site, and the trailer.


Special thanks to FreshFiction for having me as a guest blogger. Keep reading! Susan Whitfield

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Tuesday, April 08, 2008

Sandra Schwab | Battling Writer's Block

Most writers know – and dread – it: the horrid mid-book blues. That point when the sizzle disappears from your story and it becomes the most awful thing written in the history of mankind. No, indeed, the most awful thing written in the history of the whole wide world! Really, if dinosaurs would have been able to write, even they would have produced so much better stories than you! You are a fraud! And should you ever manage to finish the book and to hand it in, your poor editor and agent will most certainly drop dead because of the awfulness of it. And it will be all your fault!

As you might have guessed, I am intimately acquainted with the aforementioned horrid mid-book blues. Only in my case, it's doesn't happen when I reach the middle of a book, no, it usually happens when I reach the end of chapter 3. I happily scribble away for the first 50-75 pages and then, all of a sudden, I'm stuck, my characters are stuck, my Muse has vanished, and the story has screeched to a perfect standstill. What is a poor writer to do?

1) Phone a friend and whine.

2) Eat chocolate. (Lots of chocolate.)

3) Stare at the blinking cursor on your monitor until you've become raving mad and start banging your head on the keyboard.

The effectiveness of such measures, however, is dubious (especially if you manage to damage your notebook or AlphaSmart in the course of the head-banging-on-keyboard). More drastic methods are called for!

4) Kill your characters off in an interesting way (e.g. drop a mountain or meteor onto them; let a vulcano erupt; they even might become the victims of an awful - and deadly - alien attack!) Unfortunately, this wonderful way of battling writer's block isn't unproblematic as most editors don't seem to think the death of the protagonists in the middle of a romance novel is such a good idea. (Duh.) So this brings us to:

5) Skip ahead in the story and write the love scene.

Tried and tested method, which I successfully applied while writing Castle of the Wolf after my poor heroine had been stuck on a steamboat on the Rhine for months on end. (I even thought about letting her fall into the river and find a watery grave in the muddy waters of the old stream, but see notes on #4.) With Bewitched, my next novel, though, things were not that easy: a love scene was not to be found (only the aftermath of a love scene) and the story flowed along sluggishly at best - in other words: the Muse kept pouting. Obviously she wanted to be entertained.

6) Entertain your Muse by giving your characters fictitious books to read

Which is why the heroine of Bewitched gets to read a lovely shilling romance (= the 19th-century equivalent of massmarket paperbacks): "The Horrible Histories of the Rhine" is a gripping story full of daring knights and hapless damsels in distress, ghastly monsters, glorious adventures and true love (of course), and whenever I got stuck in the story proper I simply worked on another snippet from "The Horrible Histories." And why was this so effective and wonderfully entertaining? Because the daring knights and hapless damsels are, in fact, my colleagues from university. *ggg* For example, the beautiful Alexandie, who is kidnapped by the awful Green Man in "The Horrible Histories" is in real life Alexandra, whose PhD project deals with the motif of the Green Man in literature.

Naturally, even though I had successfully battled writer's block while writing Bewitched, I still thought the reading of the manuscript might prove fatal for my poor agent and editor (luckily, it didn't). And so I had to apply method #1 and #2 anyway, only this time after I had handed in the book.

***

Thanks for having me here at the Fresh Fiction blog!

Best wishes from Germany,
Sandra Schwab

To learn more about Sandra and her stories, please visit her website at http://www.sandraschwab.com/, where you can also read an excerpt from Bewitched. Or listen to Sandra reading from the novel.

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Monday, April 07, 2008

Christina Meldrum | MADAPPLE: What is a “crossover” book?

My first novel, MADAPPLE, is coming out this May from Alfred A. Knopf. The publisher sent out advance copies of MADAPPLE to book buyers and reviewers. A surprisingly large number of these readers have asked me: “Why is this a teen book?” “Did you write it for teens?” “Shouldn’t the book be categorized as adult fiction?” Truth be told, I didn’t write MADAPPLE for a specific audience. I just wrote the book I wanted to write. My editor sees MADAPPLE as a “crossover” book—that is, a book that spans the genres of adult literary fiction and young adult (“YA”). Yet, because of the way the publishing industry works, the book must be categorized as one genre or the other. Hence, it is being marketed as YA with the hope that it will reach adults as well.

When I was a teenager, J.D. Salinger, Fyodor Dostoyevsky, Hermann Hesse, Harper Lee and Sylvia Plath were among my favorite authors. I was captivated by the antics of Harper Lee’s Scout. I identified with Salinger’s Franny. Were these authors thought of as YA authors? No. Yet, today, I think some of their books certainly would be categorized as YA. The question: Does it matter? The answer: I’m not sure.

As a teenager, I was transformed by literature. I was not yet juggling the responsibilities of job and family, and I was not entrenched in my belief system. Rather, I was curious about and welcoming of new experiences and ways of thinking. I longed to understand the world and my place in it. And I had time to be curious! Reading was a way to learn about the world. It also was a means of escaping the world, during those awkward teenage moments when I needed to escape. Even today, some of the books that are most dear to me are books I read first as a teen, including Harper Lee’s To Kill A Mockingbird, Salinger’s Franny & Zooey, Dostoyevsky’s Crime and Punishment and Hermann Hesse’s Steppenwolf. Those books became part of the fabric of who I am as a person.

For this reason, when I first learned MADAPPLE would be published as a YA novel, I was excited—and somewhat overwhelmed. It seemed both an awesome and daunting opportunity. I was thrilled by the prospect of reaching a population of people for whom reading is potentially transformative, yet I felt the responsibility of this as well. MADAPPLE is arguably controversial. It certainly has mature themes. I tried very hard to address these themes with sensitivity. And I certainly did not write the book seeking controversy. That said, I did write the book with the hope that it would spur thought.

Like many first-time novelists, writing was not my day job. When I began writing MADAPPLE, I was a litigator. I spent my days formulating arguments for my clients, selecting and emphasizing those facts that supported my positions. In each case, opposing counsel would do the same, emphasizing the facts that behooved his or her client. In theory, truth somehow filtered through: the judge or jury would sort through the relatively extreme arguments and parse out what was fair and true. In actuality, each argument oversimplified reality, and the ending result, while perhaps as fair as was feasible, often had little to do with truth.

In writing MADAPPLE, I hoped to build on my experience as a litigator and explore ways in which we humans, in our attempt to understand the world, at times simplify it and thereby distort it. I wanted to think about how we create categories, based on what we want or have felt or believe is socially acceptable, and then divide the world into these categories.

Specifically, I wanted to explore the dichotomy between science and religion. As Aslaug, the protagonist of MADAPPLE, says, “Science describes the world, it doesn't explain it: it can describe the universe's formation, but it can't explain…how something can come from nothing. That’s the miracle.” Yet religion absent science also seems insufficient. If God exists, would not nature be a means by which to understand God? The more I researched the natural world in my writing of MADAPPLE, the more I appreciated Einstein's belief that genuine religiosity lies not in blind faith but in a “striving after rational knowledge.”

Ultimately, I hoped MADAPPLE would be a contemplation on faith: faith in God; faith in science; and the way in which faith can both open the mind and confine it. And I hoped Aslaug would be an embodiment of this contemplation on faith. An isolated girl whose daily existence is utterly dependent on the natural world—on foraging—and who interprets the world through this lens; but whose emotional life, due to extraordinary circumstances, becomes fueled by religion and mythology. When these two ways of seeing the world collide in Aslaug’s trial for murder, the reader must ask: Is the devil in the details, or is it God?

In the end, the categories fail: the answer is both.

To learn more about MADAPPLE, please visit my website at www.christinameldrum.com/.

Thanks for reading!
Christina Meldrum

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Monday, March 31, 2008

Michelle Monkou | Sauntering Down Memory Lane

A friend recently celebrated her wedding on the beach of Cayman Islands. The bright blue sky, turquoise water, and white sandy beach provided a romantic setting for the couple in love. The photos from her wedding remind me of my April release – No One But You – that beautifully highlights a bride standing on a beach ready and waiting for her perfect match.

No One But You, Harlequin Kimani Romance, introduces the first in the Ladies of Distinction series about sorority sisters who pledged together and now face life after university. Basically after college, Jackson Thomas chose his family business over Sarafina Lovell. Now Jackson is back, and Sara plans to give him one sultry goodbye kiss to prove she’s moved on. His sizzling kiss awakens memories of passion too hot to ignore.…

I am happy to have Essence Bestseller Francis Ray share her thoughts about my book: No One But You . . . is romance at its best - fun, sexy, memorable.

Although I write romances, I am an avid romance reader. From 13 or 14 years old, I read romances that had lush settings in Australia, Argentina, English countryside, and so on. Yes, I could have easily enjoyed reading my book in a quiet corner, but I derived great pleasure in discussing the book.

In high school, way before there was such a thing as bookclubs, my friends and I read the book and then conducted major discussions. At first, it was only my friend and me. Then as others heard about our lively conversation, they wanted to join. We didn’t have rules. However, if a person wasn’t an avid reader and, heaven forbid, not an avid romance reader, then she wouldn’t be a good fit with the group. We read almost a book a day and probably two or three books over a weekend. Granted we didn’t have video games and the multitude of TV channels to tempt us.

This connection between romance books and friends has not diminished over time. Being a member of Romance Writers of America places a person in the middle of active, supportive writers, but more importantly readers, of romance. I’m convinced that a writer cannot be a good writer if she does not read.

I won’t pretend that our discussions were always intellectual and thought provoking. Sometimes it simply was sharing common appreciation like when we talked about heroes -- their motivations and conflicts -- never gets dull. And yes, a full discourse about which celebrities match the hero would make the discussion complete. At 15 years old, sharing page numbers of fabulous bodies described in Johanna Lindsey’s books reduced us to a group of giggling girls. Now several decades later, I can still enjoy a few minutes of frivolity with my girlfriends over a romantic, sensual, handsome hero.

I am grateful for the ties between romance books and friendships. Each served to strengthen the enjoyment of the other. I look forward to continuing my deep relish of the latest romance books and the new friends that will come my way.

Introduce a friend to a romance book.

Michelle Monkou
http://www.michellemonkou.com/

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Thursday, March 27, 2008

Larissa Ione | Keeping It Real

"Write what you know." We’ve all heard it, and maybe we’ve even stayed true to that. But what happens when you need to write about something you don’t know?

Well, that’s where research comes in.

Now, I love research, and right now, I’m researching something I’ve always been interested in – modern and ancient Egypt. The problem? Trying to blend fact with not only fiction, but paranormal fiction, and strangely enough, while there is a ton of information about ancient Egypt, information on modern Egypt, outside of politics, is lacking.

See, I’m working on the third book in my Demonica series, which is set mainly in Egypt. The first two books, Pleasure Unbound (July 08,) and Shadow Lover (April 09) were largely set in New York City and in an underworld hospital. New York was easy enough to research, since there is oodles of information available (plus, I was constantly bugging Stephanie Tyler, my Sydney Croft writing partner, for details, since she lives there,) and the hospital was easy, because I made it up, using real hospitals and my depraved imagination (hey, it’s a hospital run by vampires, demons, and werewolves – it takes a little depravity to come up with the creepier details.)

But trying to work sketchy information about modern Egypt and Egyptian culture into a world where paranormal creatures and their human enemies collide both above ground and below? Well, that’s proving to be a challenge, especially because I’m a stickler for detail and getting it right.

I don’t have a problem manipulating gray areas into something that works for a fictional situation, but I absolutely hate getting details wrong – so much so that when Stephanie and I were writing the first three books in the Sydney Croft Storm series (Riding The Storm and Unleashing The Storm, both available now, and Seduced By The Storm, available September 08,) I contacted several meteorologist friends for information, even though I spent 15 years working in the weather field for the US Air Force and National Weather Service, and I know meteorology. But I wanted to make absolutely certain that our fictional weather machine could, theoretically, do what we needed it to do.

So what about you? As a reader, how important to you is technical detail (whether or not you know it’s accurate?) For example, I have NO idea if Tom Clancy’s incredible detail is accurate or not, but he writes with such authority that he could tell me the earth has two moons and I’d believe it. So does technical detail help pull you into a rich world, or does it bog down a story for you?

Larissa Ione (http://www.larissaione.com/)

Sydney Croft (http://www.sydneycroft.com/)

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Friday, March 21, 2008

Jade Lee | It's All In The Accessories!

My mother always stressed accessories in dressing. Me, I wanted to be DOING something, not fussing with finding the perfect earrings (which always fell out) or the best necklace (which banged against things when I played). The worst, of course, was when she criticized my footwear. I was a sneaker girl. Actually, I didn’t mind nice shoes. A good pair of heels could give me a lift. But I HATED pantyhose. And since every good girl (in my mother’s mind) wore nylon stockings with her shoes, I became all about the sneakers. She allowed me to wear footies with athletic wear. (Remember footies? Cotton socks with little balls on the end or low socks that weren’t even seen beneath your Keds? Much better than pantyhose!)

Well, childhood habits (or traumas) shape the adult persona. I became one of those women who silently abhor her LACK of a shoe fetish. I never understood the desire to wear 5 inch platforms or those spike heels that left pock marks in the linoleum. Pedicures felt good, but why get the nail polish when no one ever sees it? In short—I wore athletic shoes. Good, closed toed, comfortable, arch-supported New Balance footwear.

And then Love Spell (Dorchester) asked me to write a novella about shoes that gave the unknowing wearer a magic power. Well….MAGIC POWERS I could understand! Oh wait, they warned me, I would have to WEAR these wonderful magic shoes (minus the magic) in public, too. My fellow anthology mates went on a festival of possibilities. Leather boots or delicately sculpted sandals? Iron toes or black leather? The possibilities were endless! But for me, the idea of spending an entire conference in spike heels sent me into a spasm. Until it occurred to me that SOME footwear is comfortable AND cool! And if I had a heroine, for example, who felt just like me—simple practical footwear required—then I could give those lovely Chinese Mary-Janes an awesome KUNG-FU POWER!!!! Even better, I could wear those shoes all day, every day and not fall on my face. Score!

So, if you like awesome kung-fu powers (even if it is shoe-inspired) then please check out our new anthology: These Boots Were Made For Stomping! My practical and sweet high school English teacher kicks gang butt in…you guessed it…”Kung-Fu Shoes!” And if you are one of the millions of women who understand the search for the perfect shoes, you can visit http://www.hiheelia.com/ where awesome boots and strappy sandals are available for your purchase! Seriously! (Not, alas, my cute little Mary-Janes.) My publisher has created the website to sell the shoes available in the book! How cool is that? (Though your magic power may vary.)

Enter my ONE DAY ONLY BLOG contest, TWO winners will win a copy of DRAGONBORN!

Jade Lee
www.jadeleeauthor.com/

Dragonborn, March 2008

The Tao of Sex, Blaze Jan 2008

TemptedTigress, June 2007

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Wednesday, March 19, 2008

Robin D. Owens | Writing Fantasy

One of the wonderful things about writing fantasy is that you can make up your own worlds – and all the names. :) Sometimes naming things – planets, continents, rivers is fun (Huckleberry Finn River, Great Platte Ocean, Hard Rock Mountains). It can be easy. I knew I wanted a Celtic background for my "Heart" series so naming the planet Celta didn't require much thought.

But naming the planet in my Summoning series (average American women summoned to an alternate dimension to fight invading evil) was harder. This planet was sentient (and who's to say they aren't?), it's weak because an evil, alien Dark has been feasting on it for years. But it loves the people who are trying to save it and themselves (oh, and creatures – the flying horses and magical shapeshifter animal-companions). The language is French based, and I tried several names that didn't work. I finally decided that the defining characteristic of the planet was love, so it became Amee.

It's also very cool to map the planets. I did a hand drawing of Celta, found software to make it more real looking, then have recently gone beyond my drawing of two continents to the whole world. All fun and motivating to write more about wonderful places.

The best thing about writing your own worlds, though, is sharing it. All my coworkers at my day job got to pick a river or a mountain or whatever to name. I got the Ruby Ananda River from that. Or I can offer contests to name things. I have a passion flower called An'Alcha from that, and, of course, the Plano Straight – that's a huge geographical feature on Celta. I've had characters (murder victim and cop in Heart Quest) named by my readers.

That's the most fun of all, sharing the world with readers who enjoy it as much as I do.




Blessings


Robin D. Owens
Robin, EXCERPTS: http://www.robindowens.com/reads/reads.htm
On Writing & Publishing http://www.robindowens.blogspot.com/
2002 RITA(c) Winner

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Tuesday, March 18, 2008

Stephanie Tyler | Writing Side of Writing

Thanks to Fresh Fiction for the invite to blog! It’s great to be here.

This month marks the publication of my fourth and fifth books – one under Stephanie Tyler called Beyond His Control and the other called Unleashing The Storm under Sydney Croft, the pen-name I co-write under with Larissa Ione.

And I’ve learned a few things since getting the call. For one thing, every book is harder to write than the one before it. I recently had an aspiring writer - a solider working on his memoirs from Iraq - ask me if writing ever got any easier.

My words of wisdom were – you get better but it never gets easier.

Or, at least it shouldn’t. And by that, I mean, you have to try to grow with every book you write. I’ll admit that writing Unleashing The Storm with Larissa was the easiest book writing experience ever. Beyond His Control, my 3rd Harlequin Blaze, was the hardest book I’d ever written to that point.

I say that because, having written 3 books and a novella since then, my current book is currently kicking my ass. I know I’ll look back and see that it was a good thing, but right now, I’m calling in chocolate for backup.

But today, I’m not going to talk about the writing side of writing – I’m going to tell you the three important things I’ve learned about what happens when your books begin to hit the shelves.

The first is that total strangers will most likely be far more excited with the fact that you’re a writer than your family will ever be, especially after the bloom is off the rose after the publication of the first book. I have a feeling a large part of this has to do with the fact that the general public doesn’t see me in my pajamas glued to my computer and ignoring everything around me. But there’s no excuse for my extended family. I guess I liken it to the fact that everywhere we go, people seem fascinated by the fact that my husband works for The Weather Channel – it’s like he’s some kind of celebrity, with people confessing, it’s my favorite – I love The Weather Channel to him. And I’m like, dude, he works in sales... and when I call him, he doesn’t even know what the weather is.

So yes, keep in mind that while your family might love and support you, it is the total strangers who will treat you like a rock star. Thank goodness for total strangers.

The second is that, if anyone in your family publishes a book on demand, every member of your family will own copies of that book and only a handful of those same family members will buy yours. And if they do buy it, the few that read it will say things like, your husband’s a lucky man. Which leads me to number three...

The third is that, if you write romance, your family and close friends may, in fact automatically assume that every love scene is autobiographical – even if they involve people who aren’t actually human. And then they will say things like, I had to put it down because I couldn’t stop thinking about you.

Yes, you can stop and have an EWWWWWWWW moment along with me.

I’ve been an avid reader my entire life and never ever once have I confused the author with the characters in the book. In fact, in a recent interview, someone asked me which character was most like me and that question took me hours to answer, because that’s how little my characters are like me.

I guess it could be worse. Recently, a friend of mine (non-writer) said that her cousin published a book. She bought it and read it and found that it was a thinly veiled account of her cousin’s life (in real life, cousin is a traveling salesman and basketball coach, in book, the lead character is traveling salesman and basketball coach.)

But what horrified my friend was that, in the book, the lead character is also a serial killer, murdering people when he goes out on his sales calls and then returning home to live a normal life with his family and coaching the team.

I told my friend she should be worried if her cousin suddenly shows up for a visit – and I told her to tell him that she adored the book.

So really, I guess I can see why in that case, people might confuse you with your characters. But it’s not like I write heroines sitting around in their pajamas typing all day when suddenly there’s a knock on the door and a traveling team of SEALs shows up...

Oh, sorry – got to go…there was just a knock on my door :-)

Oh, but before I leave, I’d love to give away an autographed copy of Beyond His Control. Just enter my one day blog contest and let me know if you’ve ever wondered about the secret lives of authors.

**And please note that I love and adore my family and friends, extended and otherwise, and the content of this blog contains nothing I haven’t spoken about with them in person. When I’m not busy with the SEALs…

Stephanie Tyler
Sydney Croft
www.stephanietyler.com/

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Friday, March 14, 2008

Deirdre Martin | Crushed

I'm 46 and I still get crushes.

I'm not talkin' seeing a Russell Crowe movie and thinking,"Hootchie Mama, that's one fine lookin' Aussie." I'm talkin' lying on my bed mooning. I'm talkin' trawling the internet for info and pictures. I'm talkin' the full Tiger Beat treatment. And you know what? I think they play a pivotal role in my writing romance.

I got my first crush when I was five. It was Davy Jones of the Monkees. Those big brown eyes. That British accent. Of course, if I'd known he was only 4'3", I might not have felt the same. But when you're five, you don't wonder why your idol is the same height as you.

Next? George Harrison. He had the best Beatle hair and I thought he was deep. I actually credit George with launching me on the road to writing romance. In sixth grade, I used to write G-rated stories about me and George. I still have them and they’re hilarious.

Then came Pete Townshend of the Who. I know: His nose is so big he could smoke a cigar in the rain; but he's so smart, with the most gorgeous blue eyes…. Keith Richards of the Rolling Stones followed. So what if his teeth were rotting, he shot heroin, and combed his hair with an eggbeater. Keith was cool, my first bad boy.

You may detect a pattern here: musicians. As an adolescent, music was my sanity saving device.

I'm not sure why, but eventually, my taste moved on to athletes. Pale, skinny guys with guitars just didn't do it for me any more. I needed to go alpha.

And boy oh boy, did Mark Messier, former Captain of the New York Rangers, fit the bill. He had a body built for sin, and a primal intensity that has never been matched in the history of sports. As a leader, he was unrivaled. Lots of female hockey fans had it bad for "Mess," despite the fact he's kind of, well, simian looking. It was Messier's animal magnetism that prompted me to create the character of Ty Gallagher in my first book, BODY CHECK, so my crush on Mess actually helped me get published.

I almost fell for British soccer star David Beckham but there are a couple of problems "Becks": first, he seems as dumb as a bag of hammers, and second, he's got a high pitched cockney voice. I pictured him taking me in the arms, but when he'd say, "You're the most beautiful woman in the world," in that Mickey Mouse voice, my libido took the last train to Clarksville.

I know lots of women who can appreciate guys purely as eye candy, but I can't. If the object of my desire doesn't have a brain, I'm not interested. In fact, it's often the brain that drives the crush for me rather than the other way around. If they have a sense of humor, too, so much the better.

This explains my current crush on Jemaine Clement of Flight of the Conchords. Yeah, he's got a great bod and luscious lips and cool Elvis Costello glasses; but the main thing is, he's funny and smart—and he plays the guitar, an added bonus. The kiwi accent doesn't hurt, either.

I've stopped being embarrassed about my crushes because…they're fun. They make me feel tingly all over, like the first time a guy I really, really liked asked me out. They expand my imagination. They jump start my libido and help me write those hot sex scenes in my books (At least, I hope they’re hot). People who say crushes are immature don't know what they're missing. Crushes keep you young. As I cruise into middle age, I'm glad I still have the capacity to get giddy over some guy who floats my boat, even if it's only in my dreams.

Now excuse me while I go online to see if I can find any new pictures of Jemaine….

Deirdre Martin is a New York Times Bestselling author of six romances. Here latest book is JUST A TASTE. You can visit her website at: www.deirdremartin.com/.

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Wednesday, March 12, 2008

Jenna Black | Too Stupid To Live

We've all "met" her in romance novels: the heroine who is Too Stupid to Live (or TSTL, for short). I read a novel recently that I really loved--except for one scene where the heroine had a TSTL moment. The book was good enough, and the TSTL moment came late enough, that I was able to forgive the author and still enjoy the book. I'll even buy her next one. But how I wish I could have been her editor for just a few minutes and convinced her to change that one scene.

Often, a heroine has TSTL moments because the author needs to get her into danger for plot reasons. Perfectly understandable, particularly in suspense plots. But I think most of us as readers prefer the heroine to get into danger for reasons beyond her control. We want to think that she is too smart to make any of these kinds of mistakes--even though we know that even the smartest people do occasionally make mistakes.

There is, however, one character whom I greatly enjoy who has constant TSTL moments. If you've read any of the Stephanie Plum books, you know that she's often having battles between “Smart Stephanie” and “Stupid Stephanie.” Inevitably, Stupid Stephanie wins. And yet, those moments never bother me. I put some thought into it--why don't these moments bother me, when in some other books, if the heroine did the same thing, I'd throw the book across the room? I came to the conclusion that Stephanie doesn't bother me because she never seems to get in trouble because of her Stupid Stephanie moments. When she does something potentially stupid (like breaking into the bad guy's house, for instance), she gets away with it.

Why does that make a difference for me? Because a big part of why I don't like those TSTL moments is because I feel like I can see the author's puppet strings. The author needs the bad guy to capture the heroine, so she has the heroine break into the bad guy's house and get caught there. Which means that the moment the heroine embarks on her quest, it's like there's a big, flashing sign telling me exactly what's about to happen. So not only is the heroine doing something stupid, I've lost all sense of suspense, because I know she's going to get caught. What makes Stephanie work for me is that that assumption doesn't hold true. Something suspenseful might happen, but it won't be whatever I'm expecting, and that makes the stories still enjoyable to me.

I'll leave you with a question that I've been pondering lately about those TSTL moments. When I've heard the term used, it's always describing a heroine. I don't see readers complaining about TSTL heroes. It makes me wonder whether we have a double standard. If a heroine knows she's in danger, but gives her bodyguard the slip anyway, she's TSTL. If a hero does something like that, I suspect we'd see him as “macho” or “alpha,” but not necessarily stupid. So what do you think? Would some of those TSTL heroines merely seem brave, rather than stupid, if they were male?

Jenna


http://www.jennablack.com/
Hungers of the Heart, coming April 29 from Tor Books
The Devil You Know, coming July 29 from Dell Spectra

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Monday, March 10, 2008

Lois Winston| Write What You Know?

"Where do you get your story ideas?"

"Are any of your characters based on yourself or people you know?"

The above are the two most frequently asked questions I hear from readers. The third most frequently asked question is, “How do you research your sex scenes?” This question is never asked by someone who has read my books, always asked by a male, and usually is asked each year at my husband’s company Christmas party. The question is always preceded by over-imbibing on the part of the buffoon asking the question (usually to the embarrassment of the long-suffering wife at his side) and is always followed by a wink-wink, nudge-nudge from said buffoon. Depending on my mood, I will either glare, scowl, look down my nose at the fool (not an easy task for this vertically challenged writer,) or offer his wife a sympathetic eye roll.

But I digress (Can you blame me? What are those dimwits thinking???)

Anyway, there’s a writing axiom that states, write what you know. To some extent this is a sound guideline to follow, but it’s also extremely limiting. I have a very good friend who writes stories populated with vampires, werewolves, selkies, and other assorted weird creatures of the paranormal world. My friend is neither a vampire, a werewolf, nor a selkie, and I have it on good authority that she’s never met any such creatures, either. So obviously this very successful author is not writing what she knows from first-hand experience.

In LOVE, LIES AND A DOUBLE SHOT OF DECEPTION I wrote about secrets and revenge and the lengths some people will go in order to bury the former and achieve the latter. The plot is ripe with scandal. Drugs. Violence. Blackmail. Political machinations. Attempted murder. My heroine is a wealthy widow whose abusive, cocaine-snorting, deceased husband was about as low as a low-life can get.

Write what you know?

Hmm...I’ve never done drugs (sinus meds don’t count), never blackmailed anyone, never tried to kill anyone, never been involved in politics except to vote, and my husband is the complete opposite of my heroine’s husband. The guy even still helps me on with my coat and opens doors for me after all these years! Oh, and in case you’re wondering, I’m also far from wealthy. Very far. As a matter of fact, if the economy doesn’t pick up soon, I may be facing retirement living in a cardboard box, but at least I’ll have my darling husband to keep me warm.

So no, the characters in LOVE, LIES AND A DOUBLE SHOT OF DECEPTION are neither based on me nor anyone I know, and the story line is far from autobiographical. However, some of the plot lines in the book are loosely based on actual events, just not ones involving me.

I get my ideas for my characters and my plots from the world around me. I’m a die-hard news junkie who has always believed that truth is stranger than fiction. That belief is reaffirmed every time I pick up a newspaper or turn on the evening news. I’ll hear a news byte or read an article, then give the event a “what if” spin. The voices in my head take over from there, and the next thing I know, I’ve got the plot for another book.

I do have a confession to make, though. In TALK GERTIE TO ME, Connie, my heroine’s mother, develops an outrageous craft project involving plaster of Paris and a certain body part (No, not that body part! My, you all have dirty minds!) Many years ago I knew a woman who came up with the idea and wanted to demonstrate it on The Tonight Show. Unfortunately, Johnny Carson’s people weren’t interested. But in TALK GERTIE TO ME (with proper credit being given to the creator of the concept on the acknowledgements page,) David Letterman’s people are. Connie winds up demonstrating the craft on Late Night, using a certain sexy movie star from Down Under as her guinea pig assistant.

Write what you know? Hmm…to some extent -- with a little help from those voices in my head.
* * *
Award-winning author Lois Winston writes humorous, cross-genre, contemporary novels and romantic suspense. She often draws upon her extensive experience as an artist and crafts designer for much of her source material. Her first book, TALK GERTIE TO ME, was released in 2006 and was the recipient of the Readers and Bookbuyers Best Award, took second place in both the Beacon Awards and Laurel Wreath Awards, and was nominated for both a Reviewers’ Choice Award and a Golden Leaf Award. Her second novel, LOVE, LIES & A DOUBLE SHOT OF DECEPTION, was a June 2007 release and so far has been nominated for a Golden Leaf Award. Lois contributed to DREAMS & DESIRES, VOL. 1 and 2 and is a contributor to HOUSE UNAUTHORIZED, a November 2007 release. When not writing or designing, you can find Lois trudging through stacks of manuscripts as she hunts for diamonds in the slush piles for the Ashley Grayson Literary Agency. Visit Lois at http://www.loiswinston.com/.

Lois Winston

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Tuesday, March 04, 2008

Anne Easter Smith | Research

I've just come off my first book tour and for the most part it was a blast! The weather was my only real complaint. What a thrill to meet readers and hear first-hand how my two books have impacted them.

As an historical novelist, the aspect of authoring that seemed to interest people and provoke the most questions was the research. “How much research do you do?” or “What percentage of your day goes to research and what to writing?” or even “Do you enjoy researching?” were common questions I was asked.

Yes, I love the research – especially when it takes me to neat places like Lisbon, Bruges, Edinburgh and London. I usually spend two or three weeks before starting to write in Europe—you know, if it's Tuesday it must be Belgium (and in my case that happened a lot for “Daughter Of York”)--and I have to confess it is tiring following in the footsteps of my characters. But without seeing the cities, churches, castles and landscapes that my characters would have seen, how can I give you a good idea of what it was to live there in those times? I need to look out of the third floor window of Louis de Gruuthuyse's house in Bruges and see what he could see. I loved peering down through the leaded panes of his little oratory room window and at the high altar in the Church of Our Lady next door. He built a bridge over a side road between his house and the church so that he and his family need not leave the house to join the Mass! I have Margaret shown the room by Louis in “Daughter of York” when she visits him. I love those little details in other good historicals I have read, so I was determined to include them, too.

But it takes time and perseverance to find what you need. I spend hours in libraries and archives looking for letters, drawings of palaces and castles, and medieval maps of the city or town I'm in. I've met with town historians and university professors who have given of their time to help me. Then there was the time in Mechelen (in Margaret of York's time it was more often referred to as Malines) when,one morning, I was snooping around the stage door of the theater there which is all that remains of Margaret's palace and found an unlocked door; so I snuck in. Halfway up the stairs I was confronted by a woman who was most indignant that I was trespassing. When I apologized and explained why, she identified herself as the artistic director of the theater and took me into the Green Room, which was once half of Margaret's great hall. How wonderful was that! It gave me goosebumps to be standing in Margaret's home. It pays to be bold, I guess.

While at my computer in the writing phase, I never stop researching and find I cannot continue halfway through a paragraph if something comes up that I am not sure of: like whether I could say that my protagonist in the third book reminded her friend of a wren. I grew up loving those sweet little birds in England. But something nagged at me and I went into my Observer's Book of British Birds and found out that the wren is actually an immigrant from North America. This is 1485 and Columbus has not yet sailed the ocean blue! So I had to use a sparrow instead—a native but not so perfect a species for my purpose. Boo! Also, things like how long a ride in a carriage would have taken from London to Canterbury, or where did the medieval road take you through. Sometimes I wonder why I chose this genre—surely it would have been simpler to write about today and what I know!

But no, this is truly where I belong—after all there had to be a reason why I spent all my daydreams as a child in a long dress, wandering through Gothic cathedrals, down narrow dirty streets, or through meadows of wild flowers searching for my knight in shining armor!

Anne Easter Smith, author of “A Rose for the Crown” and “Daughter of York

http://www.anneeastersmith.com/
http://www.anneeastersmith.bookvideos.tv/
http://www.simonsays.com/

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Monday, March 03, 2008

Joanne Rock | Hunger for Historicals

It’s a good time for historicals. Or at least, it should be. I’ve seen more historical shows and movies in the last few years than at any time in the last few decades. The Tudors. Rome. Cate Blanchett’s turns as Elizabeth. Not one, but two versions of Beowulf. It’s a historical writer’s dream. But what about for a fan of historical stories? Are we seeing the trend carried out in our books? Certainly I see the trend in more mainstream-y fiction. The fabulous success of Philippa Gregory’s books tells me interest is there for readers. But I’m not sure the new popularity has fully touched the ranks of romance given the percentage of new historical romances available.

My first clue was that some of historical romance’s brightest stars have gone on to write contemporary books. Lisa Kleypas in recent years. Before that, readers witnessed a rash of historical author defections—Elizabeth Lowell, Iris Johansen, Julie Garwood, Pamela Morsi. Other authors, like Amanda Quick, maintained a larger presence on the contemporary side while still writing historical books. I miss their historical offerings, don’t you?

Likewise, when Pirates of the Caribbean exploded in popularity, I thought for sure we’d see some renewed interest in pirate books. A diehard fan of Miranda Jarrett’s Sparhawk series, I couldn’t wait for this to happen. But how many pirate books have we seen in the last decade? Not nearly enough. Remember Susan WiggsCharm School? I could read many, many more books like this.


Of course, it’s hardly all bad news for historical romances. Authors like Madeline Hunter have tapped into the wealth of readers hungry for historical books. And a few years ago, Harlequin Historicals debated discontinuing the long-running series and then decided against the move after readers and booksellers proclaimed their appreciation for the line. Since then, I’ve seen Harlequin Historicals become more open to a wider variety of time periods, and I think that’s a good sign.

What about you? Are there enough historicals in stores to suit your reading appetite? Or do you wish there were more? If so, what time periods do you enjoy and would you like to see an expansion into others?

Finally, I’d love to hear what you think of the historical movies and series in our media. Do you adore The Tudors as much as me? Enter my One Day Only blog contest, I'm giving away signed copies of A Knight Most Wicked to two lucky winners.



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Wednesday, February 27, 2008

Rachelle Chase | A Life Full of Hot Men, Wild Sex, and Romance-Drenched Days

Since I write erotic romance, the question I’m asked most often is “Do you write about real-life experiences?” And, if it’s a guy doing the asking, this question is often followed by “If you need any help with research...” then, a wink and a sly smile. Initially, I found these questions annoying, thinking them unfair. I mean, would these same people go up to my literary hero, Dean Koontz, and ask him if he was really a schizophrenic psychotic with paranormal endencies? And if they really thought so, I doubt they’d offer to assist him with research. So why, then, do people assume that just because I write about sex, I live a life overflowing with it?

I think it’s because sex is such a personal experience. And since it’s nearly impossible to write about it convincingly without having experienced it, it’s natural for people to assume that erotic romance authors live the life we write about. And since the majority of folks who read erotic romance have most likely had sex, they can tell in a heartbeat if an author is writing nonsense. But, while they’ve had sex, odds are, they’ve never knowingly met a schizophrenic psychotic with paranormal tendencies. So, having no basis for comparison, they give Mr. Koontz the
benefit of the doubt, assuming that he’s merely a master storyteller (which he is!).

So, I no longer consider these assumptions unfair. For if, after reading my work, they refuse to believe that I didn’t really experience what I wrote about, isn’t that the highest form of flattery? Now, let me ask you – have you ever read a book or a scene that was so real you thought the author must’ve experienced it? What was it?

P.S. I just realized that though I implied an answer, I didn’t really answer the question. So, nope, I don’t write about real life, but real life oftentimes triggers what I write about. For example, I host a live talk show called "Chatting with Chase" and I’ve been interviewed on the radio, both of which prompted Dr. Love’s talk show in SIN CLUB. Additionally, I was standing outside of a club one night and a guy drove by and shouted out his phone number. I certainly didn’t call him, but jaded, world-weary, Sharice did in SIN CLUB – with interesting results. And The Dirty Minnie, Sharice’s drink, was created for me by a bartender in Atlanta when I was looking for Derek (http://www.findingderek.com/), the hero of my first book, SEX LOUNGE.

Rachelle Chase

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Friday, February 22, 2008

Hope Tarr | Keeping it in the family-or at least together: Writing the romance series

To paraphrase the late great John Lennon, life is what happens while you’re making other plans.

To directly quote my mother—and mothers everywhere—"Don’t do as I do. Do as I say."

Both sage snippets segue albeit circuitously into my blog topic—how to write connected romance novels, or rather how not to write them, or at least how to recover from (cough, hiccup) going about it all wrong.

My Men of Roxbury House trilogy—VANQUISHED, ENSLAVED, and now UNTAMED—is my first shot at writing connected books. Like anyone’s first anything, in the aftermath, there are lessons learned, battle scars to be shown off—and FYI, I’m not just in it for beads. ;)

Seriously, I don’t write like grownups do. Never have and likely never will. For starters, I don’t write sequentially, linearly, or well, in any reasonable, replicable fashion. You’ll never catch me at a writers’ conference touting my “process,” flashing charts and graphs, or God forbid, instructing others on how to write like me. If anything, I’m the textbook case for what not to do. I do it all wrong—and yet for me, it works.

I write scenes out of order, the characters voicing firing off like canon shot in my head. I’m not a plotter (duh) but I’m not a "pantser," either. I start out with a synopsis, though fat lot of good it does me. I’m what you call a "puzzler," which I’m coming to think amounts to starting down that path paved with good intentions that leads to You Know Where.

In the case of my trilogy books, I thumbed my nose at any notion of creating character sketches, a timeline, a “bible” of people, places, dates, you name it. My muse must have free rein and besides that, all that set-up "stuff" felt like…well, like a lot of work.

Creative freedom tasted sweet for VANQUISHED and ENSLAVED. Then I got to UNTAMED. My challenge (AKA “big problem”) was that Kate and Rourke, my UNTAMED heroine and hero, had already met in ENSLAVED. To keep the sexual tension at a slow sizzle building to burning point, I had to backtrack and start out UNTAMED *prior to* where ENSLAVED left off, all the while keeping clear in my head on where the other secondary characters were at each stage e.g., were Callie and Hadrian (VANQUISHED) married yet and just where were Daisy and Gavin (ENSLAVED) with opening that refurbished theater in the East End?

Memo to whomever manufactures those Post-It notes, please let me know where I can buy stock. Ditto for Starbucks. As to the guy who delivers my carry-out sushi/sashimi, the one whose twins are now contemplating medical school, no need to thank me. I’m always happy to support higher education.

There’s no anchor in a free fall. That said, once you take that leap of faith, there are some pretty amazing surprises that crop up amidst the brambles and screes scraping your knees. In my case, my circuitous “process” has led me to think about adding a fourth book to my so-called trilogy. It seems Rourke’s sexy friend, Ralph, former con artist turned valet is angling for a book of his own. For sure, Kate’s pretty but prickly younger sister, Bea, will be pretty disappointed if he doesn’t get it. I think I will be, too.

What are your experiences of detouring off the so-called beaten path in fiction or in real life? Ever thumb your nose at conventional wisdom—and found yourself thanking the Universe that you did?

Hope’s Unconventional Wisdom:


  1. To paraphrase Louis Carroll, begin at the beginning.

  2. If you ignore #1, and of course you will, then at least keep a damned log book, so you can figure out where you went…shall we say, awry.


  3. Drink coffee. I recommend a latte with an extra espresso shot—all that shaking keeps you on your toes, or at least awake.


  4. To combat being wired from all that caffeine, drink red wine, good red wine, or substitute your mood altering beverage of choice.


  5. Keep all carry-out menus within easy reach. Unlike your "work" files, and the character log that in all likelihood doesn’t actually exist, the menus should be kept in meticulous order, preferably alphabetized.


  6. Drink another glass of red wine—repeat as needed.
Hope Tarr routinely thumbs her nose at Conventional Wisdom and, hair pulling and teeth gnashing aside, generally finds herself glad she did. To enter her more than monthly contest, and have a shot at winning the latest releases from romance buds Julia Quinn, Eloisa James, and Kathryn Caskie, visit Hope online at www.hopetarr.com/.

Hope Tarr

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Monday, February 18, 2008

Jennifer Rardin | Biting the Bullet

Hello! (hello…hello) Yes, I am providing my own echo. This is what happens when you’ve been stuck inside waaaaay to long! (Come on, spring!) On the up-side, you tend to get tons of writing done. I’ve finished book four in the Jaz Parks series and am over a third of the way done with the fifth. But what I really want to talk about is the novel that just came out on February 11.

The third of Jaz Parks’ adventures, Biting the Bullet shoves the CIA assassin and her vampire boss, Vayl, into the center of Tehran. Their mission is to partner with an elite team of soldiers to take down a terrorist mastermind called the Wizard. None of their assignments is easy, but this one could break them. Because not only do they have to unearth the mole in the soldiers’ unit, they’re under attack from demonic monsters, a manipulative Seer, and their own unresolved feelings toward each other. And you thought your job was stressful!

I think you’ll like Jaz’s voice. Wise-cracking, smart-aleck, but always with a depth and vulnerability that lets you know she’s seen more at twenty-five than most people manage in a lifetime. Here’s a little sample from Biting the Bullet:



    "I gave you this information as a courtesy,” I told her, “because I believe you’ll function more effectively if you understand what’s happening and why. But here’s the deal, Grace. My boss and I have been assigned to kill a man and that’s what we’re going to do. You can be part of our team, or you can be a tool we use to get our job done. Either way we have success. You just have to decide if you want to be happy or miserable."
It was a joy talking to you again! When you have a minute, feel free to stop by my website. I always enjoy chatting with Jaz fans!

Jennifer Rardin
http://www.jenniferrardin.com/

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Friday, February 15, 2008

T. Sue VerSteeg | Ah, love...

This one tiny word encompasses all from which romance novels are made. It doesn’t matter what genre, category or heat level. It all comes down to those four little letters. Now, the word itself may be small, but the concept is huge. The tiny flicker eventually turning into an all-consuming flame--now that is love…or at the very least, lust.

As a romance writer, I have to admit that this fire is what sucked me into writing the genre. I love…love. The sex is great, but it is so much more than hopping in the sack. The thrill of the chase, the spark of the first kiss, the flame of the passion, and the sigh of the happily-ever-after ending make it the only category for me to read and write.

There are many people who say romance is nothing but predictable, just because they end the same. I have one word for them: Duh! Mysteries end with a resolution to the mystery and horror stories are going to have gruesome scenes, yet for some reason, they generally aren’t lumped into one bunch and pooh-poohed as a whole. Writing a book is all about the presentation and figuring out how to flow your words from point A to point B with finesse, regardless of genre. If a writer does it well, it sticks with the reader. Period. For me, if a writer does it well and their characters fall in love, I’m a fan forever.

Don’t be afraid to flaunt the fact that you are a romance fanatic, especially with today’s romance. There truly is something out there for everyone.

I’d like to thank Fresh Fiction for inviting me to blog today. I never pass up a chance to ramble on about my love of writing and romance. Please feel free to contact me with any questions or comments at sue@tsueversteeg.com I’d love to hear from you. You can also visit my website at www.tsueversteeg.com/. My latest release, Click!, is available in e-book format from my site. All proceeds from sales are being donated to help the wonderful folks at Romance Divas. This is a writing site dedicated to those whose passion in writing is aimed at the romance world. Stop by and say hello. www.romancedivas.com/.

T. Sue VerSteeg

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Tuesday, February 12, 2008

Anne Gracie | On Beloved Books and Banter

I write in a room lined with beloved books - it's like being with old friends. I know chunks of some of these keepers by heart. For some reason it's usually dialogue I remember, some favorite exchange between the characters.

I love the banter that takes place between a hero and heroine, particularly where they're talking about one thing, but there's a delicious sexual undercurrent underlying the whole conversation.

I'm not talking about suggestiveness, but banter as a sexy duel, a form of courtship, a dance, a game that neither can lose. Good banter always makes me smile.

Some books, some heroes, lend themselves to it more than others. For me, it's usually the hero who starts it. For instance, here's an example from my current book, THE STOLEN PRINCESS, where the Regency hero gets the heroine all hot and bothered with just a few teasing words.

She gave him a severe look. "I told you, I have no desire to put myself under the thumb of any man, ever again."

"But it wasn't my thumb I was thinking of." He said it with such a— such a wicked, laughing look she was hard put to know what to say. So she turned on her heel and walked off.

It took her several minutes of marching along as fast as her legs could carry her before she was able to think at all, let alone think of an appropriately crushing, yet dignified response. His words, along with that laughing smile in his eyes, were a pure invitation to sin. She snorted. Nothing pure about it!

* * *

Later she tells him:

"You know perfectly well what I meant by not wanting to be under the thumb. My entire life has been spent under the rule of two extremely autocratic men — first my father and then my husband. Now I have had my first ever taste of freedom, and nothing — no man —could ever taste sweeter than that."

"Is that a challenge?" he said softly.

"No! Do not be so frivolous."

"I wasn't," he said in a meek voice, but his eyes were dancing.

It was the color, she thought irrelevantly. She'd never seen such blue, blue eyes. Like sunlight sparkling on the sea. Another thing that wasn't fair. Men shouldn't be allowed to have eyes like that.

They walked on and, as they turned a corner, the house came into view. Thank goodness, Callie thought. She might have been walking on a firm graveled path, but it had felt in some ways like she'd been negotiating a marsh, full of traps for the unwary.

He was a very dangerous man! She glanced at him and found him watching her.

"I'm so relieved," he told her.

Callie could not imagine what he was talking about. "Relieved?"

"That you're not afraid of my thumbs. I think they're quite nice thumbs — for thumbs, that is. Don't you think?" He spread his hands out for her to inspect, and though it was clearly ridiculous, she couldn't help glancing at his hands.

"What do you think?" he asked.

She gave them a second critical look and sniffed. "All I can see is that your thumbs are rather large," she said in a quelling voice.

He gave her a slow smile. "Exactly."

Callie had no idea why she should blush, but she did. "I think our breakfast will be ready now," she said and marched briskly back to the breakfast room.

He strolled along beside her. "Yes, I'm ravenous." The way he said it, he didn't just mean for food.

Callie walked faster.


* * *

On one level it's a conversation about nothing much, really, but on another, the sexy duel has begun; we can see he's all out to seduce her -- starting with nothing but words. And thumbs. LOL.

What are your beloved books and what do you love best about them? Enter my one day contest and win a copy of THE STOLEN PRINCESS.

Anne Gracie

http://www.annegracie.com/

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Thursday, February 07, 2008

Tasha Alexander | Dare to Dream

When I first started writing, I hardly dared to dream. I banged away on a semi-decrepit laptop in my attic apartment in New Haven, Connecticut (yes, really, an attic...servants’ quarters, actually; I kept looking with no success for the butler...), working on my debut novel, And Only to Deceive, with only the briefest someday-maybe-if-I’m-good-and-lucky-this-will-get-published thoughts.

I’d chosen the location for the novel carefully—wanted to use settings familiar to me. Places I’d actually been. I studied abroad in college, living in London, and that seemed an easy starting point. Two trips to Paris had cemented the city in my soul, and a recent visit to Greece had wholly seduced me. I was confident I could capture the essentials of each location.

But what next?

I’d joked for a long time that my writing career was a thinly veiled attempt to justify my travel plans, but I’d never really let myself believe that someday, just maybe, I could be an author and jet about the world on research trips. I kept those thoughts far from my brain, focusing instead on writing. It’s the best thing an aspiring author can do—nothing is more important than crafting the best books possible—while all the while pushing the bounds of what you can accomplish.

And you know? A really funny thing happened. All of a sudden (well, okay, not quite; a few years and a few books later), I found myself sitting on a ferry cruising up the Bosphorus to the Black Sea, watching the colors of Istanbul bounce from the shores of both Europe and Asia toward me. Somehow, through lots of hard work and more than a little magic, I’d made it: two weeks in Turkey, researching the next book in my series. The characters I created in that attic apartment are still with me. They’ve grown and deepened and developed a fondness for Turkish food, and I’ve no doubt I’ll drag them along for many more adventures.

I’m home now, more than a little worse for wear (I blame the two hour cab line in a snow storm at O’Hare for that), fairly confident that I’m never going to entirely regain my voice, but happier than I could have ever imagined. Dreams have a way of catching up with you—and I can’t wait to see what happens now that I’m no longer bent on keeping them at bay.

Tasha Alexander

A Poisoned Season - Available Now

A Fatal Waltz - Coming May, 2008

www.tashaalexander.com/

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Tuesday, February 05, 2008

Chris Marie Green | MIDNIGHT REIGN, Vampire Babylon, Book Two

Years and years ago, when I still played with Barbies, Saturday nights were a magical time. They were all about steak dinners with the family around the candlelit table and my dad smoking his cigar in the backyard afterward. Saturday nights were also when IN SEARCH OF… aired on TV, and I remember watching it, enthralled, and oftentimes, scared to death when Leonard Nimoy told us about things like The Loch Ness Monster and Bigfoot.

Of course, I was young, and I freaked out at everything. So when a certain episode about vampires aired, it left an indelible impression that’s stayed with me until this day.

Long claws, sharp teeth, a woman in bed with a gnarly shadow creeping over her…. I was hooked, and it’s no surprise that I’m writing about vampires now for Ace Books.

In keeping with what scared me when I was younger, my own vampires usually have a mean streak and will do anything to survive. In fact, my first vamp book THE HUNTRESS (for the defunct Bombshell line from Silhouette) featured a tribe of female bloodsuckers, feral and hard to slay. I loved those gals, but the real villain in that story was vampirism itself.

I suppose you could say the same about my Vampire Babylon series, a noir-mystery-fantasy with romantic elements. This particular group survives because of secrecy; among their many gifts, they’re great spies who continually mess with the heroine, Dawn Madison, and her new team of hunters. Every book in the series revolves around a vampire-related mystery, but to me, the horror comes from how far a person might go to capture long-lasting life, youth, and fame.

Here’s a hint of what the first book in the series was about:



But NIGHT RISING, Book One (2/07), concerned more than Jesse Shane’s death. Dawn got sucked into the search for a vampire underground when her dad went missing, and her personal discoveries go hand-in-hand with what she finds out about these vampires—and what her own mother’s death might’ve had to do with them.

As you can see in this next trailer, the second book, MIDNIGHT REIGN (2/5/08), continues Dawn’s search for her dad.



There are a lot of twists and turns for you mystery fans. And for those of you who want to follow the relationship between Dawn and The Voice? There’s plenty of that, too, and BREAK OF DAWN, Book Three (out in September) is going to delve into Dawn’s search for who "Jonah" really is!

I hope you stop by my Web site at http://www.vampirebabylon.com/ because, among other things, I’m giving away a great prize for the contest. It’s a "museum quality" Giclee print called "Little Blood Sucker," and it’s signed by the artist, Billy Martinez of Neko.

Isn’t it great? I’ve got one hanging on my own wall.

Thank you for reading, and happy hunting!

Chris Marie Green (AKA Crystal Green) writes full time across the genres. Besides her Vampire Babylon series, she writes for Harlequin Blaze and Silhouette Special Edition. You can visit her other web sites at http://www.crystal-green.com/and www.myspace.com/vampirebablylon.

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Wednesday, January 30, 2008

Jenny Gardiner | And They Lived Happily Ever After

In one of my favorite films last summer (Paris, je t'aime, which is actually a series of short films about love, set in Paris), there is a vignette in which a long-married man is about to leave his wife for his mistress. Years of mutual apathy have rendered the couple’s marriage stale and wilted. All of the little idiosyncrasies that he once found charming and endearing about his wife have become irritants that make his skin crawl. He fairly loathes the woman. Nothing short of an injection of a serious dose of "I actually give a care about you" could save it.

But (without spoiling it!) the husband learns something that completely alters his approach to their relationship. As their relationship evolves, the narrator intones, "Once he began to act like a man in love, he became a man in love."

I love this line, and the concept behind it. It is, in fact, this very kernel of an idea that grew into my novel, SLEEPING WITH WARD CLEAVER. So I found it interesting to hear it verbalized in the movie. There is, to me, such a simple truth to it.

Most everybody starts out in a marriage happy (I hope so, anyhow!). But long after the pheromones have fizzled out and the yearnin’, burnin’ love settles down to a quiet smolder instead of a raging inferno, life starts getting in the way of that original optimistic version of love. It is then that many marriages wither into a state of tolerance, or worse yet, intolerance.

I know it's a cliched line, but the truth is, you have to work at a marriage. All the time. But the daily reality of life tends to clash with that mandate: with kids and work and chores and all of life’s have-to's, who’s got time to work on something that you take as a given, even take for granted?

At a point in life in which my husband and I started seeing some of our friends' marriages dissolve, I started to embrace the idea that you really can go back. It just takes a bit of effort. This is what I set out to explore when I wrote SLEEPING WITH WARD CLEAVER. Perhaps with an optimism borne out of folly, I wanted to set straight the defeatism that seems to plague so many marriages eventually. But I wanted to do it with humor. And because I tend to be a smart aleck, with a little tang of sarcasm.

My own parents' marriage fell apart after 25 years. It was not a pretty sight, and in truth it was a long time from when that first thread was picked from the tapestry of their marriage until the entire thing unravelled. But even though things played out in a worst-case scenario, I couldn’t help but believe that they could have forged through the worst of things and found some sort of positive resolution had both of them really wanted to do it.

Through the demise of their marriage, I learned that there really is--pardon the cliche, again--a very fine line between love and hate. Like fiber-optic-line thin. So if you can morph from a deep, unyielding love into almost hatred, can’t you then go back again? Or is this evolution only uni-directional?

I know that mentality seems a little pollyanna-esque. And rarely have I been accused of being very pie-in-the-sky. But I very much want to believe that-like with that man in the movie–perhaps what it takes is some sort of revelation to help two people, once so much in love, to re-vamp their attitude and try to rediscover what it was that thrust them together in the first place.

Who knows if this really can work out in real life? But the beauty of fiction is that a writer can resolve what in real life seems un-resolveable, and provide a little impetus for that happily ever after that we all expected in the first place.

Jenny Gardiner

website: http://www.jennygardiner.net/

blog: http://www.thedebutanteball.com/

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Tuesday, January 29, 2008

Melody Thomas | Happy Endings find us all happier. What could be wrong with that?

Some years ago I sat in a movie theater watching, The Perfect Storm. I must have been the only one present who did not know this was a true story, therefore the ending set in the proverbial stone of historical fact. Up until the point all three of the heroes perished, I had been waiting for that miraculous intervention, anything that would save them. When the movie ended, I was so aggravated that I had sat through the entire movie and had nothing but a sense of doom to show for my time. So my question to you is: what is the point of a movie or a book if it does not end with at least the hope that the characters we suffer with will be happy when the story ends. This is one of the reasons I don’t trust mainstream fiction or movies that are supposed to have a meaningful message to us poor, beleaguered souls of humanity. Too often, such entertainment leaves me depressed. In addition, because I am a writer, I have concluded that it is a lot easier for an author to give a book or a movie a sad ending than it is for one to deliver the hope of happiness. It takes great skill to leave a reader, who has just been put through an emotional wringer with a character, elevated at the story’s end. It is far easier for a writer to let characters dangle indefinitely in perpetual misery than it is to build the foundation for a happy ending. A good story accomplishes this feat. A great story resonates long after we close the book. Knowing that our intrepid heroine has overcome adversity, taken control of her life and destiny, and found true love, empowers us all as we embrace her happy ending as if it were our own. A great romance does this by invoking all of our emotions throughout the book and, just at the moment when all feels lost, somehow pulls it all together and yanks that worried reader back from the brink. That quality is what makes this wonderful genre the most popular and bestselling mass market genre in the world. As a writer of romance novels, I am proud to stand up for the happy ending.

To that happy end, I hope you check out my latest two historical romantic suspense releases from Avon, Wild and Wicked in Scotland and Sin and Scandal in England. I write emotion and grit with some humor, and guarantee that though my characters’ trials and tribulations are many, they do earn their happily-ever-after ending.

Melody Thomas

Website: http://www.melodythomas.com/

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Thursday, January 24, 2008

Mary Vine | The Blonde Writer

Do blondes have more fun? Having had two or three other hair colors over my lifetime, I should be a good judge as to whether a blonde has more fun than a brunette. However, I haven’t been able to see any difference. I do know when confronted with something beyond my immediate understanding, I can point out that I’m blonde or say I’m having a blonde moment. I am always granted a smile and unbelievable understanding and patience. The truth be told, I tried to make it as a brunette, but it just didn’t work because people expected me to know things.

To be honest, this blonde writer’s ignorance doesn’t have to do with hair color as much as the fact that I’d never befriended an author and hadn’t a clue of what being a writer entailed. Without a writer’s group in the early years to steer me along, I had to learn things the hard way.

I set out to write the perfect inspirational book. I had a hard time thinking about changing anything I’d written as it came to me upon inspiration. Which is all well and good, but was told after my first critique that people didn’t want to be preached at, they wanted to be entertained. I believe I paid $400 for that information. Now I know a more subtle approach would be a better way to go about getting a message across. I’ve also learned not to pay for a critique. Once I got over that inspired writing thing, I learned that each free critique partner since has had something important to impart to me about my writing. I believe it does take a village to write a great book.

In those early years I thought that I could only write when I was stress-free, because that’s when the inspiration would flow. Then one day a writer told me that the book her fans liked the most was written during a very stressful time in her life. I wish she had added that I would never get any writing done if I waited for a time without stress. Is there ever a time without stress? What I know now is that writing has taken my mind off of stressful events, such as my mother’s recent death and moving to another state.

I joined Romance Writer’s of America and watched others do a book-in-a-week or month (i.e., writing for a specific time line without stopping to edit), but I didn’t believe I could do that so instead, I partook the only way I could: by editing the first chapter over and over and over, before I could move forward.

Finally, I attempted to set up a writing schedule while attending to a full-time job. I can’t believe all the writing I’ve gotten done since implementing a routine. With a schedule in place, I started to rethink the book-in-a-month. Where I once thought I could never simply write and not go back and edit, I decided to try it. While writing, I didn’t know if I could salvage any of the story, but later when I read through it, I found much of it usable.

I deny that the years have made me older, but I am wiser. I think I may be starting to think like a writer. One would have to agree I’m finally on the pathway to being a successful writer. Perhaps now, I even know enough to be a brunette.

Mary Vine

http://www.maryvine.com/

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Monday, January 21, 2008