FreshFiction...for today's reader

Authors and Readers Blog their thoughts about books and reading at Fresh Fiction journals.

Friday, June 26, 2009

Laurel Dewey | Feeling the Fear and Writing the Sequel Anyway

It’s hard enough to write a solid first novel. There’s all that fear and concern that you won’t be able to navigate the territory correctly. But after you break through the angst, write the book and actually get an agent interested in it, you think you can sit back and take a break for a bit.


Wrong! When I finally scored an agent for my first novel, Protector (the first book in the Jane Perry series), he asked me, "So? What’s next?" I remember stammering something about how I wanted to just take some time off since I’d put sixteen months into writing the book and a year prior to that researching it. "No, no, no," he said, "I need to know where this story is going with Jane Perry."


Click to read the rest of Laurel's blog and to leave a comment.

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Wednesday, June 10, 2009

Karen Harper | A Novel Idea Takes Root

Every writer needs a 'hook for the book.' By this I don’t mean only a grabber beginning, but something unique about the theme or setting. So for my June novel, Deep Down, I decided to hang the intrigue of the story not only on the romance between the hero and heroine or the murder mystery they must solve together, but on the rare, endangered and precious herb ginseng.


That's right—an herb, a root. The tag line on the front of Deep Down, screams "Evil takes root!" The herb ginseng is one of the most valuable but increasingly rare herbs in the world and has been for centuries. The Chinese emperors used to guard their imperial ginseng under pain of death. George Washington knew and traded the herb as did Daniel Boone. Some the best 'sang' in the world, as the Appalachians call ginseng, grows in the forests of Kentucky. Today, this cure-all is in demand by Chinese cartels, power drink companies, herbal conglomerates and the US Government, which has put it on the Endangered Species list. Tests are starting to prove that it delays (perhaps can help to cure?) certain endocrine-driven cancers. What an herb! What a hook for a scary, deep woods romantic suspense novel.

Click to read the rest of Karen's blog and to leave a comment.

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Thursday, August 14, 2008

Marcus Sakey | Good People

Hey all! It’s an honor to be guest blogging here—thanks so much to Fresh Fiction for lending me the microphone. Suckers.

My new novel, GOOD PEOPLE is about, well, good people, specifically a married couple that’s been trying to have a baby. They haven’t had any luck, and are being crushed by debt from fertility treatments, and that’s straining their marriage and their hope.

Then one night, everything changes. Offered a chance at a future they’d almost lost hope in, they seize it. One simple choice. A fairy-tale ending.

But as they soon learn, fairy tale endings don’t come cheap….

Of course, that’s the finished book. When I began thinking about it, I didn’t know all that stuff.

See, for me, starting a book is a difficult time. I usually have some idea of what I want to explore, but I can’t get started until something clicks. Sometimes it’s a character, sometimes a scene. I never know until it hits. So I spend a lot of time freewriting, staring at the wall, cleaning the toilet, reading other books, cooking, browsing the web….

And it was that last that made this come together. I was just surfing, the way people don’t often do anymore. A click here led to an article there that led to a personal page. And somewhere along the way I came on a community site designed for people who were trying to have children.

It was an incredibly intimate experience.

Hopefully, none of you have had to deal with this. I haven’t. But for a lot of people, having children isn’t the simple prospect it’s “supposed” to be. For a lot of people, millions, it’s a lot more challenging than that. It involves doctor visits and calendars and daily temperature readings and shots and procedures. It can cost an enormous amount of money and be a brutal experience.

The site that I found, and others like it, were a revelation. Normal people posted regularly, supporting one another through this difficult process. They wrote about their frustration and pain, about their dreams, about what the process was doing to their marriage. They wrote about it with a simple honest that was heartbreaking. It certainly broke mine.

And as I read more—and I scoured these things for days—I realized that this was something I needed to write about. It was hard, and terrible, and real. And inside, I felt that click, the little moment that told me I had found what I was looking for.

I wanted to write about two perfectly normal people and what this would do to them. I wanted it to be as true and raw as I could. And I wanted to put them in a situation where all the answers to their prayers seemed to be laid out in front of them. Of course, nothing is as simple as it seems….

As I said, this is something I haven’t had to go through myself. I hope that I did it justice, that I did it right. And of course, at the same time, I hope it’s a book that will keep people up past bedtime, or make them miss their train stops.

Only time will tell. But if you happen to buy a copy, please, drop me a line marcus@marcussakey.com and tell me what you think. I’d really like to know.

Marcus Sakey
www.marcussakey.com/

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Tuesday, August 12, 2008

Sandra Brown | Jay Burgess is dead.

Jay, who, you ask?

Jay Burgess, one of the main characters in my new novel, SMOKE SCREEN, which, by the way, goes on sale today.

I’m sure you’re wondering how and why a main character can be dead (and not a ghostly presence), but this is very much the case with Jay, and even though he’s deceased, I still had to make him as dynamic as every other character in the book. You see, everything in SMOKE SCREEN revolves around Jay, his childhood friend, Raley Gannon, our intrepid heroine, Britt Shelley and a fire.

And much like the fire, a single event that fuels the back-story of nearly every character in the book, Jay Burgess is a man who impacted many lives.

Besides Jay, Raley and Britt, there's a host of other characters. Matter of fact, SMOKE SCREEN probably has more characters than any other book I’ve written. This is due in part to the villain not being revealed until so late in the book. Keeping that identity a secret necessitated creating four or five viable suspects and each of them needed motive, opportunity and most importantly, character traits that define them, make them seem not only real but unique enough for the reader to keep them straight.

This can make writing the book a bit for the author at times, but at the same time, more characters means always having "someone" to check in with, and that’s what keeps a story moving forward—Always a good thing for the writer!

I hope you enjoy reading SMOKE SCREEN as much as I enjoyed writing it!
You can read an excerpt Here.

Sandra Brown

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Monday, August 04, 2008

Eve Silver | Why Gothic?

Thanks to FreshFiction for inviting me to blog today.

Sometimes, the best laid plans blow up like a shook-up soda.

I’m a suspense fan. Lisa Jackson's Shiver, Linda Howard ’s Cry No More, Lisa Gardner’s Hide...those books sent a shiver up my spine. But I never imagined myself as a suspense writer. In fact, my very first romance-writing attempt was a light, funny contemporary romance that is buried in the back yard where it belongs. Some books should never see the light of day, LOL! Still, the months I slaved over that manuscript were not a waste. I learned a lot. Specifically, I learned I should not be writing contemporary romantic comedy. (What was I thinking?)

No problem. I tried my hand at a light, funny historical. Umm...not such a success. No matter how hard I tried to be funny, everything I wrote was dark. Very dark. And spooky. And scary. In fact, that first historical ended up as a twisty, creepy gothic. So I ran with it, and I kept writing gothics. It was easier than fighting the dark cauldron of my imagination. I guess you could say that I didn’t choose gothics, they chose me.

My August release, His Wicked Sins, is no exception. It’s a little less gothic, a little more suspense, and a lot sinister. In 1828 Yorkshire, a killer lurks in the shadowed halls of Burndale School. Three women are dead. Murdered. Elizabeth Canham is drawn to Griffin Fairfax, the father of one of her pupils. But she soon learns that all of the victims were intimately connected to him. As the murderer stalks her, Elizabeth must decide if Griffin could be the charming, seductive killer so many women have lost their hearts—and lives—to...

Considering how much fun I have writing these books, I must admit that I don’t regret going over to the dark side.

Please visit www.evesilver.net/ or www.evekenin.com/ for more information on HIS WICKED SINS and other Eve Silver / Eve Kenin books.

Happy reading!

Eve Silver / Eve Kenin

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Wednesday, March 05, 2008

Amanda Stevens| Legend or Folklore

I’ve always had a fascination for the macabre, so I suppose my foray from romantic suspense into what I call 'creepy, southern thrillers' was a natural (or unnatural!) progression for me. I grew up in the foothills of the Ozarks, an area steeped in legend and folklore, and the stories I heard as a kid still give me goose bumps to this day. That same sort of breathless, shivery dread is what I hope to evoke with my own stories.

My latest thriller, The Devil’s Footprints, was inspired by one of those old legend. On the morning of February 8, 1855, the townsfolk of Devon, England, awakened to find a series of hoof-like marks in freshly fallen snow. The U-shaped tracks continued throughout the countryside for over a hundred miles, traversing over houses, rivers, and haystacks—even through stone walls—as though no barrier could stop them.

Panic and paranoia ran rampant through the area, and armed with pitchforks and clubs, some of the townspeople set out to track down the beast responsible. Various newspapers, including The Times of London, covered the story extensively, and as a result, numerous theories soon evolved, the most bizarre being that Satan himself was roaming the countryside in search of sinners.

Wow. I mean, that’s good stuff, right?

For my purposes, I moved the tale to a little town in southern Arkansas, and the prints first appeared in a farmer’s cotton field in 1922. There, the legend was all but forgotten until the prints reappeared some seventy years later near the mutilated body of Rachel DeLaune.

If you have a favorite legend or folklore, I’d love to hear about it. I’ll be featuring a different story on my website (http://www.amandastevens.com/blog.html) every Tuesday during March. Also Marked by Evil, an online prequel to The Devil’s Footprints, will run every Tuesday and Thursday at http://www.eharlequin.com/.

Amanda Stevens

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Thursday, February 28, 2008

Cynthia Eden | Why write romance?

Have you ever gotten this question before? Have you been asked just why you decided to write in the romance genre? There are so many different areas out there…why romance?

Well, for me, the answer is simple: I love romance.

I’ve been addicted to romance novels since I read my first story almost twenty years ago. (I was twelve, for anyone curious about the math!)

I love romances because I like to escape from the real world—I like to sink myself into a story that I know will give me thrills…and a happy ending.

I love romances because the romance genre—it’s huge! I can read historicals, futuristics, romantic suspenses, or contemporaries. With romance, cross-over is welcome.

My upcoming Kensington Brava release, HOTTER AFTER MIDNIGHT, is probably best described as a paranormal romantic suspense. My heroine, Dr. Emily Drake, is a psychologist who only treats paranormal patients. She gets pulled into a murder investigation as a profiler—and teamed up with sexy wolf shifter, Detective Colin Gyth. I loved being able to add darker elements to this tale. Romance, a serial killer, wolf shifters and psychics—lucky for me, the romance genre is so broad and so wonderfully accepting.

I feel like writers have been pushing the boundaries of romance for years and that push has allowed our genre to just grow stronger.

But what about you? Why do you write (or read) romance?

(And a big thank you to Fresh Fiction for having me here today! I’m thrilled to be guest blogging!)

Cynthia Eden

www.cynthiaeden.com/

HOTTER AFTER MIDNIGHT—April 29, 2008, Kensington Brava

Wicked Ways” in WHEN HE WAS BAD—May 27, 2008, Kensington Brava

Believe in monsters. They believe in you.

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Monday, February 04, 2008

Rhonda Pollero | Finnley is soooo not me!

I’ve heard that a lot since the debut of my of the Finley Anderson Tanner series. I can’t attest to how much she and I are alike. Yes, Finley and I share the same sense of humor and I suppose her moral code mirrors my own. That’s pretty much where the similarities end. Well, excluding the fact that she’s blonde and short. That’s a function of practicality. Being blonde and short myself, I know how to dress Finley (fairly high heels are important) and the physicality of the character’s actions reflect the fact that unless she started dating Michael J. Fox, she’d never know what it felt like to dance with her head resting on a guy’s shoulder.

In all other aspects, Finley and I couldn’t be less alike.

She’s a shopper, something I personally loathe. I’d rather remove a kidney than go to a mall. The whole idea of window-shopping makes me want to stick pencils in my eyes. Finley’s also heavily in debt, another personal taboo of mine. But the biggest difference is that she’s an underachiever by choice. I’m so much of an overachiever that I probably could benefit from lengthy therapy.

Crafting a character is never easy – nor should it be – and there will always be a sprinkling of the author’s personality and/or personal experiences in his or her characters. Figuring out where to draw the line can be tough, especially when doing an on-going series.

Knowing Finley needed room to grow, so I gave her some hefty flaws. In KNOCK OFF (available in paperback now), she takes her first foray into the realm of solving a crime. She isn’t all that adept in the beginning, but by the end of the book, she’s learned a few things, although she’s a long way from attaining the moniker of amateur sleuth. At best, she’s an accidental sleuth.

In the second book, KNOCK ‘EM DEAD (on shelves February 27th), she builds on what she learned in the first book, though she’s still a long way from a crime-solving whiz.

Finley marked a detour in my career. After writing more than 25 romantic suspense novels under my pseudonym Kelsey Roberts, I wondered how books penned by Rhonda Pollero would be received. Different name, and different flavor. Was there enough mystery to satisfy mystery fans? Was the sizzle between Finley and Liam enough of a subplot to draw fans of my romantic suspense? I honestly didn’t have a clue and after a lot of angst filled soul-searching, I decided I had to put those concerns on the back burner and just tell the story.

I’m glad I took the chance. People seem to love Finley as much as I do.

And that’s the bottom line, isn’t it? A writer is a storyteller; everything else is just window dressing.

Happy Writing . . . Rhonda

www.rhondapollero.com/ www.kelseyroberts.net/

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Thursday, November 29, 2007

Colleen Thompson | The Best Job on Earth

As a long-time visitor to the Fresh Fiction site, I’m thrilled to be guest blogging in celebration of my new romantic suspense novel, The Salt Maiden. I thought I’d take some time to talk about why I think writing romantic suspense is the best job ever.

1. Real life can be tough. The news reminds us daily that terrible things can and do happen to good people, and the perpetrators all too often get away with their misdeeds. Not in my books. As tense and harrowing as they can get, by the end of each book, the deserving protagonists will find the happiness they deserve, my version of justice will be served, and the villain will pay.

2. I can indulge my passions and introduce the reader to them. From dogs to the prairies, deserts, and small towns of Texas to a host of fascinating pursuits (lately, I’ve flown in gliders and traveling to research an upcoming book), I can enrich my life – and I hope the lives of others – with the new things I learn while writing each and every tale.

3. I get to wreak havoc (car wrecks, fires, assaults, and an occasional murder-most-foul) in a controlled setting (my office). If someone’s been a jerk to me, I can give a baddie a few of this person’s characteristics (taking care to disguise him/her sufficiently) and exact my fictional revenge. This is great fun – and what a stress-buster.

4. Successfully interweaving mystery/suspense and romance is such a fascinating, challenging endeavor, I never get bored with my work. There’s always something new to learn, some way to make it better.

5. In the course of a day, I might make myself laugh, cry, or catch my breath – when I’m not falling in love with my book’s heroes. As much as I adore my husband, I’m usually ready to run off with each story’s hero by the time I finish writing.

All of this isn’t to say that writing romantic suspense (or anything else) doesn’t have its frustrations, as any other job does. But the perks remind me almost daily that the grass is pretty green on this side of the fence. As long as I’m having fun, I think (or hope!) that my enthusiasm communicates itself to readers and they’ll share a measure of my enjoyment through the pages.

http://www.colleen-thompson.com/

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Monday, October 22, 2007

Carla Neggers | Travel Tales: Writing on the Fly

I'm on the road. I just arrived in beautiful Salt Lake City on not such a beautiful day, but what incredible scenery. It's my second time out west this year. In June, I was in Denver, Phoenix and Las Vegas touring for ABANDON, my most recent book, with side trips to Sedona and the Grand Canyon. In between these two trips west, I've scooted off to Dallas, New York, Maine and Toronto. Fortunately, I can write pretty much anytime, anywhere. I spent the first three hours of the flight to Salt Lake working on THE ANGEL, which is due out in hardcover in late April. I love this story, so it was easy to drag out my laptop, put on my iPod and dive in.

Not everyone can or likes to write on the road, but for me it can be fun and energizing. Some writers I know like to hole up in a hotel for the last week or two they're working on a book. Total immersion. No distractions. It's something I've never done, but I can understand the appeal—especially if it's a nice hotel! I wrote part of THE WIDOW, which is due out in paperback in a few weeks, at the Hermitage in Nashville, one of my all-time favorite hotels.

I've learned the hard way to be very clear about what's trash and what's not trash. I left a print-out of BREAKWATER in our hotel room in Reno two years ago. I'd made about eight-hours worth of handwritten changes—no computer backup. We were on the tail-end of another trip west—we drove up the Pacific Coast Highway from San Diego to San Francisco, then on to Reno and, finally, Lake Tahoe. After so many days on the road, the flimsy gray cardboard box that held my manuscript was very beat up…and out it went with the trash, never to be seen again. Live and learn…

Of course, I take trips when I don't write at all. I like to give my mind a chance to roam. Last summer, we stayed in a cottage on a sheep farm on the southwest coast of Ireland—what an experience. I wasn't doing research or even thinking about an Ireland-related book, but the moment we stepped into the ruin of the coastal stone cottage where my son-in-law's great-grandfather was born…I knew a story had grabbed hold of me. I didn't know what it was or when I'd write it, but, looking back, I realize I started writing THE ANGEL that day.

We're off to Beverly Hills after Salt Lake City. I'll be finished with THE ANGEL and look forward to giving my mind another chance to roam. Who knows what'll happen—maybe I'll just people-watch—but it'll be an adventure.

Take care, and happy reading!

Carla

http://www.carlaneggers.com/

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Tuesday, October 16, 2007

Shari Shattuck | Men in Fiction

When I was asked to do this chat I politely requested some subject ideas. The ladies at Fresh Fiction very kindly hinted that most writers talk about where they got their latest book/plot idea.

Well, my plot ideas usually start with something vague, and then I pull from the myriad of images and happenings that we call life. My latest, “Eye of the Beholder” was inspired by my new neighborhood, the one I’m working on now, as yet untitled, sprung from the loins of a conversation with an old modeling friend in Atlanta, where I grew up. But I do have a subject that I’ve had to sneak up on, set traps for, and hope I capture my elusive prey. Fictional men.

Where do we get our male characters and how true are they? For that matter, how true do we want them to be? In one of his fabulously witty books, the British humorist P. G. Wodehouse has one of his characters married to well-known Romance writer Rosie Banks. Rosie’s been asked to write a column for a ladies’ paper about her husband and he exclaims in great distress, “Believe me, or believe me not, Bertie, when I say that she describes me as half-God, half prattling mischievous child!” To which Bertie replies, “Good God! She didn’t say that!”

Not a bad description of many of our men in real life, no doubt, but most of us prefer our literary men on the minor deity end of the spectrum. However loving and forgiving creatures that most woman are, I admit to occasionally keeping score on my man’s transgressions, and so in “Eye” one of my characters describes her husband as being mentally about seven when they have a disagreement. “You know, he reverts to that ‘I’m not stupid, you’re stupid!’ stage.”

I’ve stolen much of my own man’s personality for Evan Paley in the Callaway Wilde series. Joseph is my constant consultant on “maleness.” Since he’s one of those ‘real men’ in real life and an accomplished stage actor who’s filled out the emotional life of male characters ranging from Richard the Third to Lenny in 'Grapes of Wrath' to Macbeth, that Scottish king with the harpy wife, (who was played by me, giggle) he’s got some pretty good insights.

So, let me know what you think about the subject. Then let’s talk men in fiction!

http://www.sharishattuck.com/

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Monday, October 08, 2007

Patti O'Shea - A Peek Behind the Book

Ideas come to authors at different times and in different ways. Sometimes one flash is enough to trigger an entire story. That's what happened with THE POWER OF TWO. I was staring out the window at my day job when the word "nanotechnology" came into my mind. All I had to do was ask, well, what about it? and the next thing I knew, I had my heroine, the hero, and the way they were tied to each other.

Other times, nothing more than a concept pops into my head and I'll write down what I have and file it away for some day. Only some day never seems to come--except with my latest book.

IN THE MIDNIGHT HOUR started with a dream I had more than ten years ago. I knew the hero's name--Deke Summers--I knew he was under a magical curse, and I was aware of what that curse was, but there was no heroine and no story. I wrote down the concept in one sentence and moved on. I loved the idea and hoped that some day I'd have a plot to go with it, but I didn't hold out much hope because I have file drawers full of ideas waiting to be used.

Time marched on, and while I didn't exactly forget Deke, I didn't think about him often. Then it happened. December 2003 a woman appeared in my head and started talking about her people. (It's true, I hear voices. It's a good thing I'm a writer.) Anyway, this character wouldn't share her name, not until she'd spent weeks telling me all about a magical society called the Gineal. Only after that did she let me know that her name was Ryne Frasier and she was a troubleshooter.

When a character comes in and talks to me, I know I'll be writing their story, but I had a problem. While I had all kinds of facts about her people, I didn't have a hero for Ryne and I didn't have a clue what her story was. It's funny I remembered Deke at that moment--or maybe it isn't. Once I realized he and his curse belonged with her, the story began to flow--for a couple of chapters.

I could see the opening of the story clearly and how tough Ryne was--and how vulnerable and lonely. I could see her relationship with her sister and how both of them were hampered by their pasts, And I could see how Ryne and Deke met and how that would play into their relationship. But I couldn't seem to get a handle on Deke beyond his curse and how much he hated it. Then I found the picture.

The man was gorgeous and he had attitude written all over his face. This guy totally fit Deke and that quickly, that easily, I had his personality. Deke is a horrible smart aleck and one of his favorite things in the world is to push people's buttons--especially Ryne's. She's so serious, so intense, and he likes to see the heat in her eyes so much that he can't help himself. He drove her crazy. Ryne was trained to control her emotions--she has to in order to function as a magical troubleshooter--but she had very little self-command when it came to Deke.

There was one other thing about this book that made it different for me--I knew the ending almost from the start. It's the first time I've had a clue how one of my stories would close before I was past the halfway mark, and usually it's deeper into the book than that. It was pretty darn cool to have that in my head from the beginning, but I'm not counting on being that lucky again any time soon.

Each book has a different story on how it came to be, but I thought I'd give you a little peek behind Midnight Hour. If you have any questions about any of my books, feel free to ask. I'm happy to talk about my stories.

Patti's Website - http://www.pattioshea.com/
Patti's Blog - http://pattioshea.blogspot.com/
Patti's MySpace Page - http://www.myspace.com/patti_oshea
In the Midnight Hour Video - http://www.pattioshea.com/midnight_video.shtml

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Thursday, August 23, 2007

Cait London | Psychic Triplets

Cait LondonHow do writers get their stories? Much of our research is built into us, and we just need to find a story line in which to place it. I get my story ideas from everywhere: from my title or databases, from anything I see in the news/television, anything I see driving along the side of the road, a photograph, a drawing, or by just generally observing people.

At the Edge by Cait LondonI've just finished the third story in the psychic triplets’ contemporary trilogy. The first story concerns Claire, the empath and the youngest, in AT THE EDGE. The second is Tempest's story, A STRANGER'S TOUCH (4/08); she uses her hands to determine the history of an object. Leona's story (11/08), the one I've just finished is as yet untitled, and concerns her abilities as a precognitive, or “precog”.

Where did I get the idea for this trilogy? Since I am the mother of three daughters, I had some idea of their interaction. Their birth order also determines some of their personality traits. Claire, our empath, is basically in seclusion, in a cottage-type situation and she is a handcrafter, creating designer handbags. Since I am also an artist and have done handcrafting, including sewing, I understood Claire's occupation. Many of the objects in Claire's home, are similar to those within my own home. I surround myself with objects that please me in color and style, but also those odd ones that I think may hold an idea for a future story.

Claire’s Celtic jewelry, created by her sister, Tempest, is based from a few pieces someone gifted to me. Claire’s decorative Hummingbird which hangs from her kitchen window is a tidbit I picked up from my sister, who feeds them. Neil Olafson/hero is a workman, also an occupation in my family; I've seen the blue smoke from a chainsaw, such as what Neil uses.

If you take the connection well noted between twins, and expand it to triplets, add an ancient Celtic seer’s abilities that have descended to those triplets, you have Cait London’s Aislings. My own interests lean toward the Vikings, another element, but much of the material in my books is based on my experiences and interests.

sunsetIMHO, a writer needs to get out from behind his/her desk to enrich stories. There are lots of ideas floating around, and all a writer has to do is tap into them. While some of them may be universal ideas, each writer places their own unique style/experience into the stories.

Watch for A STRANGER'S TOUCH, coming in April 2008. But next on my publishing schedule is EVERY GIRL'S GUIDE TO..., a re-issue in September 2007.


Cait London
http://www.caitlondon.com/

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Monday, August 20, 2007

Karna Small Bodman | Up Close Political Thrills and Suspense

KARNA SMALL BODMANI was scheduled to be in the staff car with White House Press Secretary Jim Brady on March 30, 1981 – the day of the assassination attempt against President Reagan. I was Jim’s Deputy at the time. At the last minute, Jim said, “There’s a lot of work to do today – a lot of press calls to return. Why don’t you stay back. I can handle this one alone – you go tomorrow. This is just a speech to some union group over at the Hilton. I’ll be back around 2:30.” As we all know, he never came back. That day, along with many others will always be seared in my memory, and when I sat down to write my first novel CHECKMATE, I spent time reflecting on those personal experiences, figuring I had a ton of material for a series of political thrillers.

Authors are always asked, “Where do you get your ideas?” Of course, any daily newspaper offers a veritable Petri dish of plot points, but I decided that “being there” is even better. When I later took the job as Senior Director of the National Security Council, we were dealing with crises almost GAMBIT by Karna Small Bodmanon a daily basis – any one of which could be turned into a pretty good novel: the attempted assassination of the Pope, the terrorist attack on the cruise ship, “Achille Lauro,” the shooting down of the Korean jetliner with an American Congressman on board (I use that one in the sequel, GAMBIT, out next February), the explosion of the space shuttle with the school teacher on board as well as the usual conflicts with Congress.

The actual inspiration for CHECKMATE President Reagan’s announcement of his program to develop a missile defense system (“Star Wars” as some dubbed it). So I put together a story about a beautiful young scientist who invents a breakthrough technology for a missile defense system, foreign agents trying to steal it, a handsome National Security Council staffer trying to help her, and a lecherous Congressman more interested in her bod than funding her project (just trying to make it authentic!)

I wanted to weave in a romantic sub-plot – always a challenge in a fast-paced thriller. After all, how quickly can they get together when dealing with a count-down? But check my website: www.karnabodman.com for more on the story. I also keep the romance going in GAMBIT where a love triangle develops involving the charismatic Vice President of the U.S. Bottom line: with these stories, I want readers (men as well as women) to feel like White House “insiders” showing scenes in the Oval Office, the Situation Room and providing a seat at classified briefings. As George Bernard Shaw said, “The best way to get your point across is to entertain.” And that’s exactly what I’m trying to do!

Now, I’ve been on a crazy book tour with over 80 speeches/events for groups around the country (my husband says I’m certifiable!) Again, there are details of many events on my website: www.karnabodman.com. If you’re nearby – please stop and say hello or drop me a note. I’d love to be in touch.

Karna Small Bodman

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