October 22nd, 2019
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White Lady--a ghost not only seeking bloody revenge but demanding assistance to get it.

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Alliances with the dead could be all that keeps her alive.

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Moving on has never been harder—or so perfectly unpredictable…

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Can they end the feud between the MacInnes and Glendenning Clans that has persisted since the Battle of Culloden?

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Romance about enemies-to-lovers who fall for each other in a small Massachusetts coastal town.

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Feuding families, a legacy to prove and redemption...

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What do you do when you are forgotten by the man you’ve loved for twenty years? What do you do if you are the one who is remembered?

Frederik Pohl

Frederik Pohl

Frederik Pohl was one of the generation of young writers who moved effortlessly to writing fanzines to writing for the pulp magazines. His most important work falls into two main segments. In the 1950s, he and his friend C M Kornbluth wrote four novels, and a number of short stories, which wittily exaggerated and satirized trends in contemporary American society; the suprisingly prophetic Gladiator-at-Law is eloquent about the degradation of housing projects into slums, the spread of teen and pre-teen gangs and violence in popular entertainment, while The Space Merchants is inventive in its use of conservationists as the despised political opposition to a society whose roots lie in consumerism and high-pressure advertising. Most of Pohl's short stories further explore this vein of satire. His most important later novels are Man Plus, in which a cyborged human explores a realistic Mars, Jem in which human colonists interact destructively with each other and three native species of alien, and Gateway, and its sequels, in which humanity explores the galaxy with the only partly understood abandoned technology of aliens who have gone off somewhere to hide. At his best, Frederik Pohl is one of the wittiest and most humane authors in the field.

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Gateway, October 2004
The Space Merchants, August 1970




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